Author: Quentin Bell
Publisher: Columbia University Press
ISBN: 9780231105651
Category : Art
Languages : en
Pages : 260
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Book Description
In Bloomsbury Recalled, Quentin Bell has written an extraordinary memoir of the circle of intellectuals in London early in this century know as the Bloomsbury group. Bell offers remarkable judgments about and recollections of each of the notable people among whom he came of age. Here are Bell's candid portraits of his parents, Clive and Vanessa Bell - Virginia Woolf's sister - Vanessa's lover, Duncan Grant, and of Virginia Woolf, Lytton Strachey, E. M. Forster, John Maynard Keynes, Roger Fry, Ottoline Morrell, and others who frequented Gordon Square in Bloomsbury and Charleston, the Bells' country place in Sussex. The stories of this enchanting extended family, the private lives of these public figures, have all the magic and intrigue of the best novels of the day. Bloomsbury Recalled, in the expansive storytelling tradition of the early modernists, re-creates the captivating theater of events that was Bloomsbury.
Author: Derek Ryan
Publisher: Bloomsbury Publishing
ISBN: 1350014923
Category : History
Languages : en
Pages : 329
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Book Description
The Handbook to the Bloomsbury Group is the most comprehensive available survey of contemporary scholarship on the Bloomsbury Group – the set of influential writers, artists and thinkers whose members included Virginia Woolf, Leonard Woolf, E.M. Forster, John Maynard Keynes, Vanessa Bell, Clive Bell, Duncan Grant and David Garnett. With chapters written by world leading scholars in the field, the book explores novel avenues of thinking about these pivotal figures and their works opened up by the new modernist studies. It brings together overview essays with detailed illustrative case studies, and covers topics as diverse as feminism, sexuality, empire, philosophy, class, nature and the arts. Setting the agenda for future study of Bloomsbury, this is an essential resource for scholars of 20th-century modernist culture.
Author: Galya Diment
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773538992
Category : Biography & Autobiography
Languages : en
Pages : 452
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Book Description
A Russian Jew of Bloomsbury looks at the remarkable influence that an outsider had on the tightly knit circle of Britain's cultural elite. Among Koteliansky's friends were Katherine Mansfield, Leonard and Virginia Woolf, Mark Gertler, Lady Ottoline Morrell, H.G. Wells, and Dilys Powell. But it was his close and turbulent friendship with D.H. Lawrence that proved to be Koteliansky's lasting legacy. In a lively and vibrant narrative, Galya Diment shows how, despite Kot's determination, he could never escape the dark aspects of his past or overcome the streak of anti-Semitism that ran through British society, including the hearts and minds of many of his famous literary friends.
Author: Mary Ann Caws
Publisher: Oxford University Press
ISBN: 0199923639
Category : Biography & Autobiography
Languages : en
Pages : 703
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Book Description
"Bloomsbury on the Mediterranean," is how Vanessa Bell described France in a letter to her sister, Virginia Woolf. Remarking on the vivifying effect of Cassis, Woolf herself said, "I will take my mind out of its iron cage and let it swim.... Complete heaven, I think it." Yet until now there has never been a book that focused on the profound influence of France on the Bloomsbury group. In Bloomsbury and France: Art and Friends, Mary Ann Caws and Sarah Bird Wright reveal the crucial importance of the Bloomsbury group's frequent sojourns to France, the artists and writers they met there, and the liberating effect of the country itself. Drawing upon many previously unpublished letters, memoirs, and photographs, the book illuminates the artistic development of Virginia and Leonard Woolf, Clive Bell, David Garnett, E. M. Forster, Lytton Strachey, Dora Carrington, and others. The authors cover all aspects of the Bloomsbury experience in France, from the specific influence of French painting on the work of Roger Fry, Duncan Grant, and Vanessa Bell, to the heady atmosphere of the medieval Cistercian Abbaye de Pontigny, the celebrated meeting place of French intellectuals where Lytton Strachey, Julian Bell, and Charles Mauron mingled with writers and critics, to the relationships between the Bloomsbury group and Henri Matisse, Pablo Picasso, Gertrude Stein, Andre Gide, Jean Marchand, and many others. Caws and Wright argue that Bloomsbury would have been very different without France, that France was their anti-England, a culture in which their eccentricities and aesthetic experiments could flower. This remarkable study offers a rich new perspective on perhaps the most creative group of artists and friends in the 20th century.
Author: Quentin Bell
Publisher: Phoenix
ISBN: 9781857999761
Category : Artists
Languages : en
Pages : 127
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Book Description
Author: E.H. Wright
Publisher: Cambridge Scholars Publishing
ISBN: 1443862290
Category : Art
Languages : en
Pages : 276
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Book Description
“No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists.” —T. S. Eliot, “Tradition and the Individual Talent”, 1921 Bloomsbury Influences is an interdisciplinary essay collection developed from papers given at Bath Spa University’s Bloomsbury Adaptations Conference. The volume explores the ways that 20th and 21st century art, drama, fiction and philosophy have been influenced and inspired by the work of the Bloomsbury Group and their London milieu. By comparing and contrasting the artistic, philosophical and literary works of the Bloomsbury Group with later artists, writers and thinkers, such as the Singh Twins, Harold Bloom, C. K. Stead, Jeanette Winterson and Ali Smith, amongst many others, each essay examines how, in T. S. Eliot’s words, the past has been “altered by the present as much as the present is directed by the past”.
