Author: Douglas Fordham
Publisher: University of Pennsylvania Press
ISBN: 0812242432
Category : Art
Languages : en
Pages : 352
Book Description
Between the Jacobite Rebellion of 1745 and the American Declaration of Independence, London artists transformed themselves from loosely organized professionals into one of the most progressive schools of art in Europe. In British Art and the Seven Years' War Douglas Fordham argues that war and political dissent provided potent catalysts for the creation of a national school of art. Over the course of three tumultuous decades marked by foreign wars and domestic political dissent, metropolitan artists—especially the founding members of the Royal Academy, including Joshua Reynolds, Paul Sandby, Joseph Wilton, Francis Hayman, and Benjamin West—creatively and assiduously placed fine art on a solid footing within an expansive British state. London artists entered into a golden age of art as they established strategic alliances with the state, even while insisting on the autonomy of fine art. The active marginalization of William Hogarth's mercantile aesthetic reflects this sea change as a newer generation sought to represent the British state in a series of guises and genres, including monumental sculpture, history painting, graphic satire, and state portraiture. In these allegories of state formation, artists struggled to give form to shifting notions of national, religious, and political allegiance in the British Empire. These allegiances found provocative expression in the contemporary history paintings of the American-born artists Benjamin West and John Singleton Copley, who managed to carve a patriotic niche out of the apolitical mandate of the Royal Academy of Arts.
British Art and the Seven Years' War
Author: Douglas Fordham
Publisher: University of Pennsylvania Press
ISBN: 0812242432
Category : Art
Languages : en
Pages : 352
Book Description
Between the Jacobite Rebellion of 1745 and the American Declaration of Independence, London artists transformed themselves from loosely organized professionals into one of the most progressive schools of art in Europe. In British Art and the Seven Years' War Douglas Fordham argues that war and political dissent provided potent catalysts for the creation of a national school of art. Over the course of three tumultuous decades marked by foreign wars and domestic political dissent, metropolitan artists—especially the founding members of the Royal Academy, including Joshua Reynolds, Paul Sandby, Joseph Wilton, Francis Hayman, and Benjamin West—creatively and assiduously placed fine art on a solid footing within an expansive British state. London artists entered into a golden age of art as they established strategic alliances with the state, even while insisting on the autonomy of fine art. The active marginalization of William Hogarth's mercantile aesthetic reflects this sea change as a newer generation sought to represent the British state in a series of guises and genres, including monumental sculpture, history painting, graphic satire, and state portraiture. In these allegories of state formation, artists struggled to give form to shifting notions of national, religious, and political allegiance in the British Empire. These allegiances found provocative expression in the contemporary history paintings of the American-born artists Benjamin West and John Singleton Copley, who managed to carve a patriotic niche out of the apolitical mandate of the Royal Academy of Arts.
Publisher: University of Pennsylvania Press
ISBN: 0812242432
Category : Art
Languages : en
Pages : 352
Book Description
Between the Jacobite Rebellion of 1745 and the American Declaration of Independence, London artists transformed themselves from loosely organized professionals into one of the most progressive schools of art in Europe. In British Art and the Seven Years' War Douglas Fordham argues that war and political dissent provided potent catalysts for the creation of a national school of art. Over the course of three tumultuous decades marked by foreign wars and domestic political dissent, metropolitan artists—especially the founding members of the Royal Academy, including Joshua Reynolds, Paul Sandby, Joseph Wilton, Francis Hayman, and Benjamin West—creatively and assiduously placed fine art on a solid footing within an expansive British state. London artists entered into a golden age of art as they established strategic alliances with the state, even while insisting on the autonomy of fine art. The active marginalization of William Hogarth's mercantile aesthetic reflects this sea change as a newer generation sought to represent the British state in a series of guises and genres, including monumental sculpture, history painting, graphic satire, and state portraiture. In these allegories of state formation, artists struggled to give form to shifting notions of national, religious, and political allegiance in the British Empire. These allegiances found provocative expression in the contemporary history paintings of the American-born artists Benjamin West and John Singleton Copley, who managed to carve a patriotic niche out of the apolitical mandate of the Royal Academy of Arts.
The Warm South
Author: Robert Holland
Publisher: Yale University Press
ISBN: 0300240872
Category : History
Languages : en
Pages : 349
Book Description
An evocative exploration of the impact of the Mediterranean on British culture, ranging from the mid-eighteenth century to today Ever since the age of the Grand Tour in the eighteenth century, the Mediterranean has had a significant pull for Britons—including many painters and poets—who sought from it the inspiration, beauty, and fulfillment that evaded them at home. Referred to as “Magick Land” by one traveler, dreams about the Mediterranean, and responses to it, went on to shape the culture of a nation. Written by one of the world’s leading historians of the Mediterranean, this book charts how a new sensibility arose from British engagement with the Mediterranean, ancient and modern. Ranging from Byron’s poetry to Damien Hirst’s installations, Robert Holland shows that while idealized visions and aspirations often met with disillusionment and frustration, the Mediterranean also offered a notably insular society the chance to enrich itself through an imagined world of color, carnival, and sensual self-discovery.
Publisher: Yale University Press
ISBN: 0300240872
Category : History
Languages : en
Pages : 349
Book Description
An evocative exploration of the impact of the Mediterranean on British culture, ranging from the mid-eighteenth century to today Ever since the age of the Grand Tour in the eighteenth century, the Mediterranean has had a significant pull for Britons—including many painters and poets—who sought from it the inspiration, beauty, and fulfillment that evaded them at home. Referred to as “Magick Land” by one traveler, dreams about the Mediterranean, and responses to it, went on to shape the culture of a nation. Written by one of the world’s leading historians of the Mediterranean, this book charts how a new sensibility arose from British engagement with the Mediterranean, ancient and modern. Ranging from Byron’s poetry to Damien Hirst’s installations, Robert Holland shows that while idealized visions and aspirations often met with disillusionment and frustration, the Mediterranean also offered a notably insular society the chance to enrich itself through an imagined world of color, carnival, and sensual self-discovery.
Sea Change
Author: Amanda Phillips
Publisher: University of California Press
ISBN: 0520303598
Category : History
Languages : en
Pages : 355
Book Description
Textiles were the second-most-traded commodity in all of world history, preceded only by grain. In the Ottoman Empire in particular, the sale and exchange of silks, cottons, and woolens generated an immense amount of revenue and touched every level of society, from rural women tending silkworms to pashas flaunting layers of watered camlet to merchants traveling to Mecca and beyond. Sea Change offers the first comprehensive history of the Ottoman textile sector, arguing that the trade's enduring success resulted from its openness to expertise and objects from far-flung locations. Amanda Phillips skillfully marries art history with social and economic history, integrating formal analysis of various textiles into wider discussions of how trade, technology, and migration impacted the production and consumption of textiles in the Mediterranean from around 1400 to 1800. Surveying a vast network of textile topographies that stretched from India to Italy and from Egypt to Iran, Sea Change illuminates often neglected aspects of material culture, showcasing the objects' ability to tell new kinds of stories.
Publisher: University of California Press
ISBN: 0520303598
Category : History
Languages : en
Pages : 355
Book Description
Textiles were the second-most-traded commodity in all of world history, preceded only by grain. In the Ottoman Empire in particular, the sale and exchange of silks, cottons, and woolens generated an immense amount of revenue and touched every level of society, from rural women tending silkworms to pashas flaunting layers of watered camlet to merchants traveling to Mecca and beyond. Sea Change offers the first comprehensive history of the Ottoman textile sector, arguing that the trade's enduring success resulted from its openness to expertise and objects from far-flung locations. Amanda Phillips skillfully marries art history with social and economic history, integrating formal analysis of various textiles into wider discussions of how trade, technology, and migration impacted the production and consumption of textiles in the Mediterranean from around 1400 to 1800. Surveying a vast network of textile topographies that stretched from India to Italy and from Egypt to Iran, Sea Change illuminates often neglected aspects of material culture, showcasing the objects' ability to tell new kinds of stories.
The History of British Art
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 256
Book Description
British Art and the Mediterranean
Author: Fritz Saxl
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 202
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 202
Book Description
Art of the First Cities
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588390438
Category : Art, Ancient
Languages : en
Pages : 566
Book Description
Catalog of an exhibition being held at the Metropolitan Museum of Art from May 8 to Aug. 17, 2003.
Publisher: Metropolitan Museum of Art
ISBN: 1588390438
Category : Art, Ancient
Languages : en
Pages : 566
Book Description
Catalog of an exhibition being held at the Metropolitan Museum of Art from May 8 to Aug. 17, 2003.
British Shipping in the Mediterranean during the Napoleonic Wars
Author: Katerina Galani
Publisher: BRILL
ISBN: 9004343288
Category : History
Languages : en
Pages : 294
Book Description
In British shipping in the Mediterranean Katerina Galani investigates the impact of the French and Napoleonic wars on British maritime economic activity. Due to the close cooperation of the public and private sector at sea, the British adopted flexible business strategies to mitigate economic warfare and sustain shipping and trade in the Mediterranean. The book offers a comprehensive approach by combining the study of international relations, ports, ships, business organisation, deep-sea voyages and intra-Mediterranean navigation. Katerina Galani conceptualises the Mediterranean as an economic entity and she insightfully examines, for the first time, free traders along with the chartered Levant Company. Her analysis draws upon a unique collection of British and Mediterranean sources to construct a multifaceted view of British maritime activity.
