Author: Stephen J. Nichols
Publisher: Brazos Press
ISBN: 1587432129
Category : Music
Languages : en
Pages : 192
Book Description
A vivid investigation of how blues music teaches listeners about sin, suffering, marginalization, lamentation, and worship.
Getting the Blues
Author: Stephen J. Nichols
Publisher: Brazos Press
ISBN: 1587432129
Category : Music
Languages : en
Pages : 192
Book Description
A vivid investigation of how blues music teaches listeners about sin, suffering, marginalization, lamentation, and worship.
Publisher: Brazos Press
ISBN: 1587432129
Category : Music
Languages : en
Pages : 192
Book Description
A vivid investigation of how blues music teaches listeners about sin, suffering, marginalization, lamentation, and worship.
Blues From The Avon Delta
Author: Mark Jones
Publisher: Record Press
ISBN: 9781909953765
Category :
Languages : en
Pages : 122
Book Description
In 1967, the fledgling, Bristol based, Saydisc label released its first country blues record, by Anderson Jones Jackson, with Noël Sheldon on jug. By 1968, it was helping Sunflower, Kokomo and Highway 51, three 'pop-up', independent, DIY blues labels, to get to market. These were mere toes in the water and in 1968 Saydisc created the celebrated Matchbox label to release contemporary, British country blues and LPs, transcribed from original 78s, of classic, pre-war, US country blues. Matchbox also pressed the popular, Austrian, Roots label for the UK market and, later, issued contemporary, American blues and transcriptions of Library of Congress recordings. Later again came the Bluesmaster Series. Saydisc released well over 100 blues LPs between 1967 and 1987, when it moved exclusively to CD. By 1968, blues was becoming increasingly popular in the UK, though the focus was mostly on electric blues bands. In July, however, Matchbox released the first LP of home-grown, British, country blues. The time was right and Blues Like Showers of Rain made a big stir. John Peel played it on his Nightride radio show and invited most of the artists up to London to record BBC sessions. The major labels picked up on the buzz and most of the artists were snapped up. Matchbox carried on the momentum over the next few years but eventually shut in July 1977. It returned in 1982 with the extremely well-received Bluesmaster Series, an ambitious undertaking that resulted in 38 LPs along with two 2-LP sets. Amongst other things, this book includes: - Information on every Saydisc-related, blues record released (and one that never saw light of day). - Images of all Saydisc's blues record sleeves. - Images of all Saydisc-related Sunflower, Kokomo, Highway 51 and Ahura Mazda record sleeves. - A cameo appearance by The Village Thing label, which represented 'what came after the blues'. - Memorabilia provided specially by the label owners and other archives/collections, much not seen in print since the 1960s and 1970s (if ever). - Active input from those who were there. - A section on Saydisc's hook-ups with Blues World and November Books' Blues Paperbacks series.
Publisher: Record Press
ISBN: 9781909953765
Category :
Languages : en
Pages : 122
Book Description
In 1967, the fledgling, Bristol based, Saydisc label released its first country blues record, by Anderson Jones Jackson, with Noël Sheldon on jug. By 1968, it was helping Sunflower, Kokomo and Highway 51, three 'pop-up', independent, DIY blues labels, to get to market. These were mere toes in the water and in 1968 Saydisc created the celebrated Matchbox label to release contemporary, British country blues and LPs, transcribed from original 78s, of classic, pre-war, US country blues. Matchbox also pressed the popular, Austrian, Roots label for the UK market and, later, issued contemporary, American blues and transcriptions of Library of Congress recordings. Later again came the Bluesmaster Series. Saydisc released well over 100 blues LPs between 1967 and 1987, when it moved exclusively to CD. By 1968, blues was becoming increasingly popular in the UK, though the focus was mostly on electric blues bands. In July, however, Matchbox released the first LP of home-grown, British, country blues. The time was right and Blues Like Showers of Rain made a big stir. John Peel played it on his Nightride radio show and invited most of the artists up to London to record BBC sessions. The major labels picked up on the buzz and most of the artists were snapped up. Matchbox carried on the momentum over the next few years but eventually shut in July 1977. It returned in 1982 with the extremely well-received Bluesmaster Series, an ambitious undertaking that resulted in 38 LPs along with two 2-LP sets. Amongst other things, this book includes: - Information on every Saydisc-related, blues record released (and one that never saw light of day). - Images of all Saydisc's blues record sleeves. - Images of all Saydisc-related Sunflower, Kokomo, Highway 51 and Ahura Mazda record sleeves. - A cameo appearance by The Village Thing label, which represented 'what came after the blues'. - Memorabilia provided specially by the label owners and other archives/collections, much not seen in print since the 1960s and 1970s (if ever). - Active input from those who were there. - A section on Saydisc's hook-ups with Blues World and November Books' Blues Paperbacks series.
