Author: Neil Parsons
Publisher: Intellect (UK)
ISBN: 9781783209439
Category : Africa
Languages : en
Pages : 0
Book Description
Black and White Bioscope recovers a neglected chapter in the histories of world cinema and Africa. It tells the story of movie production in Africa that long predated francophone African films and Nollywood that are the focus of most histories of this industry. At the same time as Hollywood was starting, a film industry in Southern Africa was surging ahead in integrating production, distribution, and exhibition. African Film Productions Limited made silent movies using technical and acting talent from Britain, the United States, and Australia, as well as from Africa. These included not only the original "long trek movie" and the prototype for the movies Zulu and Zulu Dawn but also the first King Solomon's Mines and the original Blue Lagoon, featuring African actors such as Goba, Tom Zulu, and Msoga Mwana, who starred as the black revolutionary in Prester John. In this lavishly illustrated book, fifty movies are reconstructed with graphic photographs and plot synopses--plus quotations from reviews--so that readers can rediscover this long-lost treasure trove of silent cinema.
Black and White Bioscope
Author: Neil Parsons
Publisher: Intellect (UK)
ISBN: 9781783209439
Category : Africa
Languages : en
Pages : 0
Book Description
Black and White Bioscope recovers a neglected chapter in the histories of world cinema and Africa. It tells the story of movie production in Africa that long predated francophone African films and Nollywood that are the focus of most histories of this industry. At the same time as Hollywood was starting, a film industry in Southern Africa was surging ahead in integrating production, distribution, and exhibition. African Film Productions Limited made silent movies using technical and acting talent from Britain, the United States, and Australia, as well as from Africa. These included not only the original "long trek movie" and the prototype for the movies Zulu and Zulu Dawn but also the first King Solomon's Mines and the original Blue Lagoon, featuring African actors such as Goba, Tom Zulu, and Msoga Mwana, who starred as the black revolutionary in Prester John. In this lavishly illustrated book, fifty movies are reconstructed with graphic photographs and plot synopses--plus quotations from reviews--so that readers can rediscover this long-lost treasure trove of silent cinema.
Publisher: Intellect (UK)
ISBN: 9781783209439
Category : Africa
Languages : en
Pages : 0
Book Description
Black and White Bioscope recovers a neglected chapter in the histories of world cinema and Africa. It tells the story of movie production in Africa that long predated francophone African films and Nollywood that are the focus of most histories of this industry. At the same time as Hollywood was starting, a film industry in Southern Africa was surging ahead in integrating production, distribution, and exhibition. African Film Productions Limited made silent movies using technical and acting talent from Britain, the United States, and Australia, as well as from Africa. These included not only the original "long trek movie" and the prototype for the movies Zulu and Zulu Dawn but also the first King Solomon's Mines and the original Blue Lagoon, featuring African actors such as Goba, Tom Zulu, and Msoga Mwana, who starred as the black revolutionary in Prester John. In this lavishly illustrated book, fifty movies are reconstructed with graphic photographs and plot synopses--plus quotations from reviews--so that readers can rediscover this long-lost treasure trove of silent cinema.
Clicko
Author: Neil Parsons
Publisher: University of Chicago Press
ISBN: 0226647420
Category : Biography & Autobiography
Languages : en
Pages : 271
Book Description
Originally published: Auckland Park, South Africa: Jacana Media, 2009.
Publisher: University of Chicago Press
ISBN: 0226647420
Category : Biography & Autobiography
Languages : en
Pages : 271
Book Description
Originally published: Auckland Park, South Africa: Jacana Media, 2009.
