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Author: Dickson D. Bruce, Jr.
Publisher: LSU Press
ISBN: 9780807118061
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
In this wide-ranging study, Dickson D. Bruce. Jr., analyzes post-Reconstruction and turn-of-the-century black writing, treating minor as well as major authors and considering a broad range of genres. Bruce shows that black writers confronted the conditions of an increasingly racist society in almost every aspect of their work—from their choice of subject matter to the way they drew their characters to the mood they portrayed. At the same time, these writers, most of whom were members of a small but growing black professional class, displayed a concern for middle-class aspirations and values. Bruce underscores the significance of discerning the tensions between these opposing forces in studying the literature of the time. Bruce’s attention to the body of work produced by minor writers, most of whom have remained obscure to all but a few literary scholars and historians, adds an important dimension to our understanding of African-American history and literature. His discussion of such better-known writers as Charles W. Chesnutt, Paul Laurence Dunbar, James Weldon Johnson, and W. E. B. Du Bois places them in a fuller literary context, defining more clearly their significance as individuals. Black American Writing from the Nadir is an insightful, well-focused work that will benefit social and cultural historians as well as students of literature
Author: Dickson D. Bruce, Jr.
Publisher: LSU Press
ISBN: 9780807118061
Category : Literary Criticism
Languages : en
Pages : 292
Get Book Here
Book Description
In this wide-ranging study, Dickson D. Bruce. Jr., analyzes post-Reconstruction and turn-of-the-century black writing, treating minor as well as major authors and considering a broad range of genres. Bruce shows that black writers confronted the conditions of an increasingly racist society in almost every aspect of their work—from their choice of subject matter to the way they drew their characters to the mood they portrayed. At the same time, these writers, most of whom were members of a small but growing black professional class, displayed a concern for middle-class aspirations and values. Bruce underscores the significance of discerning the tensions between these opposing forces in studying the literature of the time. Bruce’s attention to the body of work produced by minor writers, most of whom have remained obscure to all but a few literary scholars and historians, adds an important dimension to our understanding of African-American history and literature. His discussion of such better-known writers as Charles W. Chesnutt, Paul Laurence Dunbar, James Weldon Johnson, and W. E. B. Du Bois places them in a fuller literary context, defining more clearly their significance as individuals. Black American Writing from the Nadir is an insightful, well-focused work that will benefit social and cultural historians as well as students of literature
Author: Elizabeth McHenry
Publisher: Duke University Press
ISBN: 1478021810
Category : Social Science
Languages : en
Pages : 199
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Book Description
In To Make Negro Literature Elizabeth McHenry traces African American authorship in the decade following the 1896 legalization of segregation. She shifts critical focus from the published texts of acclaimed writers to unfamiliar practitioners whose works reflect the unsettledness of African American letters in this period. Analyzing literary projects that were unpublished, unsuccessful, or only partially achieved, McHenry recovers a hidden genealogy of Black literature as having emerged tentatively, laboriously, and unevenly. She locates this history in books sold by subscription, in lists and bibliographies of African American authors and books assembled at the turn of the century, in the act of ghostwriting, and in manuscripts submitted to publishers for consideration and the letters of introduction that accompanied them. By attending to these sites and prioritizing overlooked archives, McHenry reveals a radically different literary landscape, revising concepts of Black authorship and offering a fresh account of the development of “Negro literature” focused on the never published, the barely read, and the unconventional.
Author: Robert Paul Lamb
Publisher: John Wiley & Sons
ISBN: 1405178310
Category : Literary Criticism
Languages : en
Pages : 640
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Book Description
A Companion to American Fiction, 1865-1914 is a groundbreaking collection of essays written by leading critics for a wide audience of scholars, students, and interested general readers. An exceptionally broad-ranging and accessible Companion to the study of American fiction of the post-civil war period and the early twentieth century Brings together 29 essays by top scholars, each of which presents a synthesis of the best research and offers an original perspective Divided into sections on historical traditions and genres, contexts and themes, and major authors Covers a mixture of canonical and the non-canonical themes, authors, literatures, and critical approaches Explores innovative topics, such as ecological literature and ecocriticism, children’s literature, and the influence of Darwin on fiction
Author: Michael C. Dawson
Publisher: University of Chicago Press
ISBN: 022670534X
Category : Political Science
Languages : en
Pages : 234
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Book Description
Reflects on black politics in America and what it will take to to see equality.
