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Author: Debra Walker King
Publisher: Indiana University Press
ISBN: 9780253214096
Category : Literary Collections
Languages : en
Pages : 234
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Book Description
This book focuses on the challenges women face when their externally defined identities and representations as bodies - their body fictions - speak louder than what they know to be their lived experience. As objects of interpretation, "female bodies" in search of health care, legal assistance, professional respect, identity confirmation, and financial security must first confront the fictionalized doubles. This volume includes reflections on women's day to day lives, as well as the cultural production (literature, MTV, film etc.) that give body fictions their powerful influence. By exploring how these fictions are manipulated politically, expressively and communally, contributors offer reinterpretations that challenge the fictional double while theorizing the discursive and performative forms that it takes.
Author: Debra Walker King
Publisher: Indiana University Press
ISBN: 9780253214096
Category : Literary Collections
Languages : en
Pages : 234
Get Book Here
Book Description
This book focuses on the challenges women face when their externally defined identities and representations as bodies - their body fictions - speak louder than what they know to be their lived experience. As objects of interpretation, "female bodies" in search of health care, legal assistance, professional respect, identity confirmation, and financial security must first confront the fictionalized doubles. This volume includes reflections on women's day to day lives, as well as the cultural production (literature, MTV, film etc.) that give body fictions their powerful influence. By exploring how these fictions are manipulated politically, expressively and communally, contributors offer reinterpretations that challenge the fictional double while theorizing the discursive and performative forms that it takes.
Author: Andrew Moore
Publisher: Rowman & Littlefield
ISBN: 1498514081
Category : Political Science
Languages : en
Pages : 191
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Book Description
Shakespeare between Machiavelli and Hobbes explores Shakespeare’s political outlook by comparing some of the playwright’s best-known works to the works of Italian political theorist Niccolò Machiavelli and English social contract theorist Thomas Hobbes. By situating Shakespeare ‘between’ these two thinkers, the distinctly modern trajectory of the playwright’s work becomes visible. Throughout his career, Shakespeare interrogates the divine right of kings, absolute monarchy, and the metaphor of the body politic. Simultaneously he helps to lay the groundwork for modern politics through his dramatic explorations of consent, liberty, and political violence. We can thus understand Shakespeare’s corpus as a kind of eulogy: a funeral speech dedicated to outmoded and deficient theories of politics. We can also understand him as a revolutionary political thinker who, along with Machiavelli and Hobbes, reimagined the origins and ends of government. All three thinkers understood politics primarily as a response to our mortality. They depict politics as the art of managing and organizing human bodies—caring for their needs, making space for the satisfaction of desires, and protecting them from the threat of violent death. This book features new readings of Shakespeare’s plays that illuminate the playwright’s major political preoccupations and his investment in materialist politics.
Author: Mark Danner
Publisher: ReadHowYouWant.com
ISBN: 1458762904
Category : History
Languages : en
Pages : 646
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Book Description
Stripping Bare the Body shows at close hand how terrorism works and how war looks and smells and feels. Drawing on rich narratives of politics and violence and war from around the world, Stripping Bare the Body is a moral history of American power...
Author: Emily S. Rosenberg
Publisher: Duke University Press
ISBN: 0822376717
Category : History
Languages : en
Pages : 346
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Book Description
Body and Nation interrogates the connections among the body, the nation, and the world in twentieth-century U.S. history. The idea that bodies and bodily characteristics are heavily freighted with values that are often linked to political and social spheres remains underdeveloped in the histories of America's relations with the rest of the world. Attentive to diverse state and nonstate actors, the contributors provide historically grounded insights into the transnational dimensions of biopolitics. Their subjects range from the regulation of prostitution in the Philippines by the U.S. Army to Cold War ideals of American feminine beauty, and from "body counts" as metrics of military success to cultural representations of Mexican migrants in the United States as public health threats. By considering bodies as complex, fluctuating, and interrelated sites of meaning, the contributors to this collection offer new insights into the workings of both soft and hard power. Contributors. Frank Costigliola, Janet M. Davis, Shanon Fitzpatrick, Paul A. Kramer, Shirley Jennifer Lim, Mary Ting Yi Lui, Natalia Molina, Brenda Gayle Plummer, Emily S. Rosenberg, Kristina Shull, Annessa C. Stagner, Marilyn B. Young
Author: Jay Watson
Publisher: University of Georgia Press
ISBN: 0820343382
Category : Literary Criticism
Languages : en
Pages : 426
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Book Description
Jay Watson argues that southern literary studies has been overidealized and dominated by intellectual history for too long. In Reading for the Body, he calls for the field to be rematerialized and grounded in an awareness of the human body as the site where ideas, including ideas about the U.S. South itself, ultimately happen. Employing theoretical approaches to the body developed by thinkers such as Karl Marx, Colette Guillaumin, Elaine Scarry, and Friedrich Kittler, Watson also draws on histories of bodily representation to mine a century of southern fiction for its insights into problems that have preoccupied the region and nation alike: slavery, Jim Crow, and white supremacy; the marginalization of women; the impact of modernization; the issue of cultural authority and leadership; and the legacy of the Vietnam War. He focuses on the specific bodily attributes of hand, voice, and blood and the deeply embodied experiences of pain, illness, pregnancy, and war to offer new readings of a distinguished group of literary artists who turned their attention to the South: Mark Twain, Jean Toomer, Zora Neale Hurston, William Faulkner, Richard Wright, Katherine Anne Porter, Bobbie Ann Mason, and Walker Percy. In producing an intensely embodied U.S. literature these writers, Watson argues, were by turns extending and interrogating a centuries-old tradition in U.S. print culture, in which the recalcitrant materiality of the body serves as a trope for the regional alterity of the South. Reading for the Body makes a powerful case for the body as an important methodological resource for a new southern studies.
Author: Stephanie Ann Smith
Publisher: U of Minnesota Press
ISBN: 9780816645534
Category : Social Science
Languages : en
Pages : 244
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Book Description
Looking in detail at words that “treat people as things, and things as people, and do so at that strange space where joking, ridiculing, demeaning, oppressing, resisting, and regretting converge,” Household Words is a study of how certain words act as indices of political and social change, perpetuating anxieties and prejudices even as those ways of thinking have been seemingly resolved or overcome by history. Specifically, Stephanie A. Smith examines six words—bloomer, sucker, bombshell, scab, nigger, and cyber—and explores how these words with their contemporary “universal” meaning appeal to a dangerous idea about what it means to be human, an idea that denies our history of conflict. She traces “bombshell” from Marilyn Monroe through women’s liberation and the sexual revolution to Monica Lewinsky, “scab” from blemish to strikebreaker, “sucker” from lollipop to the routinely cheated. Exposing the ambiguities in each of the words, Smith reveals that our language is communal and cutting, democratic and discriminatory, social and psychological. Stephanie A. Smith is associate professor of English at the University of Florida and the author of Conceived by Liberty: Maternal Figures and Nineteenth-Century American Literature as well as three novels.
Author: Tomá Jirsa
Publisher: Bloomsbury Publishing USA
ISBN: 1501398016
Category : Art
Languages : en
Pages : 289
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Book Description
Traveling Music Videos offers a new interdisciplinary perspective on how contemporary music videos travel across, shape, and transform various media, online platforms, art institutions, and cultural industries worldwide. With the onset of digital technologies and the proliferation of global video-sharing websites at the beginning of the 21st century, music video migrated from TV screens to turn instead to the internet, galleries, concert stages, and social media. As a result, its aesthetics, technological groundings, and politics have been radically transformed. From the kinaesthetic experience of TikTok to the recent reimaginations of maps and navigation tools through music video cartographies, from the ecofeminist voices mediated by live-stream concerts to the transmedia logic of video games and VR, from the videos' role in contemporary art galleries to their political interventions -the chapters map the ways music video is continually reconfiguring itself. The volume tracks music video's audiovisual itineraries across different geographies, maps its transmedia routes, and tackles the cultural impact that it has on our current media ecosystem.
Author: Margaret Cruikshank
Publisher: Rowman & Littlefield Publishers
ISBN: 1442213663
Category : Social Science
Languages : en
Pages : 298
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Book Description
Margaret Cruikshank’s Learning to Be Old examines what it means to grow old in America today. The book questions social myths and fears about aging, sickness, and the other social roles of the elderly, the over-medicalization of many older people, and ageism. In this book, Cruikshank proposes alternatives to the ways aging is usually understood in both popular culture and mainstream gerontology. Learning to Be Old does not propose the ideas of “successful aging” or “productive aging,” but more the idea of “learning” how to age. Featuring new research and analysis, the third edition of Learning to be Old demonstrates, more thoroughly than the previous editions, that aging is socially constructed. Among texts on aging the book is unique in its clear focus on the differences in aging for women and men, as well as for people in different socioeconomic groups. Cruikshank is able to put aging in a broad context that not only focuses on how aging affects women but men, as well. Key updates in the third edition include changes in the health care system, changes in how long older Americans are working especially given the impact of the recession, and new material on the brain and mind-body interconnections. Cruikshank impressively challenges conventional ideas about aging in this third edition of Learning to be Old. This will be a must-read for everyone interested in new ideas surrounding aging in America today.
Author: Siiri Scott
Publisher: Taylor & Francis
ISBN: 1000937267
Category : Performing Arts
Languages : en
Pages : 177
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Book Description
Stanislavsky and Race is the first book to explore the role that Konstantin Stanislavsky’s “system” and its legacies can play in building, troubling and illuminating today’s anti-racist theatre practices. This collection of essays from leading figures in the field of actor training stands not only as a resource for a new area of academic enquiry, but also for students, actors, directors, teachers and academics who are engaged in making inclusive contemporary theatre. In seeking to dismantle the dogma that surrounds much actor training and replace it with a culturally competent approach that will benefit our entire community, the “system” is approached from a range of perspectives featuring the research, reflections and provocations of 20 different international artists interrogating Stanislavsky’s approach through the lens of race, place and identity. Stanislavsky and ... is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers and scholars of acting, actor training and directing.
Author: Debra Walker King
Publisher: University of Virginia Press
ISBN: 9780813926902
Category : Biography & Autobiography
Languages : en
Pages : 212
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Book Description
In this compelling new study, Debra Walker King considers fragments of experience recorded in oral histories and newspapers as well as those produced in twentieth-century novels, films, and television that reveal how the black body in pain functions as a rhetorical device and as political strategy. King's primary hypothesis is that, in the United States, black experience of the body in pain is as much a construction of social, ethical, and economic politics as it is a physiological phenomenon. As an essential element defining black experience in America, pain plays many roles. It is used to promote racial stereotypes, increase the sale of movies and other pop culture products, and encourage advocacy for various social causes. Pain is employed as a tool of resistance against racism, but it also functions as a sign of racism's insidious ability to exert power over and maintain control of those it claims--regardless of race. With these dichotomous uses of pain in mind, King considers and questions the effects of the manipulation of an unspoken but long-standing belief that pain, suffering, and the hope for freedom and communal subsistence will merge to uplift those who are oppressed, especially during periods of social and political upheaval. This belief has become a ritualized philosophy fueling the multiple constructions of black bodies in pain, a belief that has even come to function as an identity and community stabilizer. In her attempt to interpret the constant manipulation and abuse of this philosophy, King explores the redemptive and visionary power of pain as perceived historically in black culture, the aesthetic value of black pain as presented in a variety of cultural artifacts, and the socioeconomic politics of suffering surrounding the experiences and representations of blacks in the United States. The book introduces the term Blackpain, defining it as a tool of national mythmaking and as a source of cultural and symbolic capital that normalizes individual suffering until the individual--the real person--disappears. Ultimately, the book investigates America's love-hate relationship with black bodies in pain.