Author: Regina Marler
Publisher: Henry Holt and Company
ISBN: 1466878312
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Celebrated and maligned with equal vigor, the Bloomsbury Group is the best-documented artistic coterie in twentieth-century literature. The novelists Virgonia Woolf and E.M. Forster, the artists Roger Fry, Duncan Grant, and Vanessa Bell, and the economist John Maynard Keynes were among this charmed circle that emerged in London before the First World War and came to exercise a complex, lingering influence on English art and letters. Theirs was a world of great talent--even genius--sexual intrigue, and gossip; they cultivated an atmosphere in which it was possible to say anything, do anything. Their peak of influence in the 1920s was followed by forty years of sustained sidelong derogation, and occasional frontal attack, from such famously hostile critics as D.H. Larence and Wyndham Lewis, until, in the 1960s, the idea of Bloomsbury exploded in the public imagination, transforming the Group into an almost mass-market attraction. Not in their darkest nightmares could Bloomsbury's contemporary detractors have imagined that Charleston Farmhouse, where Vanessa Bell and Duncan Grant once lived and painted, would eventually attract some 15,000 visitors each year, or that a high-profile film, Carrington, would be based on Lytton Strachey's largely platonic love affair with an obscure artist on the fringes of the hallowed Group. Bloomsbury Pie examines the persistent allure of Bloomsbury--a fascination driven by nostalgia, adoration, and antipathy--and tracks the resurgence of interest in the Group, from a handful of biographies in the 1960s through the feminist discovery of Virginia Woolf in the 1970s and the enshrinement of the Bloomsberries as cultural icons in the 1980s and 1990s. Drawing on a wealth of material generated by this revival, Regina Marler chronicles the story of the Bloomsbury boom--its scholars, collectors, and fanatics and explores the industry it has spawned among writers, publishers, and art dealers. In the proces she creates an impressive social history of a tenacious and unwieldy cultural phenomenon.
Author: Mark G. Spencer
Publisher: Bloomsbury Publishing USA
ISBN: 1474249841
Category : History
Languages : en
Pages : 1257
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Book Description
Author: Brenda S. Helt
Publisher: Edinburgh University Press
ISBN: 1474401716
Category : Literary Collections
Languages : en
Pages : 288
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Book Description
The first collection to bring together contemporary and classic writings on queer BloomsburyThis anthology presents important early essays that laid the foundation for queer studies of the Bloomsbury Group together with new essays that build upon this foundation to provide ground-breaking work on Bloomsbury figures and cultural achievements. As a whole, Queer Bloomsbury stands alone as a wide-ranging and critical resource that traces the cultural, ideological, and aesthetic facets of Bloomsbury's development as a queer intellectual and aesthetic subculture. Key FeaturesFifteen wide-ranging readings that trace the cultural, ideological, and aesthetic facets of Bloomsbury's development as a queer subcultureIncludes Carolyn Heilbrun's influential essay on the sexual dissidence of the Bloomsbury Group with an introduction by scholar Brenda SilverMoves beyond LGBT studies of Bloomsbury to provide substantive information on the queer philosophical and ethical underpinnings of the Bloomsbury GroupRarely seen reproductions of Duncan Grant's work from the Charleston archives as well as Dora Carrington's work from archives and a private collection
Author: Wendy Hitchmough
Publisher: Yale University Press
ISBN: 0300244118
Category : Design
Languages : en
Pages : 186
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Book Description
An in-depth study of how the famed Bloomsbury Group expressed their liberal philosophies and collective identity in visual form "[Fascinating and wide-ranging. . . . Will be enjoyed by both Bloomsbury aficionados and newcomers alike."--Lucinda Willan, V&A Magazine The Bloomsbury Group was a loose collective of forward-thinking writers, artists, and intellectuals in London, with Virginia Woolf, John Maynard Keynes, and E. M. Forster among its esteemed members. The group's works and radical beliefs, spanning literature, economics, politics, and non-normative relationships, changed the course of 20th-century culture and society. Although its members resisted definition, their art and dress imparted a coherent, distinctive group identity. Drawing on unpublished photographs and extensive new research, The Bloomsbury Look is the first in-depth analysis of how the Bloomsbury Group generated and broadcast its self-fashioned aesthetic. One chapter is dedicated to photography, which was essential to the group's visual narrative--from casual snapshots, to amateur studio portraits, to family albums. Others examine the Omega Workshops as a design center, and the evidence for its dress collections, spreading the Bloomsbury aesthetic to the general public. Finally, the book considers the group's extensive participation in 20th-century modernism as artists, models, curators, critics, and collectors.