The Bioscope
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1356
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1356
Book Description
The Aftermath of the Cassinga Massacre
Author: Vilho Shigwedha
Publisher: BASLER AFRIKA BIBLIOGRAPHIEN
ISBN: 3905758806
Category : History
Languages : en
Pages : 184
Book Description
It took the former South African Defence Force (SADF) less than four hours to kill more than eight hundred Namibian refugees at Cassinga on May 4, 1978. Thousands of survivors were left with irreparable physical and emotional injuries. The unhealed trauma of Cassinga, a Namibian civilian camp in southern Angola before the massacre, is beyond the worst that the victims of the attack experienced on the ground. Unacceptable layers of pain and suffering continue to grow and multiply as the victims’ grievances and other issues arising out of the aftermath of the massacre have been ignored, particularly following Namibia’s political independence. In this book, the afterlife of the victims’ traumatic memories and their aspiration for justice vis-à-vis the perpetrators’ enjoyment of blanket impunity from prosecution, in spite of their ongoing denial of killing and maiming innocent civilians at Cassinga, are explored with the aim to create public awareness about the unfortunate circumstances of the Cassinga victims.
Publisher: BASLER AFRIKA BIBLIOGRAPHIEN
ISBN: 3905758806
Category : History
Languages : en
Pages : 184
Book Description
It took the former South African Defence Force (SADF) less than four hours to kill more than eight hundred Namibian refugees at Cassinga on May 4, 1978. Thousands of survivors were left with irreparable physical and emotional injuries. The unhealed trauma of Cassinga, a Namibian civilian camp in southern Angola before the massacre, is beyond the worst that the victims of the attack experienced on the ground. Unacceptable layers of pain and suffering continue to grow and multiply as the victims’ grievances and other issues arising out of the aftermath of the massacre have been ignored, particularly following Namibia’s political independence. In this book, the afterlife of the victims’ traumatic memories and their aspiration for justice vis-à-vis the perpetrators’ enjoyment of blanket impunity from prosecution, in spite of their ongoing denial of killing and maiming innocent civilians at Cassinga, are explored with the aim to create public awareness about the unfortunate circumstances of the Cassinga victims.
Africa
Author: Blandine Stefanson
Publisher:
ISBN: 9781783203918
Category : Motion pictures
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781783203918
Category : Motion pictures
Languages : en
Pages :
Book Description
Code and Clay, Data and Dirt
Author: Shannon Mattern
Publisher: U of Minnesota Press
ISBN: 1452955425
Category : Social Science
Languages : en
Pages : 307
Book Description
For years, pundits have trumpeted the earthshattering changes that big data and smart networks will soon bring to our cities. But what if cities have long been built for intelligence, maybe for millennia? In Code and Clay, Data and Dirt Shannon Mattern advances the provocative argument that our urban spaces have been “smart” and mediated for thousands of years. Offering powerful new ways of thinking about our cities, Code and Clay, Data and Dirt goes far beyond the standard historical concepts of origins, development, revolutions, and the accomplishments of an elite few. Mattern shows that in their architecture, laws, street layouts, and civic knowledge—and through technologies including the telephone, telegraph, radio, printing, writing, and even the human voice—cities have long negotiated a rich exchange between analog and digital, code and clay, data and dirt, ether and ore. Mattern’s vivid prose takes readers through a historically and geographically broad range of stories, scenes, and locations, synthesizing a new narrative for our urban spaces. Taking media archaeology to the city’s streets, Code and Clay, Data and Dirt reveals new ways to write our urban, media, and cultural histories.
Publisher: U of Minnesota Press
ISBN: 1452955425
Category : Social Science
Languages : en
Pages : 307
Book Description
For years, pundits have trumpeted the earthshattering changes that big data and smart networks will soon bring to our cities. But what if cities have long been built for intelligence, maybe for millennia? In Code and Clay, Data and Dirt Shannon Mattern advances the provocative argument that our urban spaces have been “smart” and mediated for thousands of years. Offering powerful new ways of thinking about our cities, Code and Clay, Data and Dirt goes far beyond the standard historical concepts of origins, development, revolutions, and the accomplishments of an elite few. Mattern shows that in their architecture, laws, street layouts, and civic knowledge—and through technologies including the telephone, telegraph, radio, printing, writing, and even the human voice—cities have long negotiated a rich exchange between analog and digital, code and clay, data and dirt, ether and ore. Mattern’s vivid prose takes readers through a historically and geographically broad range of stories, scenes, and locations, synthesizing a new narrative for our urban spaces. Taking media archaeology to the city’s streets, Code and Clay, Data and Dirt reveals new ways to write our urban, media, and cultural histories.
