Author: Antonio Ramírez de Verger
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110731789
Category : Literary Criticism
Languages : en
Pages : 423
Book Description
The verse-by-verse commentary on the Ovidian text includes the reading of more than 300 manuscripts, including the so-called Heinsian manuscripts, and of almost 100 editions, from the two "editiones principes" of 1471 to the present day. The introduction describes the manuscripts used, and a history of the Ovidian editions is also traced. A new text of book VI is presented, accompanied by a slim and lucid critical apparatus. Futher information appears in the commentary and in the appendices, particularly readings of manuscripts and editions. The verbatim commentary offers, with reliable quotes for each term, the critical observations of all the editors and commentators of the Ovidian work throughout the centuries. This aspect of critical edition has been neglected by commentators of Ovid since Heinsius (1659) and Burman (1727). Two appendices ("Readings of manuscripts" and "Readings of editions") are added for the first time for readers of the Ovidian work. The volume closes with a "Select index of textual problems", a large "Index locorum" and an "Index nominum".
Book VI of Ovid’s ›Metamorphoses‹
Author: Antonio Ramírez de Verger
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110731789
Category : Literary Criticism
Languages : en
Pages : 423
Book Description
The verse-by-verse commentary on the Ovidian text includes the reading of more than 300 manuscripts, including the so-called Heinsian manuscripts, and of almost 100 editions, from the two "editiones principes" of 1471 to the present day. The introduction describes the manuscripts used, and a history of the Ovidian editions is also traced. A new text of book VI is presented, accompanied by a slim and lucid critical apparatus. Futher information appears in the commentary and in the appendices, particularly readings of manuscripts and editions. The verbatim commentary offers, with reliable quotes for each term, the critical observations of all the editors and commentators of the Ovidian work throughout the centuries. This aspect of critical edition has been neglected by commentators of Ovid since Heinsius (1659) and Burman (1727). Two appendices ("Readings of manuscripts" and "Readings of editions") are added for the first time for readers of the Ovidian work. The volume closes with a "Select index of textual problems", a large "Index locorum" and an "Index nominum".
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110731789
Category : Literary Criticism
Languages : en
Pages : 423
Book Description
The verse-by-verse commentary on the Ovidian text includes the reading of more than 300 manuscripts, including the so-called Heinsian manuscripts, and of almost 100 editions, from the two "editiones principes" of 1471 to the present day. The introduction describes the manuscripts used, and a history of the Ovidian editions is also traced. A new text of book VI is presented, accompanied by a slim and lucid critical apparatus. Futher information appears in the commentary and in the appendices, particularly readings of manuscripts and editions. The verbatim commentary offers, with reliable quotes for each term, the critical observations of all the editors and commentators of the Ovidian work throughout the centuries. This aspect of critical edition has been neglected by commentators of Ovid since Heinsius (1659) and Burman (1727). Two appendices ("Readings of manuscripts" and "Readings of editions") are added for the first time for readers of the Ovidian work. The volume closes with a "Select index of textual problems", a large "Index locorum" and an "Index nominum".
Metamorphoses: Books I-VIII
Author: Ovid
Publisher:
ISBN:
Category :
Languages : en
Pages : 500
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 500
Book Description
Ovid's Metamorphoses
Author: Ovid
Publisher: University of Oklahoma Press
ISBN: 9780806114569
Category : Social Science
Languages : en
Pages : 564
Book Description
Ovid is a poet to enjoy, declares William S. Anderson in his introduction to this textbook. And Anderson’s skillful introduction and enlightening textual commentary will indeed make it a joy to use. In these books Ovid begins to leave the conflict between men and the gods to concentrate on the relations among human beings. Subjects of the stories include Arachne and Niobe; Tereus, Procne, and Philomela; Medea and Jason; Orpheus and Eurydice; and many others, familiar and unfamiliar. For students of Latin-and teachers, too-they provide an interesting experience. In his introduction the editor discusses Ovid’s career, the reputation of the Metamorphoses during Ovid’s time and after, and the various manuscripts that exist or have been known to exist. He describes the general plan of the poem, its main theme, and the problem of its tone. Technical matters, such as style and meter, are also considered. In notes the editor summarizes the story being told before proceeding to the line-by-line textual comments.
