British Film Institute Film and Television Handbook 1993 PDF Download
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Author: David Leafe
Publisher: British Film Institute
ISBN: 9780851703442
Category : Performing Arts
Languages : en
Pages : 332
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Book Description
No Marketing Blurb
Author: David Leafe
Publisher: British Film Institute
ISBN: 9780851703442
Category : Performing Arts
Languages : en
Pages : 332
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Book Description
No Marketing Blurb
Author: Nicholas Thomas
Publisher: British Film Institute
ISBN: 9780851704920
Category : Performing Arts
Languages : en
Pages : 332
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Book Description
The 1995 guide brings together a range of statistics on the cinema, television and video. Produced in consultation with leading trade publications and organizations, it includes coverage of producers, distributors, cinema, feature film releases, awards, press contacts and film workshops.
Author: Eddie Dyja
Publisher: British Film Institute
ISBN: 9780851708188
Category : Performing Arts
Languages : en
Pages : 452
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Book Description
No Marketing Blurb
Author: Robert Murphy
Publisher: Bloomsbury Publishing
ISBN: 1838714782
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
This work examines major box office hits like 'The Full Monty' as well as critically acclaimed films like 'Under the Skin'. It explores the role of distribution and exhibition, the Americanisation of British film culture, Hollywood and Europe, changing representations of sexuality and ethnicity.
Author: Patricia Holland
Publisher: Psychology Press
ISBN: 9780415212823
Category : Television
Languages : en
Pages : 324
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Book Description
The television handbook offers students an introduction to the techniques of producing material for television from the logistics to transmission. The author covers the history of broadcasting and an overview of the latest digital trends.
Author: Thomas Austin
Publisher: Manchester University Press
ISBN: 9780719057755
Category : Performing Arts
Languages : en
Pages : 270
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Book Description
This book traces the circulation in Britain of three Hollywood films--Basic Instinct, Bram Stoker's Dracula and Natural Born Killers --from marketing and critical reception to consumption in cinemas and on video. It draws on economic discursive contexts and original audience research to trace how meanings, pleasures, and uses are derived from popular film. A significant intervention into methodological debates in film studies and a timely investigation of film culture, it focuses on key questions about genre, taste, sexual pleasure and screen violence.
Author: Robin Nelson
Publisher: Springer
ISBN: 1349256234
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
TV Drama in Transition reflects upon changing dramatic forms on television in the context of broad cultural shifts over the past two decades. Analyses of a wide range of series (from Heartbeat to Middlemarch and Our Friends in the North; from NYPD Blue to Twin Peaks to The X-Files) are interspersed with accounts of new technologies, viewing dispositions and the political economy of culture. This book is generally concerned as much with the condition of culture in the 1980s and 1990s, as specifically with TV drama.
Author: Jonathan Murray
Publisher: Bloomsbury Publishing
ISBN: 085773962X
Category : Performing Arts
Languages : en
Pages : 365
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Book Description
From a near standing start in the 1970s, the emergence and expansion of an aesthetically and culturally distinctive Scottish cinema proved to be one of the most significant developments within late-twentieth and early twenty-first-century British film culture. Individual Scottish films and filmmakers have attracted notable amounts of critical attention as a result. The New Scottish Cinema, however, is the first book to trace Scottish film culture's industrial, creative and critical evolution in comprehensive detail across a forty-year period. On the one hand, it invites readers to reconsider the known - films such as Shallow Grave, Ratcatcher, The Magdalene Sisters, Young Adam, Red Road and The Last King of Scotland. On the other, it uncovers the overlooked, from the 1980s comedic film makers who followed in the footsteps of Bill Forsyth to the variety of present-day Scottish film making - a body of work that encompasses explorations of multiculturalism, exploitation of the macabre and much else in between.In addition to analysing an eclectic range of films and filmmakers, The New Scottish Cinema also examines the diverse industrial, institutional and cultural contexts which have allowed Scottish film to evolve and grow since the 1970s, and relates these to the images of Scotland which artists have put on screen. In so doing, the book narrates a story of interest to any student of contemporary British film.
Author: Justine Ashby
Publisher: Routledge
ISBN: 1135125155
Category : Performing Arts
Languages : en
Pages : 410
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Book Description
British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s. Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address: * British Cinema Studies and the concept of national cinema * the distribution and reception of British films in the US and Europe * key genres, movements and cycles of British cinema in the 1940s, 50s and 60s * questions of authorship and agency, with case studies of individual studios, stars, producers and directors * trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties * the representation of marginalised communities in films such as Trainspotting and The Full Monty * the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth * changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant * contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.
Author: Stuart Hanson
Publisher: Manchester University Press
ISBN: 1526141442
Category : History
Languages : en
Pages : 225
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Book Description
Detailed and comprehensive, this book is the first survey of cinema exhibition in Britain from its inception until the present. Charting the development of cinema exhibition and cinema-going in Britain from the first public film screening by the Lumière Brothers’ at London’s Regent Street Polytechnic in February 1896, through to the development of the multiplex and giant megaplex cinemas, the history of cinema exhibition is placed in its wider social, cultural and economic contexts. Adopting a chronological structure, this book takes into account how changes in the structure of the film industry, especially regarding the exhibition sector, impacted upon the cinema-going experience. From silent screen to multi-screen will be valuable for social historians as well as scholars and students in film studies, media studies and cultural history.
