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Author: Paul Rabbitts
Publisher: Amberley Publishing Limited
ISBN: 1445665514
Category : History
Languages : en
Pages : 180
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Book Description
Respected park historian Paul Rabbitts looks at the fascinating history of bandstands in Britain.
Author: Paul Rabbitts
Publisher: Amberley Publishing Limited
ISBN: 1445665514
Category : History
Languages : en
Pages : 180
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Book Description
Respected park historian Paul Rabbitts looks at the fascinating history of bandstands in Britain.
Author: Gavin Holman
Publisher: Gavin Holman
ISBN:
Category :
Languages : en
Pages : 290
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Book Description
Of the many brass bands that have flourished in Britain and Ireland over the last 200 years very few have documented records covering their history. This directory is an attempt to collect together information about such bands and make it available to all. Over 19,600 bands are recorded here, with some 10,600 additional cross references for alternative or previous names. This volume supersedes the earlier “British Brass Bands – a Historical Directory” (2016) and includes some 1,400 bands from the island of Ireland. A separate work is in preparation covering brass bands beyond the British Isles. A separate appendix lists the brass bands in each county
Author: Gavin Holman
Publisher: Gavin Holman
ISBN:
Category : Reference
Languages : en
Pages : 290
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Book Description
9th edition, 2019. A comprehensive list of books, articles, theses and other material covering the brass band movement, its history, instruments and musicology; together with other related topics (originally issued in book form in January 2009)
Author: Paul Rabbitts
Publisher: Liverpool University Press
ISBN: 1800857918
Category : Architecture
Languages : en
Pages : 248
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Book Description
In 1833, the Select Committee for Public Walks was introduced so that ‘the provision of parks would lead to a better use of Sundays and the replacement of the debasing pleasures.’ Music was seen as an important moral influence and ‘musical cultivation ... the safest and surest method of popular culture’, and it was the eventual introduction of the bandstand which became a significant aspect of the reforming potential of public parks. However, the move from the bull baiting of ‘Merrie England’ to the ordered recreation provided by bandstands has never been fully comprehended. Likewise, the extent of changes in leisure and public entertainment and the impact of music at seaside resorts often revolved around the use of seaside bandstands, with the subsequent growth of coastal resorts. Music in public spaces, and the history and heritage of the bandstand has largely been ignored. Yet in their heyday, there were over 1,500 bandstands in the country, in public parks, on piers and seaside promenades attracting the likes of crowds of over 10,000 in the Arboretum in Lincoln, to regular weekday and weekend concerts in most of London’s parks up until the beginning of the Second World War. Little is really known about them, from their evolution as ‘orchestras’ in the early Pleasure Gardens, the music played within them, to their intricate and ornate ironwork or art deco designs and the impact of the great foundries, their worldwide influence, to the great decline post Second World War and subsequent revival in the late 1990s. This book tells the story of these pavilions made for music, and their history, decline and revival.
Author: Leland Carlson
Publisher: Random House
ISBN: 147352797X
Category : Humor
Languages : en
Pages : 98
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Book Description
Neil collects bricks, Kevin is a roundabout enthusiast, John runs the Apostrophe Protection Society and Keith’s actual job is watching paint dry. They are members of the Dull Men’s Club and are passionate about the everyday, unglamorous things in life. They are dull and proud and urge the good ordinary men of the nation to join them now. Whether you have a thing for pylons or rhubarb, reclaim and celebrate the ordinary. Includes Free Honorary Membership. Predictable * Reliable * Safe
Author: Sarah Kirby
Publisher: Boydell & Brewer
ISBN: 1783276738
Category : Exhibitions
Languages : en
Pages : 264
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Book Description
"International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, trading these through the networks of communication that existed within the British Empire at the time. Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into broader debates about music's role in society"--Page 4 of cover.
Author: Richard Van Emden
Publisher: Pen and Sword Military
ISBN: 1473891884
Category : History
Languages : en
Pages : 550
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Book Description
What greater pride might a young man feel than to serve shoulder to shoulder with his friends in time of war? To enlist into the army with his pals, chums, mates, filling the ranks of battalions that drew their strength from the local community, from amongst factory workers, miners, shop-workers and tradesmen. In August 1914, what more fitting role was there to play than to answer the country’s call to arms? The past is another country, of course: the world in which these men grew up and the mores that took them to the Western Front might appear innocent and naive today. The Somme battle eviscerated many of these free-spirited battalions. But the raising of this New Army – a purely volunteer army – lives on in the public consciousness, their collective story part of our heritage. Who were these volunteers who poured into recruiting offices, overwhelming the staff? What motivated these men – too often just boys - to join up? How did they feel about one another and the new military regime into which so many ran with enthusiasm, without much thought as to the future? After the success of his previous books, The Somme, The Road to Passchendaele, and 1918, best-selling Great War historian Richard van Emden returns to the beginning of the War with this, his latest volume, including an unparalleled collection of soldiers’ own photographs taken on their privately-held cameras. Drawing on long-forgotten memoirs, diaries and letters written by the men who enlisted, Richard tells the riveting story of Kitchener’s volunteers, before they went to fight.
Author: Trevor Herbert
Publisher: Oxford University Press
ISBN: 0199898324
Category : Music
Languages : en
Pages : 368
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Book Description
Although military music was among the most widespread forms of music making during the nineteenth-century, it has been almost totally overlooked by music historians. Music & the British Military in the Long Nineteenth Century however, shows that military bands reached far beyond the official ceremonial duties they are often primarily associated with and had a significant impact on wider spheres of musical and cultural life. Beginning with a discussion of the place of the military in civilian and social life, authors Trevor Herbert and Helen Barlow plot the story of military music from its sponsorship by military officers to its role as an expression of imperial force, which it took on by the end of the nineteenth century. Herbert and Barlow organize their study around three themes: the use of military status to extend musical patronage by the officer class; the influence of the military on the civilian music establishments; and an incremental movement towards central control of military music making by governments throughout the world. In so doing, they show that military music impacted everything from the configuration of the music profession in the major metropolitan centers, to the development of wind instruments throughout the century, to the emergence of organized amateur music making. A much needed addition to the scholarship on nineteenth century music, Music & the British Military in the Long Nineteenth Century is an essential reference for music, cultural and military historians, the social history of music and nineteenth century studies.
Author: Kirsty Hooper
Publisher:
ISBN: 1789621321
Category : History
Languages : en
Pages : 368
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Book Description
What did the Edwardians know about Spain and what was that knowledge worth? This book explores a vast store of largely unstudied primary source material to trace Spain's transformation in the British popular and economic imagination during the decades either side of the turn of the twentieth century.
Author: Paul Rabbitts
Publisher: Historic England Publishing
ISBN: 9781848023727
Category : ARCHITECTURE
Languages : en
Pages : 236
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Book Description
In 1833, the Select Committee for Public Walks was introduced so that "the provision of parks would lead to a better use of Sundays and the replacement of the debasing pleasures." Being "the safest and surest method of popular culture," music was seen as an important moral influence in this endeavor. And so the bandstand was born. The history and heritage of bandstands in England has largely been ignored. Yet in their heyday, there were more than 1500 bandstands in the country--in public parks, on piers, and at seaside promenades, often attracting crowds of thousands. In Bandstands, landscape architect Paul Rabbitts guides us from their evolution as "orchestras" in the early pleasure gardens, to their great decline after World War II, to their subsequent revival in the late 1990s. This beautifully illustrated book tells for the first time the story of these pavilions made for music, illuminating their history, architecture, and worldwide influence.