Publisher: University of Oklahoma Press
ISBN: 9780806114569
Category : Social Science
Languages : en
Pages : 564
Book Description
Ovid is a poet to enjoy, declares William S. Anderson in his introduction to this textbook. And Anderson’s skillful introduction and enlightening textual commentary will indeed make it a joy to use. In these books Ovid begins to leave the conflict between men and the gods to concentrate on the relations among human beings. Subjects of the stories include Arachne and Niobe; Tereus, Procne, and Philomela; Medea and Jason; Orpheus and Eurydice; and many others, familiar and unfamiliar. For students of Latin-and teachers, too-they provide an interesting experience. In his introduction the editor discusses Ovid’s career, the reputation of the Metamorphoses during Ovid’s time and after, and the various manuscripts that exist or have been known to exist. He describes the general plan of the poem, its main theme, and the problem of its tone. Technical matters, such as style and meter, are also considered. In notes the editor summarizes the story being told before proceeding to the line-by-line textual comments.
Ovid's Metamorphoses
Author: Ovid
Publisher: University of Oklahoma Press
ISBN: 9780806128948
Category : Drama
Languages : en
Pages : 588
Book Description
Ovid's Metamorphosesis a weaving-together of classical myths, extending in time from the creation of the world to the death of Julius Caesar. This volume provides the Latin text of the first five books of the poem and the most detailed commentary available in English of these books.
Publisher: University of Oklahoma Press
ISBN: 9780806128948
Category : Drama
Languages : en
Pages : 588
Book Description
Ovid's Metamorphosesis a weaving-together of classical myths, extending in time from the creation of the world to the death of Julius Caesar. This volume provides the Latin text of the first five books of the poem and the most detailed commentary available in English of these books.
Metamorphoses
Author: Ovid
Publisher:
ISBN:
Category :
Languages : en
Pages : 366
Book Description
"It is the single most important work of poetry in ancient history" - M. L. Andres, author of 'A Simple but Effective Strategy for Success' & founder of The Block Bard. Ovid's 15-book epic, written in exquisite Latin hexameter, is a rollercoaster of a read. Beginning with the creation of the world, and ending with Rome in his own lifetime, the Metamorphoses drags the reader through time and space, from beginnings to endings, from life to death, from moments of delicious joy to episodes of depravity and abjection.The madness and chaos of some 250 stories, spanning around 700 lines of poetry per book, are woven together by the theme of metamorphosis or transformation. The artistic dexterity involved in pulling off this literary feat is testimony to Ovid's skill and ambition as a poet. This accomplishment also goes a long way in explaining the rightful place the Metamorphoses holds within the canon of classical literature, placed as it is beside other great epics of Mediterranean antiquity such as the Iliad, Odyssey and Aeneid.
Publisher:
ISBN:
Category :
Languages : en
Pages : 366
Book Description
"It is the single most important work of poetry in ancient history" - M. L. Andres, author of 'A Simple but Effective Strategy for Success' & founder of The Block Bard. Ovid's 15-book epic, written in exquisite Latin hexameter, is a rollercoaster of a read. Beginning with the creation of the world, and ending with Rome in his own lifetime, the Metamorphoses drags the reader through time and space, from beginnings to endings, from life to death, from moments of delicious joy to episodes of depravity and abjection.The madness and chaos of some 250 stories, spanning around 700 lines of poetry per book, are woven together by the theme of metamorphosis or transformation. The artistic dexterity involved in pulling off this literary feat is testimony to Ovid's skill and ambition as a poet. This accomplishment also goes a long way in explaining the rightful place the Metamorphoses holds within the canon of classical literature, placed as it is beside other great epics of Mediterranean antiquity such as the Iliad, Odyssey and Aeneid.
Metamorphoses, Book XIV.
Author: Ovid
Publisher:
ISBN:
Category :
Languages : en
Pages : 158
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 158
Book Description
A Commentary on Ovid's Fasti, Book 6
Author: R. Joy Littlewood
Publisher: Oxford University Press, USA
ISBN: 0199271348
Category : Language Arts & Disciplines
Languages : en
Pages : 346
Book Description
"After a period of neglect, the Fasti, Ovid's elegiac poem on the Roman calendar, has been the focus of much recent scholarship. Joy Littlewood suggests that Book 6 is unified by the theme of War, so providing a framing bracket to balance the dominant theme of Peace in Book I. While January celebrates the blessings of Augustan peace, June presents a multifaceted portrait of Roman war, a uniquely Roman combination of virtus and pictas. The three goddesses who dispute the origin of the month in the Proem have associations with military success and Roman power, a distinguishing characteristic that they share in varying degrees with the goddesses whose festivals fall in June (Carna, Vesta, Mater Matuta, Fortuna, and Minerva), most of whom, like Juno of Lanuvium, are also the focus of women's cult. Throughout the month, republican military conflicts are recalled in temples vowed and anniversaries of victory and defeat in Rome's struggle for hegemony. Finally, a complex extended epilogue, which culminates in the celebration of Hercules Musarum, coalesces with familiar themes of Augustan ideology: apotheosis, dynastic eulogy, and the monuments of the Pax Augusta. These and other themes are discussed in the Introduction to the Commentary, which includes analyses of the literary and historical background of the work, Augustus' dynastic restructuring of Roman religion, as evinced in the iconography of his new monuments, Ovid's adaptations of material from Livy's Histories and Horace's Roman Odes, his narrative technique, and his expansion of the elegiac genre through the antiquarian content of the book. Fascinating literary questions are raised by the poet's audacious violation of generic boundaries, no less than by his inclusion of sound antiquarian material artfully camouflaged by literary allusion. Ovid's Fasti Book 6 offers new insights into the complex role played by religion in Roman life."--BOOK JACKET.
