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Author: Colin McArthur
Publisher: Bloomsbury Publishing
ISBN: 0857711016
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
The films "Brigadoon" and "Braveheart" have an enormous resonance both for Scots throughout the world and the wide audience of non-Scots for whom such films provide general impressions of "Scottishness". This provocative book discusses the films' representations of Scotland and the Scots, looking at that cluster of images and stories whereby Scotland is (mis)recognized and yet often comes to be "known". Colin McArthur explores "Brigadoon" and documents the contempt the film has elicited, particularly from the Scots intelligentsia. He succumbs to "Brigadoon's" charm, but finds no such mitigating features in "Braveheart". Tracing the film's appropriation by political, touristic and sporting figures, he argues that, far from being "about" Scottish history, it is primarily "about" Hollywood and its cinematic traditions. He looks at the way film distorts history and examines "Braveheart's" sinister appeal to the proto-fascist psyche.
Author: Colin McArthur
Publisher: Bloomsbury Publishing
ISBN: 0857711016
Category : Performing Arts
Languages : en
Pages : 241
Get Book
Book Description
The films "Brigadoon" and "Braveheart" have an enormous resonance both for Scots throughout the world and the wide audience of non-Scots for whom such films provide general impressions of "Scottishness". This provocative book discusses the films' representations of Scotland and the Scots, looking at that cluster of images and stories whereby Scotland is (mis)recognized and yet often comes to be "known". Colin McArthur explores "Brigadoon" and documents the contempt the film has elicited, particularly from the Scots intelligentsia. He succumbs to "Brigadoon's" charm, but finds no such mitigating features in "Braveheart". Tracing the film's appropriation by political, touristic and sporting figures, he argues that, far from being "about" Scottish history, it is primarily "about" Hollywood and its cinematic traditions. He looks at the way film distorts history and examines "Braveheart's" sinister appeal to the proto-fascist psyche.
Author: Colin McArthur
Publisher:
ISBN:
Category : Braveheart (Motion picture)
Languages : en
Pages : 228
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Book Description
Author: Dominic McHugh
Publisher: Oxford University Press
ISBN: 0190490004
Category : Music
Languages : en
Pages : 624
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Book Description
Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, starting with screen adaptations of operettas such as The Desert Song and Rio Rita, and looks at how the Hollywood studios in the 1930s exploited the publication of sheet music as part of their income. Numerous chapters examine specific screen adaptations in depth, including not only favorites such as Annie and Kiss Me, Kate but also some of the lesser-known titles like Li'l Abner and Roberta and problematic adaptations such as Carousel and Paint Your Wagon. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.
Author: Bob Nowlan
Publisher: Intellect Books
ISBN: 1783203951
Category : Performing Arts
Languages : en
Pages : 372
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Book Description
Scotland, its people and its history have long been a source of considerable fascination and inspiration for filmmakers, film scholars and film audiences worldwide. A significant number of critically acclaimed films made in the last twenty-five years have ignited passionate conversations and debates about Scottish national cinema. Its historical, industrial and cultural complexities and contradictions have made it all the more a focus of attention and interest for both popular audiences and scholarly critics. Directory of World Cinema: Scotland provides an introduction to many of Scottish cinema’s most important and influential themes and issues, films and filmmakers, while adding to the ongoing discussion concerning how to make sense of Scotland’s cinematic traditions and contributions. Chapters on filmmakers range from Murray Grigor to Ken Loach, and Gaelic filmmaking, radical and engaged cinema, production, finance and documentary are just a few of the topics explored. Film reviews range from popular box office hits such as Braveheart, and Trainspotting to lesser known but equally engaging independent and lower budget productions, such as Shell and Orphans. This book is both a stimulating and accessible resource for a wide range of readers interested in Scottish film.