Langston Hughes and the Blues
Author: Steven C. Tracy
Publisher: University of Illinois Press
ISBN: 0252056949
Category : Literary Criticism
Languages : en
Pages : 422
Book Description
The shades and structures of the blues had an immense impact on the poetry of Langston Hughes. Steven C. Tracy provides a cultural context for Hughes’s work while revealing how Hughes mined Black oral and literary traditions to create his poetry. Comparing Hughes’s poems to blues texts, Tracy reveals how Hughes’s experimental forms reflect the poetics, structures, rhythms, and musical techniques of the music. Tracy also offers a discography of recordings by the artists--Bessie Smith, Ma Rainey, Blind Lemon Jefferson, and others--who most influenced the poet.
Publisher: University of Illinois Press
ISBN: 0252056949
Category : Literary Criticism
Languages : en
Pages : 422
Book Description
The shades and structures of the blues had an immense impact on the poetry of Langston Hughes. Steven C. Tracy provides a cultural context for Hughes’s work while revealing how Hughes mined Black oral and literary traditions to create his poetry. Comparing Hughes’s poems to blues texts, Tracy reveals how Hughes’s experimental forms reflect the poetics, structures, rhythms, and musical techniques of the music. Tracy also offers a discography of recordings by the artists--Bessie Smith, Ma Rainey, Blind Lemon Jefferson, and others--who most influenced the poet.
Time in the Blues
Author: Julia Simon
Publisher: Oxford University Press
ISBN: 0190666552
Category : Music
Languages : en
Pages : 273
Book Description
Immediate and spontaneous, the blues focuses on the present moment, creating an experience of time for performer and listener. Time in the Blues offers an interdisciplinary analysis of the forms of temporality produced by and reflected in the blues within the historical context of Jim Crow segregation, sharecropping, racist violence, and migration.
Publisher: Oxford University Press
ISBN: 0190666552
Category : Music
Languages : en
Pages : 273
Book Description
Immediate and spontaneous, the blues focuses on the present moment, creating an experience of time for performer and listener. Time in the Blues offers an interdisciplinary analysis of the forms of temporality produced by and reflected in the blues within the historical context of Jim Crow segregation, sharecropping, racist violence, and migration.
Blues Traveling
Author: Steve Cheseborough
Publisher: Univ. Press of Mississippi
ISBN: 1496819020
Category : Music
Languages : en
Pages : 282
Book Description
This acclaimed travel guide, hailed as the bible of blues travelers throughout the world, will shepherd the faithful to such shrines as the intersection where Robert Johnson might have made his deal with the devil and the railroad tracks that inspired Howlin’ Wolf to moan “Smokestack Lightnin’.” Blues Traveling was the first and is the indisputably essential guidebook to Mississippi's musical places and its blues history. For this new fourth edition, Steve Cheseborough returned once again to the Delta, revisited all of the locales featured in previous editions of the book, and uncovered fresh destinations. He includes updated material on new festivals, state blues markers, club openings and closings, and many other transformations in the Delta's ever-lively blues scene. The fourth edition also features new information on the Mississippi Blues Trail, updated information on the many blues sites throughout the Delta, and twenty new photographs. With photographs, maps, easy-to-follow directions, and an informative, entertaining text, this book will lead the reader in and out of Clarksdale, Greenwood, Helena (Arkansas), Rolling Fork, Jackson, Memphis, Natchez, Bentonia, Rosedale, Itta Bena, and dozens of other locales where generations of blues musicians have lived, traveled, and performed.