Publisher: BRILL
ISBN: 9004343288
Category : History
Languages : en
Pages : 294
Book Description
In British shipping in the Mediterranean Katerina Galani investigates the impact of the French and Napoleonic wars on British maritime economic activity. Due to the close cooperation of the public and private sector at sea, the British adopted flexible business strategies to mitigate economic warfare and sustain shipping and trade in the Mediterranean. The book offers a comprehensive approach by combining the study of international relations, ports, ships, business organisation, deep-sea voyages and intra-Mediterranean navigation. Katerina Galani conceptualises the Mediterranean as an economic entity and she insightfully examines, for the first time, free traders along with the chartered Levant Company. Her analysis draws upon a unique collection of British and Mediterranean sources to construct a multifaceted view of British maritime activity.
Towards the Sun
Author: Kenneth McConkey
Publisher:
ISBN: 9781913645083
Category :
Languages : en
Pages : 240
Book Description
While there have been monographs on British artist-travellers in the eighteenth and early nineteenth centuries, there has been no equivalent survey of what the writer, Henry Blackburn, described as ?artistic travel? a hundred years later. By 1900, the ?Grand Tourist? became a ?globe-trotter? equipped with a camera, and despite the development of ?knapsack photography?, visual recording by the old media of oil and watercolour on-the-spot sketching remained ever-popular.00Kenneth McConkey?s new book explores the complex reasons for this in a series of chapters that take the reader from southern Europe to north Africa, the Middle East, India and Japan revealing many artist-travellers whose lives and works are scarcely remembered today. He alerts us to a generation of painters, trained in academies and artists? colonies in Europe that acted as crèches for those would go on to explore life and landscape further afield. The seeds of wanderlust were sown in student years in places where tuition was conducted in French or German, and models were often 0Spanish, Italian, or North African. At first the countries of western Europe were explored 0afresh and cities like Tangier became artists? haunts. Training that prioritized plein air naturalism led to the common belief that a well-schooled young painter should be capable of working anywhere, and in any circumstances.00This richly illustrated book explores key sites visited by artist-travellers and investigates artists including Frank Brangwyn, Mary Cameron, Alfred East, John Lavery, Arthur Melville, Mortimer Menpes, as well as other under-researched British artists. Drawing the strands together, it redefines the picturesque, by considering issues of visualization and verisimilitude, dissemination and aesthetic value.
Publisher:
ISBN: 9781913645083
Category :
Languages : en
Pages : 240
Book Description
While there have been monographs on British artist-travellers in the eighteenth and early nineteenth centuries, there has been no equivalent survey of what the writer, Henry Blackburn, described as ?artistic travel? a hundred years later. By 1900, the ?Grand Tourist? became a ?globe-trotter? equipped with a camera, and despite the development of ?knapsack photography?, visual recording by the old media of oil and watercolour on-the-spot sketching remained ever-popular.00Kenneth McConkey?s new book explores the complex reasons for this in a series of chapters that take the reader from southern Europe to north Africa, the Middle East, India and Japan revealing many artist-travellers whose lives and works are scarcely remembered today. He alerts us to a generation of painters, trained in academies and artists? colonies in Europe that acted as crèches for those would go on to explore life and landscape further afield. The seeds of wanderlust were sown in student years in places where tuition was conducted in French or German, and models were often 0Spanish, Italian, or North African. At first the countries of western Europe were explored 0afresh and cities like Tangier became artists? haunts. Training that prioritized plein air naturalism led to the common belief that a well-schooled young painter should be capable of working anywhere, and in any circumstances.00This richly illustrated book explores key sites visited by artist-travellers and investigates artists including Frank Brangwyn, Mary Cameron, Alfred East, John Lavery, Arthur Melville, Mortimer Menpes, as well as other under-researched British artists. Drawing the strands together, it redefines the picturesque, by considering issues of visualization and verisimilitude, dissemination and aesthetic value.
The Mediterranean Shore
Author: Paul Hogarth
Publisher: Pavilion Books
ISBN:
Category : Art
Languages : en
Pages : 166
Book Description
Depicts the setting sna dlocations of Lawrence Durrell's novels and travel books, including Prospero's Cell, The Dark labyrinth, Reflections on a marine Venus, White eagles over Serbia, Bitter lemons, Alexandria Quartet, Revolt of Aphrodite, Avignon Quintet, etc.
Publisher: Pavilion Books
ISBN:
Category : Art
Languages : en
Pages : 166
Book Description
Depicts the setting sna dlocations of Lawrence Durrell's novels and travel books, including Prospero's Cell, The Dark labyrinth, Reflections on a marine Venus, White eagles over Serbia, Bitter lemons, Alexandria Quartet, Revolt of Aphrodite, Avignon Quintet, etc.
A History of British Art
Author: Andrew Graham-Dixon
Publisher: Univ of California Press
ISBN: 9780520223769
Category : Art
Languages : en
Pages : 260
Book Description
Andrew Graham-Dixon unveils the long-kept secret of Britain's rich and vital visual culture.
Publisher: Univ of California Press
ISBN: 9780520223769
Category : Art
Languages : en
Pages : 260
Book Description
Andrew Graham-Dixon unveils the long-kept secret of Britain's rich and vital visual culture.