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Author: Nina Schneider
Publisher: University Press of Florida
ISBN: 0813065003
Category : History
Languages : en
Pages : 246
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Book Description
In Brazilian Propaganda, Nina Schneider examines the various modes of official, and unofficial, propaganda used by an authoritarian regime. Such propaganda is commonly believed to be political, praising military figures and openly legitimizing state repression. However, Brazil's military dictatorship (1964-1985) launched seemingly apolitical official campaigns that were aesthetically appealing and ostensibly aimed to "enlighten" and "civilize." Some were produced as civilian-military collaborations and others were conducted by privately owned media, but undergirding them all was the theme of a country aspiring to become a developed nation. Focusing primarily on visual media, Schneider demonstrates how many short films of the period portrayed a society free from class and racial conflicts. These films espoused civic-mindedness while attempting to distract from atrocities perpetuated by the regime. Mining a rich trove of materials from the National Archives in Rio and conducting interviews with key propagandists, Schneider demonstrates the ambiguities of twentieth-century Brazilian propaganda. She also challenges the notion of a homogeneous military regime in Brazil, highlighting its fractures and competing forces. By analyzing the strategy, production, mechanisms, and meaning of these films and reconstructing their effects, she provides an alternative interpretation of the propagandists' intentions and a new framework for understanding this era in Brazil's history.
Author: Nina Schneider
Publisher: University Press of Florida
ISBN: 0813065003
Category : History
Languages : en
Pages : 246
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Book Description
In Brazilian Propaganda, Nina Schneider examines the various modes of official, and unofficial, propaganda used by an authoritarian regime. Such propaganda is commonly believed to be political, praising military figures and openly legitimizing state repression. However, Brazil's military dictatorship (1964-1985) launched seemingly apolitical official campaigns that were aesthetically appealing and ostensibly aimed to "enlighten" and "civilize." Some were produced as civilian-military collaborations and others were conducted by privately owned media, but undergirding them all was the theme of a country aspiring to become a developed nation. Focusing primarily on visual media, Schneider demonstrates how many short films of the period portrayed a society free from class and racial conflicts. These films espoused civic-mindedness while attempting to distract from atrocities perpetuated by the regime. Mining a rich trove of materials from the National Archives in Rio and conducting interviews with key propagandists, Schneider demonstrates the ambiguities of twentieth-century Brazilian propaganda. She also challenges the notion of a homogeneous military regime in Brazil, highlighting its fractures and competing forces. By analyzing the strategy, production, mechanisms, and meaning of these films and reconstructing their effects, she provides an alternative interpretation of the propagandists' intentions and a new framework for understanding this era in Brazil's history.
Author: Nina Schneider
Publisher:
ISBN: 9780813064246
Category : Brazil
Languages : en
Pages : 0
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Book Description
Edition statement from table of contents.
Author: Nina Schneider
Publisher: Berghahn Books
ISBN: 1789200040
Category : Political Science
Languages : en
Pages : 381
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Book Description
Bringing together some of the world’s leading scholars, practitioners, and human-rights activists, this groundbreaking volume provides the first systematic analysis of the 2012–2014 Brazilian National Truth Commission. While attentive to the inquiry’s local and national dimensions, it offers an illuminating transnational perspective that considers the Commission’s Latin American regional context and relates it to global efforts for human rights accountability, contributing to a more general and critical reassessment of truth commissions from a variety of viewpoints.
Author: Robert M. Levine
Publisher: Duke University Press
ISBN: 9780822321897
Category : History
Languages : en
Pages : 176
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Book Description
In the early 1940s as the conflict between the Axis and the Allies spread worldwide, the U.S. State Department turned its attention to Axis influence in Latin America. As head of the Office of Inter-American Affairs, Nelson Rockefeller was charged with cultivating the region's support for the Allies while portraying Brazil and its neighbors as dependable wartime partners. Genevieve Naylor, a photojournalist previously employed by the Associated Press and the WPA, was sent to Brazil in 1940 by Rockefeller's agency to provide photographs that would support its need for propaganda. Often balking at her mundane assignments, an independent-minded Naylor produced something far different and far more rich--a stunning collection of over a thousand photographs that document a rarely seen period in Brazilian history. Accompanied by analysis from Robert M. Levine, this selection of Naylor's photographs offers a unique view of everyday life during one of modern Brazil's least-examined decades. Working under the constraints of the Vargas dictatorship, the instructions of her employers, and a chronic shortage of film and photographic equipment, Naylor took advantage of the freedom granted her as an employee of the U.S. government. Traveling beyond the fashionable neighborhoods of Rio de Janeiro, she conveys in her work the excitement of an outside observer for whom all is fresh and new--along with a sensibility schooled in depression-era documentary photography of Dorothea Lange and Walker Evans, as well as the work of Cartier-Bresson and filmmaker Serge Eisenstein. Her subjects include the very rich and the very poor, black Carnival dancers, fishermen, rural peasants from the interior, workers crammed into trolleys--ordinary Brazilians in their own setting--rather than simply Brazilian symbols of progress as required by the dictatorship or a population viewed as exotic Latins for the consumption of North American travelers. With Levine's text providing details of Naylor's life, perspectives on her photographs as social documents, and background on Brazil's wartime relationship with the United States, this volume, illustrated with more than one hundred of Naylor's Brazilian photographs will interest scholars of Brazilian culture and history, photojournalists and students of photography, and all readers seeking a broader perspective on Latin American culture during World War II. Genevieve Naylor began her career as a photojournalist with Time, Fortune, and the Associated Press before being sent to Brazil. In 1943, upon her return, she became only the second woman to be the subject of a one-woman show at New York's Museum of Modern Art. She served as Eleanor Roosevelt's personal photographer and, in the 1950s and 1960s became well known for her work in Harper's Bazaar, primarily as a fashion photographer and portraitist. She died in 1989.