Publisher: Univ. Press of Mississippi
ISBN: 1496819020
Category : Music
Languages : en
Pages : 282
Book Description
This acclaimed travel guide, hailed as the bible of blues travelers throughout the world, will shepherd the faithful to such shrines as the intersection where Robert Johnson might have made his deal with the devil and the railroad tracks that inspired Howlin’ Wolf to moan “Smokestack Lightnin’.” Blues Traveling was the first and is the indisputably essential guidebook to Mississippi's musical places and its blues history. For this new fourth edition, Steve Cheseborough returned once again to the Delta, revisited all of the locales featured in previous editions of the book, and uncovered fresh destinations. He includes updated material on new festivals, state blues markers, club openings and closings, and many other transformations in the Delta's ever-lively blues scene. The fourth edition also features new information on the Mississippi Blues Trail, updated information on the many blues sites throughout the Delta, and twenty new photographs. With photographs, maps, easy-to-follow directions, and an informative, entertaining text, this book will lead the reader in and out of Clarksdale, Greenwood, Helena (Arkansas), Rolling Fork, Jackson, Memphis, Natchez, Bentonia, Rosedale, Itta Bena, and dozens of other locales where generations of blues musicians have lived, traveled, and performed.
Blues: The Basics
Author: Dick Weissman
Publisher: Routledge
ISBN: 1135877114
Category : Music
Languages : en
Pages : 222
Book Description
Blues: The Basics offers a concise introduction to a century of the blues. Organized chronologically, it focuses on the major eras in the growth and development of this popular musical style. Material includes: a definition of the blues and the major genres within it key artists such as Ma Rainey, Bessie Smith, Robert Johnson and Blind Lemon Jefferson key recordings Complete with timelines and suggestions for further investigation, this fascinating overview is ideal for students and interested listeners.
Publisher: Routledge
ISBN: 1135877114
Category : Music
Languages : en
Pages : 222
Book Description
Blues: The Basics offers a concise introduction to a century of the blues. Organized chronologically, it focuses on the major eras in the growth and development of this popular musical style. Material includes: a definition of the blues and the major genres within it key artists such as Ma Rainey, Bessie Smith, Robert Johnson and Blind Lemon Jefferson key recordings Complete with timelines and suggestions for further investigation, this fascinating overview is ideal for students and interested listeners.
Roosevelt's Blues: AfricanAmerican Blues and Gospel Songs on FDR
Author: Guido van Rijn
Publisher: Univ. Press of Mississippi
ISBN: 9781604731651
Category : African Americans
Languages : en
Pages : 316
Book Description
Publisher: Univ. Press of Mississippi
ISBN: 9781604731651
Category : African Americans
Languages : en
Pages : 316
Book Description
Defining the Delta
Author: Janelle Collins
Publisher: University of Arkansas Press
ISBN: 1557286876
Category : Social Science
Languages : en
Pages : 319
Book Description
Inspired by the Arkansas Review’s “What Is the Delta?” series of articles, Defining the Delta collects fifteen essays from scholars in the sciences, social sciences, and humanities to describe and define this important region. Here are essays examining the Delta’s physical properties, boundaries, and climate from a geologist, archeologist, and environmental historian. The Delta is also viewed through the lens of the social sciences and humanities—historians, folklorists, and others studying the connection between the land and its people, in particular the importance of agriculture and the culture of the area, especially music, literature, and food. Every turn of the page reveals another way of seeing the seven-state region that is bisected by and dependent on the Mississippi River, suggesting ultimately that there are myriad ways of looking at, and defining, the Delta.
Publisher: University of Arkansas Press
ISBN: 1557286876
Category : Social Science
Languages : en
Pages : 319
Book Description
Inspired by the Arkansas Review’s “What Is the Delta?” series of articles, Defining the Delta collects fifteen essays from scholars in the sciences, social sciences, and humanities to describe and define this important region. Here are essays examining the Delta’s physical properties, boundaries, and climate from a geologist, archeologist, and environmental historian. The Delta is also viewed through the lens of the social sciences and humanities—historians, folklorists, and others studying the connection between the land and its people, in particular the importance of agriculture and the culture of the area, especially music, literature, and food. Every turn of the page reveals another way of seeing the seven-state region that is bisected by and dependent on the Mississippi River, suggesting ultimately that there are myriad ways of looking at, and defining, the Delta.