The Good Inn
Author: Black Francis
Publisher: Harper Collins
ISBN: 0062360086
Category : Comics & Graphic Novels
Languages : en
Pages : 220
Book Description
From Pixies front man, Black Francis, comes a bold and visually arresting illustrated novel about art, conflict, and the origins of a certain type of cinema. In 1907, the French battleship Iéna was destroyed when munitions it was carrying exploded, killing 120 people. A nitrocellulose-based weapon propellant had become unstable with age and self-ignited. In 1908, La Bonne Auberge became the earliest known pornographic film. It depicted a sexual encounter between a French soldier and an innkeeper’s daughter. Like all films at the time, and for decades afterward, it was made with a highly combustible nitrocellulose-based film stock. Loosely based on these historical events, The Good Inn follows the lone survivor of the Iéna explosion as he makes his way through the French countryside, has a sexual adventure with an innkeeper’s daughter, and even more deeply into a strange counter universe. It is a volatile world where war and art exist side by side. It is also the very real story of the people who made the first narrative pornographic film. The novel weaves together real historical facts to recreate this lost piece of history, as seen through the eyes of a shell-shocked soldier who finds himself the subject and star of the world’s first stag film. Through Soldier Boy’s journey we explore the power of memory, the simultaneously destructive and healing power of light, and how the early pioneers of stag films helped shape the film industry for generations to come.
Publisher: Harper Collins
ISBN: 0062360086
Category : Comics & Graphic Novels
Languages : en
Pages : 220
Book Description
From Pixies front man, Black Francis, comes a bold and visually arresting illustrated novel about art, conflict, and the origins of a certain type of cinema. In 1907, the French battleship Iéna was destroyed when munitions it was carrying exploded, killing 120 people. A nitrocellulose-based weapon propellant had become unstable with age and self-ignited. In 1908, La Bonne Auberge became the earliest known pornographic film. It depicted a sexual encounter between a French soldier and an innkeeper’s daughter. Like all films at the time, and for decades afterward, it was made with a highly combustible nitrocellulose-based film stock. Loosely based on these historical events, The Good Inn follows the lone survivor of the Iéna explosion as he makes his way through the French countryside, has a sexual adventure with an innkeeper’s daughter, and even more deeply into a strange counter universe. It is a volatile world where war and art exist side by side. It is also the very real story of the people who made the first narrative pornographic film. The novel weaves together real historical facts to recreate this lost piece of history, as seen through the eyes of a shell-shocked soldier who finds himself the subject and star of the world’s first stag film. Through Soldier Boy’s journey we explore the power of memory, the simultaneously destructive and healing power of light, and how the early pioneers of stag films helped shape the film industry for generations to come.
South African Cinema 1896-2010
Author: Martin Botha
Publisher: Intellect (UK)
ISBN: 9781841504582
Category : Film industry
Languages : en
Pages : 0
Book Description
Taking an inclusive approach to South African film history, this volume represents an ambitious attempt to analyze and place in appropriate sociopolitical context the aesthetic highlights of South African cinema from 1896 to the present. Thoroughly researched and fully documented by renowned film scholar Martin Botha, the book focuses on the many highly creative uses of cinematic form, style, and genre as set against South Africa s complex and often turbulent social and political landscape. Included are more than two hundred illustrations and a look at many aspects of South African film history that haven t been previously documented."
Publisher: Intellect (UK)
ISBN: 9781841504582
Category : Film industry
Languages : en
Pages : 0
Book Description
Taking an inclusive approach to South African film history, this volume represents an ambitious attempt to analyze and place in appropriate sociopolitical context the aesthetic highlights of South African cinema from 1896 to the present. Thoroughly researched and fully documented by renowned film scholar Martin Botha, the book focuses on the many highly creative uses of cinematic form, style, and genre as set against South Africa s complex and often turbulent social and political landscape. Included are more than two hundred illustrations and a look at many aspects of South African film history that haven t been previously documented."