Publisher: Oxford University Press, USA
ISBN: 0199271348
Category : Language Arts & Disciplines
Languages : en
Pages : 346
Book Description
"After a period of neglect, the Fasti, Ovid's elegiac poem on the Roman calendar, has been the focus of much recent scholarship. Joy Littlewood suggests that Book 6 is unified by the theme of War, so providing a framing bracket to balance the dominant theme of Peace in Book I. While January celebrates the blessings of Augustan peace, June presents a multifaceted portrait of Roman war, a uniquely Roman combination of virtus and pictas. The three goddesses who dispute the origin of the month in the Proem have associations with military success and Roman power, a distinguishing characteristic that they share in varying degrees with the goddesses whose festivals fall in June (Carna, Vesta, Mater Matuta, Fortuna, and Minerva), most of whom, like Juno of Lanuvium, are also the focus of women's cult. Throughout the month, republican military conflicts are recalled in temples vowed and anniversaries of victory and defeat in Rome's struggle for hegemony. Finally, a complex extended epilogue, which culminates in the celebration of Hercules Musarum, coalesces with familiar themes of Augustan ideology: apotheosis, dynastic eulogy, and the monuments of the Pax Augusta. These and other themes are discussed in the Introduction to the Commentary, which includes analyses of the literary and historical background of the work, Augustus' dynastic restructuring of Roman religion, as evinced in the iconography of his new monuments, Ovid's adaptations of material from Livy's Histories and Horace's Roman Odes, his narrative technique, and his expansion of the elegiac genre through the antiquarian content of the book. Fascinating literary questions are raised by the poet's audacious violation of generic boundaries, no less than by his inclusion of sound antiquarian material artfully camouflaged by literary allusion. Ovid's Fasti Book 6 offers new insights into the complex role played by religion in Roman life."--BOOK JACKET.
Texts and Violence in the Roman World
Author: Monica R. Gale
Publisher: Cambridge University Press
ISBN: 1108624170
Category : Literary Criticism
Languages : en
Pages : 401
Book Description
From the bites and scratches of lovers and the threat of flogging that hangs over the comic slave, to murder, rape, dismemberment, and crucifixion, violence is everywhere in Latin literature. The contributors to this volume explore the manifold ways in which violence is constructed and represented in Latin poetry and prose from Plautus to Prudentius, examining the interrelations between violence, language, power, and gender, and the narrative, rhetorical, and ideological functions of such depictions across the generic spectrum. How does violence contribute to the pleasure of the text? Do depictions of violence always reinforce status-hierarchies, or can they provoke a reassessment of normative value-systems? Is the reader necessarily complicit with authorial constructions of violence? These are pressing questions both for ancient literature and for film and other modern media, and this volume will be of interest to scholars and students of cultural studies as well as of the ancient world.
Publisher: Cambridge University Press
ISBN: 1108624170
Category : Literary Criticism
Languages : en
Pages : 401
Book Description
From the bites and scratches of lovers and the threat of flogging that hangs over the comic slave, to murder, rape, dismemberment, and crucifixion, violence is everywhere in Latin literature. The contributors to this volume explore the manifold ways in which violence is constructed and represented in Latin poetry and prose from Plautus to Prudentius, examining the interrelations between violence, language, power, and gender, and the narrative, rhetorical, and ideological functions of such depictions across the generic spectrum. How does violence contribute to the pleasure of the text? Do depictions of violence always reinforce status-hierarchies, or can they provoke a reassessment of normative value-systems? Is the reader necessarily complicit with authorial constructions of violence? These are pressing questions both for ancient literature and for film and other modern media, and this volume will be of interest to scholars and students of cultural studies as well as of the ancient world.
