The Ackermann Military Prints PDF Download
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Author: William Y. Carman
Publisher: Schiffer Publishing
ISBN: 9780764316715
Category : Military uniforms in art
Languages : en
Pages : 174
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Book Description
For many years the magnificent color prints published by the firm of Rudolf Ackermann during the 19th century have been in the possession of lucky collectors. However, with the passing of many years these frail works of art have become damaged, or have perished, so that many are not available to those who wish to find and appreciate the work and care which went into these productions. AUTHOR:
Author: William Y. Carman
Publisher: Schiffer Publishing
ISBN: 9780764316715
Category : Military uniforms in art
Languages : en
Pages : 174
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Book Description
For many years the magnificent color prints published by the firm of Rudolf Ackermann during the 19th century have been in the possession of lucky collectors. However, with the passing of many years these frail works of art have become damaged, or have perished, so that many are not available to those who wish to find and appreciate the work and care which went into these productions. AUTHOR:
Author: Ralph Nevill
Publisher: London : The Connoisseur publishing Company
ISBN:
Category : Great Britain
Languages : en
Pages : 210
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Book Description
Author: Chichester de Windt Crookshank
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 192
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Book Description
Author: Ray Westlake
Publisher: Naval & Military Press
ISBN: 9781783319916
Category :
Languages : en
Pages : 138
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Book Description
Born on 26 December 1776 in East Flanders, then an Austrian province, Charles Hamilton Smith was a descendent of a Flemish Protestant family named Smet. In England he attended school in Richmond, Surrey, but having returned to Flanders he went on to study at the Austrian Academy for Artillery and Engineers at Malines and Louvain. He was a talented artist and as such provided one of the most valuable references to military costume ever produced. In Costume of the Army of the British Empire, Hamilton Smith placed on record a detailed account of the several uniforms worn around the time of the Peninsular War. Originally issued in sets of four, the prints were produced from work drawn and etched by Hamilton Smith, then aquatinted by IC Stadler. Publication took place between March 1812 and June 1815 by the London firm of Colnaghi & Co who could be found in Cockspur Street. The printing was done by W Bulmer & Co of Cleveland Row. In this Guide, Ray Westlake has drawn together a full set of Hamilton Smith's scarce and extremely difficult-to-find colour plates. As well as the British Army, a number of lesser-painted formations have been featured, such as the West India Regiment, King's German Legion, Duke of Brunswick Oels's Corps, the York Light Infantry Volunteers, Royal Military Asylum and native troops of the East India Company. For some 30 of them, he has included copies of Hamilton Smith's original drawings used for the work. Also useful are the six colour charts showing facing and lace colours. With a total of 60 informative plates, this Guide will prove to be a welcome addition to the library of all those interested in military uniform.
Author: Douglas Fordham
Publisher: University of Pennsylvania Press
ISBN: 0812242432
Category : Art
Languages : en
Pages : 352
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Book Description
Between the Jacobite Rebellion of 1745 and the American Declaration of Independence, London artists transformed themselves from loosely organized professionals into one of the most progressive schools of art in Europe. In British Art and the Seven Years' War Douglas Fordham argues that war and political dissent provided potent catalysts for the creation of a national school of art. Over the course of three tumultuous decades marked by foreign wars and domestic political dissent, metropolitan artists—especially the founding members of the Royal Academy, including Joshua Reynolds, Paul Sandby, Joseph Wilton, Francis Hayman, and Benjamin West—creatively and assiduously placed fine art on a solid footing within an expansive British state. London artists entered into a golden age of art as they established strategic alliances with the state, even while insisting on the autonomy of fine art. The active marginalization of William Hogarth's mercantile aesthetic reflects this sea change as a newer generation sought to represent the British state in a series of guises and genres, including monumental sculpture, history painting, graphic satire, and state portraiture. In these allegories of state formation, artists struggled to give form to shifting notions of national, religious, and political allegiance in the British Empire. These allegiances found provocative expression in the contemporary history paintings of the American-born artists Benjamin West and John Singleton Copley, who managed to carve a patriotic niche out of the apolitical mandate of the Royal Academy of Arts.
Author: Peter Harrington
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 376
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Book Description
Author: David Roberts
Publisher:
ISBN:
Category : English wit and humor
Languages : en
Pages : 298
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Book Description
Author: Gerald Landy
Publisher: P E I International
ISBN: 9781872727516
Category : Art
Languages : en
Pages : 224
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Book Description
Presents the work of a military painter who began his career during World War II, with the Illustrated London News. The paintings in this volume offer scenes involving the major conflicts of the 19th and 20th centuries, from the Crimean and Boer Wars to the Falklands and Gulf Wars.
Author: John Christopher
Publisher: Amberley Publishing Limited
ISBN: 1445633302
Category : History
Languages : en
Pages : 321
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Book Description
Feel the full force of the propaganda that surrounded the British public during the First World War in this full-colour book exploring the art, themes and psychology of over 200 authentic posters from the period.
Author: Ray Westlake
Publisher: Naval & Military Press
ISBN: 9781783319985
Category :
Languages : en
Pages : 64
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Book Description
Following the success of his volumes featuring the works of Thomas Rowlandson and Charles Hamilton Smith (both in his 'Guide to Military Art' series and published by the Naval & Military Press), Ray Westlake has this time turned his attention to military music. Delving into the many thousands of prints and original artworks available from his own and other collections, he has selected for this volume some 150 images featuring military musicians, bands and sheet music covers, each one the colourful and informative work of a talented artist. The book is divided into two sections. The first shows images of military bands and those who played in them-drummers, trumpeters, buglers, pipers and players of brass instruments of all shapes and sizes, marching or standing still. Section Two then moves on to what we believe to be the first ever published account of sheet music covers featuring military subjects. As in Section One, these images will prove to be of equal interest and value to the uniform historian as any specialist painting or published print. A delight to look at, military sheet music covers will surely become a major collecting theme of the future. There is much to be learnt from looking at pictures. 'Of all of our inventions for mass communication', noted American animation pioneer Walt Disney, 'pictures still speak the most universally understood language.' And, of course, we must not forget the wider use of, 'A picture is worth a thousand words.' A Guide to Military Art - Bands, Bandsmen and Sheet Music Covers keeps these words in mind and, in doing so, offers a colourful and informative record of this important aspect of military history.