Author:
Publisher:
ISBN:
Category : Brazil
Languages : en
Pages : 1090
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Book Description
Author: Neill Lochery
Publisher:
ISBN: 0465039987
Category : Biography & Autobiography
Languages : en
Pages : 378
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Book Description
When World War II erupted in 1939, Brazil seemed a world away. Beautiful, exotic, and remote, Brazil and its capital of Rio de Janeiro boasted world-famous beaches and five-star hotels, luring international travelers seeking adventure off the beaten path. "Rio: at the end of civilization, as we know it," claimed Orson Welles as he set out for the Brazilian capital in 1942 to film Allied propaganda. But even as expatriates like Welles drank away their worries in Brazil's stifling heat, the country's leadership was edging it toward an encounter with the modern world--one that would catapult the nation headlong into the twentieth century. In The Fortunes of War, acclaimed historian Neill Lochery reveals the secret history of Brazil's involvement in World War II, showing how the cunning politicians who ran the country extracted enormous wealth from both the Axis and the Allies, fundamentally transforming Brazil's economy and infrastructure during and after the war. Brazil's simplistic reputation as a faraway land of palm trees and samba dancers masked the country's immense strategic value to both the Axis and the Allies; its abundant natural resources made Brazil a crucial source of sustenance for Nazi Germany, while its geographical location made it a potential launching pad for a southerly invasion of the United States--a danger that American leaders remembered all too well from World War I, when Germany had urged Mexico to carry out just such an assault. Brazil's charismatic dictator, Get lio Dornelles Vargas, had himself long feared an attack from the country's rival to the south, Argentina, and understood that trade concessions from the Allies and Axis--not to mention weapons shipments from the Third Reich--could make his country a formidable force in South America. Vargas cozied up to Nazi Germany in the early years of the war, then deftly used his relationship with Germany to coax even better terms from the Allies, playing the two sides against each other in a dangerous game of bait-and-switch. The riches that Vargas's statecraft brought to Brazil transformed the country virtually overnight, allowing him to develop a sophisticated industrial and transportation infrastructure in what had previously been an underdeveloped backwater. But Brazil's cozy neutrality was not to last. As Brazil's ties with the United States deepened, the German position in Europe was eroding, leading Vargas to sever diplomatic relations with the Axis in early 1942. Within months Vargas declared war on the European Axis powers, and eventually sent 25,000 troops to the European theater. But Vargas's forces arrived too late--and were called home too early--to secure a significant role for Brazil in the postwar order. But within the country, at least, Vargas had made his mark: his leadership during the war ensured Rio's emergence as a major international city, and effectively remade Brazil as a modern nation. A tale of world war, diplomatic intrigue, and the rebirth of one of contemporary South America's most dynamic powers, The Fortunes of War brings to life a fascinating yet long-buried chapter of the most pivotal conflict of the twentieth century.
Author: Daryle Williams
Publisher: Duke University Press
ISBN: 082238096X
Category : History
Languages : en
Pages : 373
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Book Description
In Culture Wars in Brazil Daryle Williams analyzes the contentious politicking over the administration, meaning, and look of Brazilian culture that marked the first regime of president-dictator Getúlio Vargas (1883–1954). Examining a series of interconnected battles waged among bureaucrats, artists, intellectuals, critics, and everyday citizens over the state’s power to regulate and consecrate the field of cultural production, Williams argues that the high-stakes struggles over cultural management fought between the Revolution of 1930 and the fall of the Estado Novo dictatorship centered on the bragging rights to brasilidade—an intangible yet highly coveted sense of Brazilianness. Williams draws on a rich selection of textual, pictorial, and architectural sources in his exploration of the dynamic nature of educational film and radio, historical preservation, museum management, painting, public architecture, and national delegations organized for international expositions during the unsettled era in which modern Brazil’s cultural canon took definitive form. In his close reading of the tensions surrounding official policies of cultural management, Williams both updates the research of the pioneer generation of North American Brazilianists, who examined the politics of state building during the Vargas era, and engages today’s generation of Brazilianists, who locate the construction of national identity of modern Brazil in the Vargas era. By integrating Brazil into a growing body of literature on the cultural dimensions of nations and nationalism, Culture Wars in Brazil will be important reading for students and scholars of Latin American history, state formation, modernist art and architecture, and cultural studies.
Author: James P. Woodard
Publisher: UNC Press Books
ISBN: 146965637X
Category : History
Languages : en
Pages : 543
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Book Description
James P. Woodard's history of consumer capitalism in Brazil, today the world's fifth most populous country, is at once magisterial, intimate, and penetrating enough to serve as a history of modern Brazil itself. It tells how a new economic outlook took hold over the course of the twentieth century, a time when the United States became Brazil's most important trading partner and the tastemaker of its better-heeled citizens. In a cultural entangling with the United States, Brazilians saw Chevrolets and Fords replace horse-drawn carriages, railroads lose to a mania for cheap automobile roads, and the fabric of everyday existence rewoven as commerce reached into the deepest spheres of family life. The United States loomed large in this economic transformation, but American consumer culture was not merely imposed on Brazilians. By the seventies, many elements once thought of as American had slipped their exotic traces and become Brazilian, and this process illuminates how the culture of consumer capitalism became a more genuinely transnational and globalized phenomenon. This commercial and cultural turn is the great untold story of Brazil's twentieth century, and one key to its twenty-first.
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1274
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Book Description
Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1596
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Book Description