Author: Nicholas Grant
Publisher: UNC Press Books
ISBN: 1469635291
Category : Social Science
Languages : en
Pages : 325
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Book Description
In this transnational account of black protest, Nicholas Grant examines how African Americans engaged with, supported, and were inspired by the South African anti-apartheid movement. Bringing black activism into conversation with the foreign policy of both the U.S. and South African governments, this study questions the dominant perception that U.S.-centered anticommunism decimated black international activism. Instead, by tracing the considerable amount of time, money, and effort the state invested into responding to black international criticism, Grant outlines the extent to which the U.S. and South African governments were forced to reshape and occasionally reconsider their racial policies in the Cold War world. This study shows how African Americans and black South Africans navigated transnationally organized state repression in ways that challenged white supremacy on both sides of the Atlantic. The political and cultural ties that they forged during the 1940s and 1950s are testament to the insistence of black activists in both countries that the struggle against apartheid and Jim Crow were intimately interconnected.
Author: Henry Louis Gates, Jr.
Publisher: Penguin
ISBN: 0525559558
Category : History
Languages : en
Pages : 322
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Book Description
“Stony the Road presents a bracing alternative to Trump-era white nationalism. . . . In our current politics we recognize African-American history—the spot under our country’s rug where the terrorism and injustices of white supremacy are habitually swept. Stony the Road lifts the rug." —Nell Irvin Painter, New York Times Book Review A profound new rendering of the struggle by African-Americans for equality after the Civil War and the violent counter-revolution that resubjugated them, by the bestselling author of The Black Church and The Black Box. The abolition of slavery in the aftermath of the Civil War is a familiar story, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: if emancipation sparked "a new birth of freedom" in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America? In this new book, Henry Louis Gates, Jr., one of our leading chroniclers of the African-American experience, seeks to answer that question in a history that moves from the Reconstruction Era to the "nadir" of the African-American experience under Jim Crow, through to World War I and the Harlem Renaissance. Through his close reading of the visual culture of this tragic era, Gates reveals the many faces of Jim Crow and how, together, they reinforced a stark color line between white and black Americans. Bringing a lifetime of wisdom to bear as a scholar, filmmaker, and public intellectual, Gates uncovers the roots of structural racism in our own time, while showing how African Americans after slavery combatted it by articulating a vision of a "New Negro" to force the nation to recognize their humanity and unique contributions to America as it hurtled toward the modern age. The story Gates tells begins with great hope, with the Emancipation Proclamation, Union victory, and the liberation of nearly 4 million enslaved African-Americans. Until 1877, the federal government, goaded by the activism of Frederick Douglass and many others, tried at various turns to sustain their new rights. But the terror unleashed by white paramilitary groups in the former Confederacy, combined with deteriorating economic conditions and a loss of Northern will, restored "home rule" to the South. The retreat from Reconstruction was followed by one of the most violent periods in our history, with thousands of black people murdered or lynched and many more afflicted by the degrading impositions of Jim Crow segregation. An essential tour through one of America's fundamental historical tragedies, Stony the Road is also a story of heroic resistance, as figures such as W. E. B. Du Bois and Ida B. Wells fought to create a counter-narrative, and culture, inside the lion's mouth. As sobering as this tale is, it also has within it the inspiration that comes with encountering the hopes our ancestors advanced against the longest odds.
Author: Marne L. Campbell
Publisher: UNC Press Books
ISBN: 1469629283
Category : Social Science
Languages : en
Pages : 303
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Book Description
Black Los Angeles started small. The first census of the newly formed Los Angeles County in 1850 recorded only twelve Americans of African descent alongside a population of more than 3,500 Anglo Americans. Over the following seventy years, however, the African American founding families of Los Angeles forged a vibrant community within the increasingly segregated and stratified city. In this book, historian Marne L. Campbell examines the intersections of race, class, and gender to produce a social history of community formation and cultural expression in Los Angeles. Expanding on the traditional narrative of middle-class uplift, Campbell demonstrates that the black working class, largely through the efforts of women, fought to secure their own economic and social freedom by forging communal bonds with black elites and other communities of color. This women-led, black working-class agency and cross-racial community building, Campbell argues, was markedly more successful in Los Angeles than in any other region in the country. Drawing from an extensive database of all African American households between 1850 and 1910, Campbell vividly tells the story of how middle-class African Americans were able to live, work, and establish a community of their own in the growing city of Los Angeles.