The Art of the Blues
Author: Bill Dahl
Publisher: University of Chicago Press
ISBN: 022639669X
Category : Music
Languages : en
Pages : 225
Book Description
This stunning book charts the rich history of the blues, through the dazzling array of posters, album covers, and advertisements that have shaped its identity over the past hundred years. The blues have been one of the most ubiquitous but diverse elements of American popular music at large, and the visual art associated with this unique sound has been just as varied and dynamic. There is no better guide to this fascinating graphical world than Bill Dahl—a longtime music journalist and historian who has written liner notes for countless reissues of classic blues, soul, R&B, and rock albums. With his deep knowledge and incisive commentary—complementing more than three hundred and fifty lavishly reproduced images—the history of the blues comes musically and visually to life. What will astonish readers who thumb through these pages is the amazing range of ways that the blues have been represented—whether via album covers, posters, flyers, 78 rpm labels, advertising, or other promotional materials. We see the blues as it was first visually captured in the highly colorful sheet music covers of the early twentieth century. We see striking and hard-to-find label designs from labels big (Columbia) and small (Rhumboogie). We see William Alexander’s humorous artwork on postwar Miltone Records; the cherished ephemera of concert and movie posters; and Chess Records’ iconic early albums designed by Don Bronstein, which would set a new standard for modern album cover design. What these images collectively portray is the evolution of a distinctively American art form. And they do so in the richest way imaginable. The result is a sumptuous book, a visual treasury as alive in spirit as the music it so vibrantly captures.
Publisher: University of Chicago Press
ISBN: 022639669X
Category : Music
Languages : en
Pages : 225
Book Description
This stunning book charts the rich history of the blues, through the dazzling array of posters, album covers, and advertisements that have shaped its identity over the past hundred years. The blues have been one of the most ubiquitous but diverse elements of American popular music at large, and the visual art associated with this unique sound has been just as varied and dynamic. There is no better guide to this fascinating graphical world than Bill Dahl—a longtime music journalist and historian who has written liner notes for countless reissues of classic blues, soul, R&B, and rock albums. With his deep knowledge and incisive commentary—complementing more than three hundred and fifty lavishly reproduced images—the history of the blues comes musically and visually to life. What will astonish readers who thumb through these pages is the amazing range of ways that the blues have been represented—whether via album covers, posters, flyers, 78 rpm labels, advertising, or other promotional materials. We see the blues as it was first visually captured in the highly colorful sheet music covers of the early twentieth century. We see striking and hard-to-find label designs from labels big (Columbia) and small (Rhumboogie). We see William Alexander’s humorous artwork on postwar Miltone Records; the cherished ephemera of concert and movie posters; and Chess Records’ iconic early albums designed by Don Bronstein, which would set a new standard for modern album cover design. What these images collectively portray is the evolution of a distinctively American art form. And they do so in the richest way imaginable. The result is a sumptuous book, a visual treasury as alive in spirit as the music it so vibrantly captures.
The Gospel According to the Blues
Author: Gary W. Burnett
Publisher: Wipf and Stock Publishers
ISBN: 1620327252
Category : Religion
Languages : en
Pages : 171
Book Description
The Gospel According to the Blues dares us to read Jesus's Sermon on the Mount in conversation with Robert Johnson, Son House, and Muddy Waters. It suggests that thinking about the blues--the history, the artists, the songs--provides good stimulation for thinking about the Christian gospel. Both are about a world gone wrong, about injustice, about the human condition, and both are about hope for a better world. In this book, Gary Burnett probes both the gospel and the history of the blues as we find it in the Sermon on the Mount, to help us understand better the nature of the good news which Jesus preached, and its relevance and challenge to us. .embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }
Publisher: Wipf and Stock Publishers
ISBN: 1620327252
Category : Religion
Languages : en
Pages : 171
Book Description
The Gospel According to the Blues dares us to read Jesus's Sermon on the Mount in conversation with Robert Johnson, Son House, and Muddy Waters. It suggests that thinking about the blues--the history, the artists, the songs--provides good stimulation for thinking about the Christian gospel. Both are about a world gone wrong, about injustice, about the human condition, and both are about hope for a better world. In this book, Gary Burnett probes both the gospel and the history of the blues as we find it in the Sermon on the Mount, to help us understand better the nature of the good news which Jesus preached, and its relevance and challenge to us. .embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }