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Author: Anustup Basu
Publisher: Edinburgh University Press
ISBN: 0748686762
Category : Social Science
Languages : en
Pages : 376
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Book Description
This is a study of popular Indian cinema in the age of globalisation, new media, and metropolitan Hindu fundamentalism, focusing on the period between 1991 and 2004.
Author: Anustup Basu
Publisher: Edinburgh University Press
ISBN: 0748686762
Category : Social Science
Languages : en
Pages : 376
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Book Description
This is a study of popular Indian cinema in the age of globalisation, new media, and metropolitan Hindu fundamentalism, focusing on the period between 1991 and 2004.
Author: Adrian Athique
Publisher: Polity
ISBN: 0745653332
Category : Social Science
Languages : en
Pages : 193
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Book Description
The very rapid growth in the Indian media industries and the vibrancy of India's popular culture are making a working understanding of the Indian scene a prerequisite for any serious study of media in the twenty-first century. As one of the largest and most influential emerging economies in the world today, India now plays a crucial role in any serious discussion of social and economic change taking place at the global level. As new commercial and political alignments take shape in the face of new global circumstances, thinkers and decision-makers are inexorably drawn towards the reality of a new India being forged in the technological and cultural flux of global media flows. Taking an innovative interdisciplinary approach to the complex field of Indian media and society, this book combines a rich descriptive account with critical analysis designed to engender informed debate amongst students, academics and other researchers.
Author: David J. Schaefer
Publisher: Routledge
ISBN: 1136196153
Category : Social Science
Languages : en
Pages : 208
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Book Description
The field of Bollywood studies has remained predominantly critical, theoretical and historical in focus. This book brings together qualitative and quantitative approaches to tackle empirical questions focusing on the relationship between soft power, hybridity, cinematic texts, and audiences. Adopting a critical-transcultural framework that examines the complex power relations that are manifested through globalized production and consumption practices, the book approaches the study of popular Hindi cinema from three broad perspectives: transcultural production contexts, content trends, and audiences. It firstly outlines the theoretical issues relevant to the spread of popular Indian cinema and emergence of India’s growing soft power. The book goes on to report on a series of quantitative studies that examine the patterns of geographical, cultural, political, infrastructural, and artistic power dynamics at work within the highest-grossing popular Hindi films over a 61-year period since independence. Finally, an additional set of studies are presented that quantitatively examine Indian and North American audience consumption practices. The book illuminates issues related to the actualization and maintenance of cinematic soft power dynamics, highlighting Bollywood’s increasing integration into and subsumption by globalized practices that are fundamentally altering India’s cinematic landscape and, thus, its unique soft power potential. It is of interest to academics working in Film Studies, Globalisation Studies, and International Relations.
Author: Rajinder Dudrah
Publisher: Routledge
ISBN: 1135759480
Category : Social Science
Languages : en
Pages : 129
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Book Description
The emergence of new media today in South Asia has signalled an event, the meaning of which remains obscure but whose reality is rapidly evolving along gradients of intensity and experience. Contemporary media in and from South Asia have come to sense a new arrangement of value, sensation, and force - new forms of becoming that might be usefully termed as 'media ecologies'. This evolution from nation-based forms of communication (Doordarshan, All India Radio, the "national" feudal romance) to simultaneous global ones conform and mutate the structures of feeling of local, national, diasporic and transnational belonging. This collection of original essays is concerned with understanding how people are making meaning from the new media and how subaltern tinkering (pirating, peer to peer file sharing, hacking, noise jamming, indymedia, etc.) does things to and in the new media. This exciting works helps us to make sense of the creation of new publics, new affects and new experiences of pleasure and value in convergences of intermedia in a fast developing South Asia context. This book was originally published as a special issue of South Asian Popular Culture.
Author: Oishik Sircar
Publisher: Cambridge University Press
ISBN: 1316512819
Category : History
Languages : en
Pages : 362
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Book Description
Investigation into how a shared narrative of law and cinema produces ways of collectively remembering mass violence in postcolonial India.
Author: Asma Ayob
Publisher: Cambridge Scholars Publishing
ISBN: 1527579522
Category : Performing Arts
Languages : en
Pages : 162
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Book Description
Research and popular culture illustrate that Bollywood cinema plays an essential role for Indian national and diasporic audiences across the globe, showing that such films shed light on the history and cultural politics of India. Over time, Bollywood filmmakers have played a key role in assisting Indian women with their evolutionary practices. Films that focus on important aspects such as culture, patriarchy, and gender politics within this context are analysed in this text. Karan Johar is internationally recognised as an auteur, especially because of the novel representations of the Indian diaspora in his films. His unique relationship with Shah Rukh Khan, a global icon with a worldwide following of some 3.5 billion fans, is explored here. This book’s study of Bollywood films elucidates how Indian women have transformed over the years, from being subjugated to individuals with human rights. As such, it is a valuable source of information for cinema studies students and instructors, and an important resource for anyone interested in the history of the Bollywood industry and its impact on society as it evolves.
Author: Meheli Sen
Publisher: Springer
ISBN: 1137349786
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
This volume brings together a series of essays that interrogate the notion of figuration in Indian cinemas. The essays collectively argue that the figures which exhibit maximum tenacity in Indian cinema often emerge in the interface of recognizable binaries: self/other, Indian/foreign, good/bad, virtue/vice, myth/reality and urban/rural.
Author: Debra L. Merskin
Publisher: SAGE Publications
ISBN: 1483375544
Category : Social Science
Languages : en
Pages : 4674
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Book Description
The SAGE International Encyclopedia of Mass Media and Society discusses media around the world in their varied forms—newspapers, magazines, radio, television, film, books, music, websites, social media, mobile media—and describes the role of each in both mirroring and shaping society. This encyclopedia provides a thorough overview of media within social and cultural contexts, exploring the development of the mediated communication industry, mediated communication regulations, and societal interactions and effects. This reference work will look at issues such as free expression and government regulation of media; how people choose what media to watch, listen to, and read; and how the influence of those who control media organizations may be changing as new media empower previously unheard voices. The role of media in society will be explored from international, multidisciplinary perspectives via approximately 700 articles drawing on research from communication and media studies, sociology, anthropology, social psychology, politics, and business.
Author: Swapna Gopinath
Publisher: Taylor & Francis
ISBN: 100082991X
Category : Performing Arts
Languages : en
Pages : 245
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Book Description
This book examines cinematic practices in Bollywood as narratives that assist in shaping the imagination of the age, especially in contemporary India. It examines historical films released in India since the new millennium and analyses cinema as a reflection of the changing socio-political and economic conditions at any given period. The chapters in Historicizing Myths in Contemporary India: Cinematic Representations and Nationalist Agendas in Hindi Cinemas also illuminate different perspectives on how cinematic historical representations follow political patterns and market compulsions, giving precedence to a certain past over the other, creating a narrative suited for the dominant narrative of the present. From Mughal-e-Azam to Padmaavat, and Bajirao Mastani to Raazi, the chapters show how creating history out of myths validate hegemonic identities in a rapidly evolving Indian society. The volume will be of interest to scholars of film and media studies, literature and culture studies, and South Asian studies.
Author: Benjamin Fraser
Publisher: Columbia University Press
ISBN: 0231850964
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
Cultures of Representation is the first book to explore the cinematic portrayal of disability in films from across the globe. Contributors explore classic and recent works from Belgium, France, Germany, India, Italy, Iran, Japan, Korea, Mexico, Netherlands, Russia, Senegal, and Spain, along with a pair of globally resonant Anglophone films. Anchored by David T. Mitchell and Sharon L. Snyder's coauthored essay on global disability-film festivals, the volume's content spans from 1950 to today, addressing socially disabling forces rendered visible in the representation of physical, developmental, cognitive, and psychiatric disabilities. Essays emphasize well-known global figures, directors, and industries – from Temple Grandin to Pedro Almodóvar, from Akira Kurosawa to Bollywood – while also shining a light on films from less frequently studied cultural locations such as those portrayed in the Iranian and Korean New Waves. Whether covering postwar Italy, postcolonial Senegal, or twenty-first century Russia, the essays in this volume will appeal to scholars, undergraduates, and general readers alike.