Author: Dominic Broomfield-McHugh
Publisher: Oxford University Press
ISBN: 0197663257
Category : Film adaptations
Languages : en
Pages : 401
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Book Description
"From Show Boat (1936) to The Sound of Music (1965) and from Grease (1978) to Chicago (2002), many of the most beloved film musicals in Hollywood history originated as Broadway shows. And in the three years since the original publication of the chapters in this volume (as The Oxford Handbook of Musical Theatre Screen Adaptations, 2019) the phenomenon has persisted, with new adaptations such as Cats, In the Heights, Tick, Tick...Boom!, Dear Evan Hansen, and Spielberg's remake of West Side Story. Yet in general, the number of screen adaptations of Broadway musicals and operettas is far greater than the number that have met with success, especially both critical and commercial success (i.e., good reviews and a profit at the box office). This is all the more surprising since Hollywood tended almost (if not quite) exclusively to buy the rights to musicals that had been successful on the stage as a means of guaranteeing a profitable outcome. After all, musicals that had already enjoyed long runs and nationwide productions on the stage ought to have a readymade audience. One might also think that because the authors had puzzled over the individual challenges posed by such properties in their stage incarnations, it ought to be easier to turn them into strong film musicals. But for every West Side Story there were several Finian's Rainbows, Man of La Manchas, and Carousels: movies that simply did not do justice to the 'enchanted evenings' these works provided in their stage incarnations"--
Author: Andrew O'Day
Publisher: Bloomsbury Publishing
ISBN: 1786734710
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
Peter Capaldi's Doctor Who – unpredictable, embattled, mercurial - has raised many fresh issues for followers of the Time Lord. In this book, the first to address the Capaldi era in depth, international experts on the show explore Capaldi's portrayal of the Doctor, and Steven Moffat's role as show writer and executive producer. They evaluate the effect of Capaldi's older age on the series' pace and themes; his Scottishness and representations of Scotland in Doctor Who's history, and the roles of the Doctor's female companions, particularly Clara Oswald as played by Jenna Coleman. The politics of war are addressed, as is the development of the alien-fighting military organisation UNIT in the show, as well as controversial portrayals of the afterlife and of immortality. There's discussion of promotional discourses, the imagining of the Twelfth Doctor in fan fiction and fan art, fan responses to the re-gendering of the Master as female, and of Christmas television and the uncanny. For fans, scholars and students alike, this book is a fitting tribute to and assessment of Peter Capaldi's Doctor Who.
Author: David Hesse
Publisher: Manchester University Press
ISBN: 1847799167
Category : Social Science
Languages : en
Pages : 421
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Book Description
Why does a Parisian banker re-enact the medieval wars of Wallace and Bruce in his spare time? Why do more than 20,000 people attend the Schotse Weekend bagpipe competition in Bilzen, Flanders? Why does an entire village in the Italian Alps celebrate a lost Scottish regiment? And why is there a Highland Games circuit of at least 30 kilted strength competitions in Austria, with dedicated athletes tossing hay-balls and pulling tractors? This is the first study of the self-professed ‘Scots’ of Europe. It follows the many thousands of Europeans who are determined to discover their inner Scotsman, and argues that by imitating the Scots of popular imagination, the self-styled European Highlanders hope to reconnect with their own ancestors – their lost songs, traditions and tribes. They approach Scotland as a site of European memory. This book explores issues of performance and celebration, memory and nostalgia, heritage and identity, and will be of interest to specialists on Scottish emigration and diaspora, Scottish history and myth, and to the ‘Scots’ of Europe themselves.
Author: David Martin-Jones
Publisher: Edinburgh University Press
ISBN: 0748686541
Category : Social Science
Languages : en
Pages : 266
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Book Description
Scotland: Global Cinema focuses on the explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmakers from all over the world who braved the weather to shoot in Scotla
Author: Matthias D. Berger
Publisher: Boydell & Brewer
ISBN: 1843846578
Category :
Languages : en
Pages : 271
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Book Description
How ideas and ideals of an imagined, protean, national Middle Ages have once again become a convergence point for anxieties about politics, history and cultural identity in our time - and why. After a period of abeyance, the link forged in the nineteenth century between the Middle Ages and national identity is increasingly being reclaimed, with numerous groups and individuals mining an imagined medieval past to present ideas and ideals of modern nationhood. Today's national medievalism asserts itself at the interface of culture and politics: in literature and television programming, in journalism and heritage tourism, and in the way political actors of various stripes use a deep past that supposedly proves the nation's steady exceptionalism in a hectic globalised world. This book traces these ongoing developments in Switzerland and Britain, two countries where the medieval past has recently been much invoked in negotiations of national identity, independence and Euroscepticism. Through comparative analysis, it explores examples of reemerging stories of national exceptionalism - stories that, ironically, echo those of other nations. The author analyses depictions of Robert the Bruce and Wilhelm Tell; medievalism in the discourse surrounding Brexit as well as at the Welsh Senedd; novels like Paul Kingsnorth's The Wake; community-based art such as the Great Tapestry of Scotland; and elaborate public commemorations of Swiss victories (and defeats) in battle. Basing his critical readings in current theories of cultural memory, heritage and nationalism, the author explores how the protean national Middle Ages have once again become a convergence point for anxieties about politics, history and cultural identity in our time - and why.
Author: Christopher Meir
Publisher: Manchester University Press
ISBN: 1526111829
Category : Performing Arts
Languages : en
Pages : 221
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Book Description
Over the last three decades, Scottish cinema has seen an unprecedented number of international successes. Films ranging from Local Hero to The Last King of Scotland have not only raised the profile of film-making north of Hadrian’s Wall, but have also raised a number of questions about the place of cinema originating from a small, historically marginalised, as yet stateless nation, within national and transnational film cultures. By providing detailed case studies of some of the biggest films of contemporary Scottish cinema, including Local Hero, Mrs. Brown, Morvern Callar and others, this volume will help readers to understand the key works of the period as well as the industrial, critical and cultural contexts surrounding their creation and reception. As the field of Scottish film studies has also grown and developed during this period, this volume will also introduce readers to the debates sparked by the key works discussed in the book.
