British Satire, 1785-1840, Volume 4 PDF Download
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Author: John Strachan
Publisher: Routledge
ISBN: 9781138751200
Category :
Languages : en
Pages : 0
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Book Description
This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.
Author: John Strachan
Publisher: Routledge
ISBN: 9781138751200
Category :
Languages : en
Pages : 0
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Book Description
This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.
Author: Samantha Matthews
Publisher: Oxford University Press
ISBN: 0192599852
Category : Literary Criticism
Languages : en
Pages : 439
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Book Description
'Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.
Author: Mary Fairclough
Publisher: Springer
ISBN: 1137593156
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
This book investigates the science of electricity in the long eighteenth century and its textual life in literary and political writings. Electricity was celebrated as a symbol of enlightened progress, but its operation and its utility were unsettlingly obscure. As a result, debates about the nature of electricity dovetailed with discussions of the relation between body and soul, the nature of sexual attraction, the properties of revolutionary communication and the mysteries of vitality. This study explores the complex textual manifestations of electricity between 1740 and 1840, in which commentators describe it both as a material force and as a purely figurative one. The book analyses attempts by both elite and popular practitioners of electricity to elucidate the mysteries of electricity, and traces the figurative uses of electrical language in the works of writers including Mary Robinson, Edmund Burke, Erasmus Darwin, John Thelwall, Mary Shelley and Richard Carlile.
Author: David Stewart
Publisher: Springer
ISBN: 3319705121
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
The 1820s and 1830s, the gap between Romanticism and Victorianism, continues to prove a difficulty for scholars. This book explores and recovers a neglected culture of poetry in those years, and it demonstrates that culture was a crucial turning point in literary history. It explores a uniquely wide range of poets, including the poetry of the literary annuals, Letitia Landon, Felicia Hemans, Robert Browning, Samuel Taylor Coleridge, Thomas Hood and John Clare, placing their work in the light of new research into the conditions of the literary market. In turn, it uses that culture to open up wider theoretical issues relating to literary form, book history, print culture, gender and periodisation. The period’s doubt about poetry’s place in culture and its capacity to last prompted a dazzling range of creative experiments that reimagined the metrical, material and commercial forms of poetry.
Author: Julie Donovan
Publisher: Academica Press,LLC
ISBN: 1933146559
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Recently there has been a growing scholarly interest in Sydney, Lady Morgan (nee Sydney Owenson). The reasons are many. In this work Dr.Donovan contextualizes an important yet relatively neglected author by analyzing an emblematic Irishness that was too often dismissed in the early 19th century as excessive showmanship; the criticism was not without some basis since Owenson was an actor's daughter and grew up in the company of traveling performers. The study includes an extensive discussion of Morgan's personal papers and artifacts housed in the national Library of Ireland and the Royal Irish Academy. No previous study has fully considered this crucial archival material and its implications. In addition unpublished and hitherto unconsulted papers from the Yale University collection are also part of this original research monograph. Owenson's writing is far ranging (she is known both as a polemicist and the author of works on post restoration Italy as well as Ireland) and she commanded the friendship and respect of many early 19th c authors and poets including Byron, Shelley, Moore among many others. The table of contents includes: Introduction Body, Text and Textile in "The Wild Irish Girl" Sydney Owenson's Self-Fashioning How Sydney Owenson Played the Harp Ireland in Europe and the World: Sydney Owenson's Travel Writing Owenson in the 19th Century Irish Research Series, No.55
Author: R. Morrison
Publisher: Springer
ISBN: 1137303859
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
This collection of essays throws vast new light on the most significant literary-political journal of the Romantic age. Its chapters analyze Blackwood's wide-ranging contributions on some of the most topical issues in Romantic studies, including celebrity, British versus Scottish nationalism, and the rise of terror and detective fiction.
Author: H. Bruder
Publisher: Springer
ISBN: 0230277179
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Numerous claims have been made for a sexual Blake, from post-lapsarian pessimist to free-loving hippie. Queer Blake raises a flag for the weird, perverse, camp and gay directions of the artist's life and work. The contributors occupy diverse positions, illustrating what fresh interpretations result when heterosexuality is ditched as an ideal.
Author: Francis O'Gorman
Publisher: Cambridge University Press
ISBN: 0521886996
Category : History
Languages : en
Pages : 327
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Book Description
Stimulating and informative new essays on many aspects of nineteenth-century culture.
Author: Nicholas Mason
Publisher: Taylor & Francis
ISBN: 1000888215
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.
Author: Sarah McCleave
Publisher: Routledge
ISBN: 1351984152
Category : Literary Criticism
Languages : en
Pages : 381
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Book Description
Written by internationally established scholars of Thomas Moore’s music, poetry, and prose writing, Thomas Moore and Romantic Inspiration is a collection of twelve essays and a timely response to significant new biographical, historiographical and editorial work on Moore. This collection reflects the rich variety of cutting-edge work being done on this significant and prolific figure. Sarah McCleave and Brian Caraher have contributed an introduction that positions Moore in his own time (1800-1850), addresses subsequent neglect in the twentieth century, and contextualises the contemporary re-evaluation of Thomas Moore as a figure of considerable interdisciplinary artistic and cultural significance. The contributions to this collection establish Moore’s importance in the fields of Neoclassical and Romantic lyricism, musical performance, song-writing, postcolonial criticism, Orientalism and biographical writing— as well as defining the significance of his voice as an engaged social and political commentator of a strongly cosmopolitan and pluralistic inclination.