A Web of Fantasies
Author: Patricia B. Salzman-Mitchell
Publisher: Ohio State University Press
ISBN: 0814209998
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
"Drawing on recent scholarship in art, film, literary theory, and gender studies, A Web of Fantasies examines the complexities, symbolism, and interactions between gaze and image in Ovid's Metamorphoses and forms a gender-sensitive perspective. It is a feminist study of Ovid's epic, which includes many stories about change, in which discussions of viewers, viewing, and imagery strive to illuminate Ovid's constructions of male and female. Patricia Salzman-Mitchell discusses the text from the perspective of three types of gazes: of characters looking, of the poet who narrates visually charged stories, and of the reader who "sees" the woven images in the text. Arguing against certain theorists who deny the possibility of any feminine vision in a male-authored poem, the author maintains that the female point of view can be released through the traditional feminine occupation of weaving, featuring the woven images of Arachne (involved in a weaving contest in which she tried to best the goddess Athena, who turned her into a spider) and Philomela (who had her tongue cut out, so had to weave a tapestry depicting her rape and mutilation)." "The book observes that while feminist models of the gaze can create productive readings of the poem, these models are too limited and reductive for such a protean and complex text as Metamorphoses. This work brings forth the pervasive importance of the act of looking in the poem which will affect future readings of Ovid's epic."--BOOK JACKET.
Publisher: Ohio State University Press
ISBN: 0814209998
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
"Drawing on recent scholarship in art, film, literary theory, and gender studies, A Web of Fantasies examines the complexities, symbolism, and interactions between gaze and image in Ovid's Metamorphoses and forms a gender-sensitive perspective. It is a feminist study of Ovid's epic, which includes many stories about change, in which discussions of viewers, viewing, and imagery strive to illuminate Ovid's constructions of male and female. Patricia Salzman-Mitchell discusses the text from the perspective of three types of gazes: of characters looking, of the poet who narrates visually charged stories, and of the reader who "sees" the woven images in the text. Arguing against certain theorists who deny the possibility of any feminine vision in a male-authored poem, the author maintains that the female point of view can be released through the traditional feminine occupation of weaving, featuring the woven images of Arachne (involved in a weaving contest in which she tried to best the goddess Athena, who turned her into a spider) and Philomela (who had her tongue cut out, so had to weave a tapestry depicting her rape and mutilation)." "The book observes that while feminist models of the gaze can create productive readings of the poem, these models are too limited and reductive for such a protean and complex text as Metamorphoses. This work brings forth the pervasive importance of the act of looking in the poem which will affect future readings of Ovid's epic."--BOOK JACKET.
A Student's Commentary on Ovid's Metamorphoses Book 10
Author: Shawn O'Bryhim
Publisher: John Wiley & Sons
ISBN: 1119770505
Category : Literary Criticism
Languages : en
Pages : 164
Book Description
Discover a holistic perspective on Ovid’s Metamorphoses Book 10 with this insightful resource. In A Student’s Commentary on Ovid’s Metamorphoses Book 10, Shawn O’Bryhim offers an insightful and concise examination of the literary, grammatical, and textual matters integral to Book 10 of Ovid’s Metamorphoses. Expanding the scope of more traditional textbooks on Book 10, the author explores the archaeological, religious, and cultural elements of the work as it relates to Greece, Rome, and the Near East. Readers will benefit from the inclusion of: A multidisciplinary approach that examines the religious, archaeological, and cultural background of Ovid’s myths A Near Eastern perspective on the material, which will allow a deeper understanding of the subject matter An exploration of the grammatical and literary components that characterize Book 10 Intended primarily for undergraduates in advanced Latin courses on Ovid, A Student’s Commentary on Ovid’s Metamorphoses Book 10 will also earn a place in the library of anyone who desires a broader approach to the study of Book 10 of the Metamorphoses.
Publisher: John Wiley & Sons
ISBN: 1119770505
Category : Literary Criticism
Languages : en
Pages : 164
Book Description
Discover a holistic perspective on Ovid’s Metamorphoses Book 10 with this insightful resource. In A Student’s Commentary on Ovid’s Metamorphoses Book 10, Shawn O’Bryhim offers an insightful and concise examination of the literary, grammatical, and textual matters integral to Book 10 of Ovid’s Metamorphoses. Expanding the scope of more traditional textbooks on Book 10, the author explores the archaeological, religious, and cultural elements of the work as it relates to Greece, Rome, and the Near East. Readers will benefit from the inclusion of: A multidisciplinary approach that examines the religious, archaeological, and cultural background of Ovid’s myths A Near Eastern perspective on the material, which will allow a deeper understanding of the subject matter An exploration of the grammatical and literary components that characterize Book 10 Intended primarily for undergraduates in advanced Latin courses on Ovid, A Student’s Commentary on Ovid’s Metamorphoses Book 10 will also earn a place in the library of anyone who desires a broader approach to the study of Book 10 of the Metamorphoses.