Cinematic Settlers
Author: Janne Lahti
Publisher: Routledge
ISBN: 1000094456
Category : Fiction
Languages : en
Pages : 336
Book Description
This anthology adds to the burgeoning field of settler colonial studies by examining settler colonial narratives in the under analyzed medium of film. Cinematic Settlers discusses different cinematic genres, national traditions, and specific movies in order to expose related threads, shared circulations of knowledge, and paralleled representations. Organized into thematic groupings—conquest, settlers, natives, and space—the contributors explore the question of how film compares to written genres and other visual media in representing and effecting settler colonialism on a global scale. Striving for inclusiveness, the volume covers different eras and settler colonial situations in Australia, New Zealand, Taiwan, Hawaii, the American West, Canada, Latin America, Russia, France, Algeria, German Africa, South Africa, and even the next frontier: outer space. By showing how films offer layered, contested, and dynamic settler colonial narratives that advance and challenge settler hegemonic readings, the essays enable students to better analyze and understand the complex history of diversity and colonialism in film. This book is important reading for undergraduate classes on the history of empire, colonialism, and film.
Publisher: Routledge
ISBN: 1000094456
Category : Fiction
Languages : en
Pages : 336
Book Description
This anthology adds to the burgeoning field of settler colonial studies by examining settler colonial narratives in the under analyzed medium of film. Cinematic Settlers discusses different cinematic genres, national traditions, and specific movies in order to expose related threads, shared circulations of knowledge, and paralleled representations. Organized into thematic groupings—conquest, settlers, natives, and space—the contributors explore the question of how film compares to written genres and other visual media in representing and effecting settler colonialism on a global scale. Striving for inclusiveness, the volume covers different eras and settler colonial situations in Australia, New Zealand, Taiwan, Hawaii, the American West, Canada, Latin America, Russia, France, Algeria, German Africa, South Africa, and even the next frontier: outer space. By showing how films offer layered, contested, and dynamic settler colonial narratives that advance and challenge settler hegemonic readings, the essays enable students to better analyze and understand the complex history of diversity and colonialism in film. This book is important reading for undergraduate classes on the history of empire, colonialism, and film.
The Cinema of Apartheid
Author: Keyan Tomaselli
Publisher: Routledge
ISBN: 1317928393
Category : Performing Arts
Languages : en
Pages : 265
Book Description
This study analyses the historical development of South African cinema up to he book's original publication in 1988. It describes the films and comments on their relationship to South African realities, addressing all aspects of the industry, focusing on domestic production, but also discussing international film companies who use South Africa as a location. It explores tensions between English-language and Afrikaans-language films, and between films made for blacks and films made for whites. Going behind the scenes the author looks at the financial infrastructure, the marketing strategies, and the works habits of the film industry. He concludes with a discussion of independent filmmaking, the obstacles facing South Africans who want to make films with artistic and political integrity, and the possibilities of progress in the future. Includes comprehensive bibliography and filmography listing all feature films made in South Africa between 1910 and 1985 together with documentary films by South Africans, non-South Africans, and exiles about the country.
Publisher: Routledge
ISBN: 1317928393
Category : Performing Arts
Languages : en
Pages : 265
Book Description
This study analyses the historical development of South African cinema up to he book's original publication in 1988. It describes the films and comments on their relationship to South African realities, addressing all aspects of the industry, focusing on domestic production, but also discussing international film companies who use South Africa as a location. It explores tensions between English-language and Afrikaans-language films, and between films made for blacks and films made for whites. Going behind the scenes the author looks at the financial infrastructure, the marketing strategies, and the works habits of the film industry. He concludes with a discussion of independent filmmaking, the obstacles facing South Africans who want to make films with artistic and political integrity, and the possibilities of progress in the future. Includes comprehensive bibliography and filmography listing all feature films made in South Africa between 1910 and 1985 together with documentary films by South Africans, non-South Africans, and exiles about the country.