Author: Henry Louis Gates, Jr.
Publisher: Oxford University Press
ISBN: 0195188055
Category : History
Languages : en
Pages : 859
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Book Description
Collection of essays tracing the historical evolution of African American experiences, from the dawn of Reconstruction onward, through the perspectives of sociology, political science, law, economics, education and psychology. As a whole, the book is a systematic study of the gap between promise and performance of African Americans since 1865. Over the course of thirty-four chapters, contributors present a portrait of the particular hurdles faced by African Americans and the distinctive contributions African Americans have made to the development of U.S. institutions and culture. --From publisher description.
Author: Barbara McCaskill
Publisher: NYU Press
ISBN: 0814731686
Category : Art
Languages : en
Pages : 313
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Book Description
The years between the collapse of Reconstruction and the end of World War I mark a pivotal moment in African American cultural production. Christened the “Post-Bellum-Pre-Harlem” era by the novelist Charles Chesnutt, these years look back to the antislavery movement and forward to the artistic flowering and racial self-consciousness of the Harlem Renaissance. Post-Bellum, Pre-Harlem offers fresh perspectives on the literary and cultural achievements of African American men and women during this critically neglected, though vitally important, period of our nation's past. Using a wide range of disciplinary approaches, the sixteen scholars gathered here offer both a reappraisal and celebration of African American cultural production during these influential decades. Alongside discussions of political and artistic icons such as Booker T. Washington, W.E.B. Du Bois, Henry Ossawa Tanner, and James Weldon Johnson are essays revaluing figures such as the writers Paul and Alice Dunbar-Nelson, the New England painter Edward Mitchell Bannister, and Georgia-based activists Lucy Craft Laney and Emmanuel King Love. Contributors explore an array of forms from fine art to anti-lynching drama, from sermons to ragtime and blues, and from dialect pieces and early black musical theater to serious fiction. Contributors include: Frances Smith Foster, Carla L. Peterson, Gwendolyn DuBois Shaw, Audrey Thomas McCluskey, Barbara Ryan, Robert M. Dowling, Barbara A. Baker, Paula Bernat Bennett, Philip J. Kowalski, Nikki L. Brown, Koritha A. Mitchell, Margaret Crumpton Winter, Rhonda Reymond, and Andrew J. Scheiber.
Author: Denis Johnson
Publisher: Farrar, Straus and Giroux
ISBN: 0374709238
Category : Fiction
Languages : en
Pages : 241
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Book Description
Denis Johnson's New York Times bestseller, The Laughing Monsters, is a high-suspense tale of kaleidoscoping loyalties in the post-9/11 world that shows one of our great novelists at the top of his game. Roland Nair calls himself Scandinavian but travels on a U.S. passport. After ten years' absence, he returns to Freetown, Sierra Leone, to reunite with his friend Michael Adriko. They once made a lot of money here during the country's civil war, and, curious to see whether good luck will strike twice in the same place, Nair has allowed himself to be drawn back to a region he considers hopeless. Adriko is an African who styles himself a soldier of fortune and who claims to have served, at various times, the Ghanaian army, the Kuwaiti Emiri Guard, and the American Green Berets. He's probably broke now, but he remains, at thirty-six, as stirred by his own doubtful schemes as he was a decade ago. Although Nair believes some kind of money-making plan lies at the back of it all, Adriko's stated reason for inviting his friend to Freetown is for Nair to meet Adriko's fiancée, a grad student from Colorado named Davidia. Together the three set out to visit Adriko's clan in the Uganda-Congo borderland—but each of these travelers is keeping secrets from the others. Their journey through a land abandoned by the future leads Nair, Adriko, and Davidia to meet themselves not in a new light, but rather in a new darkness.
