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Author: Martin Wiggins
Publisher: Oxford University Press, USA
ISBN: 019871923X
Category : Drama
Languages : en
Pages : 545
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Book Description
Volume 3 covers the years 1590-1597 and sees the start of Shakespeare's career as a dramatist.
Author: Martin Wiggins
Publisher: Oxford University Press, USA
ISBN: 019871923X
Category : Drama
Languages : en
Pages : 545
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Book Description
Volume 3 covers the years 1590-1597 and sees the start of Shakespeare's career as a dramatist.
Author: Martin Wiggins
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 0
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Book Description
This is a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history.
Author: Martin Wiggins
Publisher: Oxford University Press
ISBN: 0198739117
Category : Drama
Languages : en
Pages : 607
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Book Description
This is the sixth volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history.
Author: Gary Taylor
Publisher: Oxford University Press
ISBN: 0192517600
Category : Literary Criticism
Languages : en
Pages : 776
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Book Description
This companion volume to The New Oxford Shakespeare: The Complete Works concentrates on the issues of canon and chronology--currently the most active and controversial debates in the field of Shakespeare editing. It presents in full the evidence behind the choices made in The Complete Works about which works Shakespeare wrote, in whole or part. A major new contribution to attribution studies, the Authorship Companion illuminates the work and methodology underpinning the groundbreaking New Oxford Shakespeare, and casts new light on the professional working practices, and creative endeavours, of Shakespeare and his contemporaries. We now know that Shakespeare collaborated with his literary and dramatic contemporaries, and that others adapted his works before they reached printed publication. The Authorship Companion's essays explore and explain these processes, laying out everything we currently know about the works' authorship. Using a variety of different attribution methods, The New Oxford Shakespeare has confirmed the presence of other writers' hands in plays that until recently were thought to be Shakespeare's solo work. Taking this process further with meticulous, fresh scholarship, essays in the Authorship Companion show why we must now add new plays to the accepted Shakespeare canon and reattribute certain parts of familiar Shakespeare plays to other writers. The technical arguments for these decisions about Shakespeare's creativity are carefully laid out in language that anyone interested in the topic can understand. The latest methods for authorship attribution are explained in simple but accurate terms and all the linguistic data on which the conclusions are based is provided. The New Oxford Shakespeare consists of four interconnected publications: the Modern Critical Edition (with modern spelling), the Critical Reference Edition (with original spelling), a companion volume on Authorship, and an online version integrating all of this material on OUP's high-powered scholarly editions platform. Together, they provide the perfect resource for the future of Shakespeare studies.
Author: Goran Stanivukovic
Publisher: Edinburgh University Press
ISBN: 1474419585
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
A survey of modern cinematic and televisual responses to the concept of the golden age
Author: Gesine Manuwald
Publisher: Bloomsbury Publishing
ISBN: 178673558X
Category : Drama
Languages : en
Pages : 322
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Book Description
The influence of Cicero is everywhere to be found. His rhetorical and philosophical writings have made an inescapable impact on the history of western culture, impressing figures such as Augustine, Jerome, Petrarch, Erasmus, Martin Luther, John Locke, David Hume, John Adams and Thomas Jefferson. Despite his wide appeal, until now no study has yet offered a comprehensive overview of 'Cicero' as a character in stage plays in the early modern and modern periods. The first book of its kind to discuss Cicero's reception on stage, it includes works by Ben Jonson (1611, Catiline His Conspiracy), Voltaire (1752, Rome sauvée, ou Catilina), Richard Cumberland (1761, The Banishment of Cicero), Henry Bliss (1847, Cicero, A drama) and, most recently, Mike Poulton (Imperium, adapted from the novels of Robert Harris in 2017). Through a chapter-by-chapter account of each play in turn, every oeuvre is placed in its historical and cultural context; the plots are discussed in relation to the ancient sources. These analyses demonstrate how the presentation and assessment of the figure of Cicero develop over time and how this character is exploited for varying political statements. The wealth of material in this book is vital reading for scholars of Classics, drama and literary studies as well as historians of ideas and of the early modern age.
Author: Susan Doran
Publisher: Oxford University Press
ISBN: 0198754647
Category : History
Languages : en
Pages : 646
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Book Description
The story of the troubled accession of England's first Scottish king and the transition from the age of the Tudors to the age of the Stuarts at the dawn of the seventeenth century.
Author: Dennis McCarthy
Publisher: Dennis McCarthy
ISBN:
Category : Literary Criticism
Languages : en
Pages : 424
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Book Description
"The Steve Jobs of the Shakespeare community… A once in a generation–or several generations–find.” –The New York Times Dennis McCarthy presents the gripping true story of Sir Thomas North, the scholar-knight who transformed the most thrilling and shocking moments of his life into plays later adapted by Shakespeare. Working from a series of manuscript discoveries that have garnered worldwide attention (including coverage in The New York Times, The Guardian, Time Magazine, Los Angeles Times, Boston Globe Magazine, U.S. News, etc.), McCarthy provides numerous proofs that North wrote more than thirty plays, mostly for the Earl of Leicester’s theater troupe, years before Shakespeare reached London. Then, in the 1590s and early 1600s, Shakespeare reworked North’s plays for the public stage. Newfound proofs of North’s authorship include Shakespearean passages and scenes found in his unpublished handwritten travel journal. North wrote the diary to record his wondrous experiences in Italy—and then transformed some of his entries into elaborate set-pieces in the plays. North also used certain texts from the North family library as a playwright’s workbook, writing out marginal comments in the books to underscore the events, characters, and speeches he intended to dramatize. One of these books includes North’s entire outline of the historical plot of a Shakespeare play. Perhaps most significantly, Thomas North demonstrates that North actually lived the plays before he wrote them and that even many of the most iconic scenes in the canon derive from striking events that North actually experienced. The book also reveals for the first time North’s historical involvement in the Essex Rebellion and why neither he nor Shakespeare was punished for the treasonous play, Richard II. Thomas North also examines many hundreds of lines and passages that have been taken from North’s published prose translations and recycled in Shakespeare’s plays, most of which are unique, occurring nowhere else in the history of English literature. As the book confirms, no one has borrowed more from an earlier writer than Shakespeare has from North, and it is not even close. Finally, Thomas North includes documentation indicating North was a playwright for Leicester’s Men and explains why so many playwrights of the era (like North) never published their plays. It also shows how, to meet increasing public demand, the commercial theater companies began to revive plays previously performed at court, private manors, and universities. As part of this London-wide pattern of revivals, Shakespeare purchased and reworked North’s old dramas, resulting in the most celebrated works of literature in English history. In truth, scholars have always known that Shakespeare frequently adapted old plays. They just never knew who had written them. With Thomas North, the mysteries that have plagued Shakespeare studies for centuries now finally have an answer.
Author: Sophie Chiari
Publisher: Cambridge University Press
ISBN: 1108486673
Category : Drama
Languages : en
Pages : 295
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Book Description
A fascinating insight into court entertainment - encompassing dance, music and performance - in the age of Shakespeare.
Author: Yasmin Arshad
Publisher: Bloomsbury Publishing
ISBN: 1350058971
Category : Drama
Languages : en
Pages : 361
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Book Description
Shakespeare's characterization of Cleopatra may dominate the collective consciousness, but he was only one of several 16th-century writers fascinated by the enigmatic queen of Egypt. Early modern conceptions of Cleopatra offer a rich, complex, and variable set of models for understanding the period's responses to race, female sovereignty, and classical antiquity. This interdisciplinary study investigates images of Cleopatra in the early modern period and examines how her story was mediated and used – from drawing lessons from history to being a symbol of female heroism. It draws on early historiographical works, political and philosophical treatises, coterie dramatic productions, and gender, race and performance studies, as well as evidence from material culture, to consider what was known and thought about Cleopatra in the period This book provides a new literary and cultural history of one of the world's most contested and politically-charged iconic female figures. It combines a close reading of literary and dramatic works with historical and political contexts, paying particular attention to the three major early modern Cleopatra plays: Mary Sidney's translation of Robert Garnier's Marc Antoine, Samuel Daniel's The Tragedie of Cleopatra, and Shakespeare's Antony and Cleopatra. By examining these conflicting historical and fictional identities, Yasmin Arshad offers a diverse and ground-breaking study of Cleopatra's 'infinite variety'.
