Author: Camille T. Dungy
Publisher: University of Georgia Press
ISBN: 0820332771
Category : Poetry
Languages : en
Pages : 424
Book Description
Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication.
Black Nature
Author: Camille T. Dungy
Publisher: University of Georgia Press
ISBN: 0820334316
Category : Poetry
Languages : en
Pages : 426
Book Description
Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication.
Publisher: University of Georgia Press
ISBN: 0820334316
Category : Poetry
Languages : en
Pages : 426
Book Description
Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication.
Black American Prose Writers Before the Harlem Renaissance
Author: Harold Bloom
Publisher: Facts On File
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 184
Book Description
Information on the thirteen most significant black American prose writers up to the early twentieth century, featuring detailed biographies, a wide selection of critical extracts, and comprehensive bibliographies.
Publisher: Facts On File
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 184
Book Description
Information on the thirteen most significant black American prose writers up to the early twentieth century, featuring detailed biographies, a wide selection of critical extracts, and comprehensive bibliographies.
Afro-American Writing
Author: Richard A. Long
Publisher: Penn State Press
ISBN: 0271038454
Category : Literary Collections
Languages : en
Pages : 781
Book Description
Publisher: Penn State Press
ISBN: 0271038454
Category : Literary Collections
Languages : en
Pages : 781
Book Description
Black Resonance
Author: Emily J. Lordi
Publisher: Rutgers University Press
ISBN: 0813562511
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Ever since Bessie Smith’s powerful voice conspired with the “race records” industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women’s singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith’s blues and Richard Wright’s neglected film of Native Son, Mahalia Jackson’s gospel music and Ralph Ellison’s Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century’s most beloved and challenging voices.
Publisher: Rutgers University Press
ISBN: 0813562511
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Ever since Bessie Smith’s powerful voice conspired with the “race records” industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women’s singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith’s blues and Richard Wright’s neglected film of Native Son, Mahalia Jackson’s gospel music and Ralph Ellison’s Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century’s most beloved and challenging voices.
What Was African American Literature?
Author: Kenneth W. Warren
Publisher: Harvard University Press
ISBN: 0674268261
Category : Social Science
Languages : en
Pages : 193
Book Description
African American literature is over. With this provocative claim Kenneth Warren sets out to identify a distinctly African American literature—and to change the terms with which we discuss it. Rather than contest other definitions, Warren makes a clear and compelling case for understanding African American literature as creative and critical work written by black Americans within and against the strictures of Jim Crow America. Within these parameters, his book outlines protocols of reading that best make sense of the literary works produced by African American writers and critics over the first two-thirds of the twentieth century. In Warren’s view, African American literature begged the question: what would happen to this literature if and when Jim Crow was finally overthrown? Thus, imagining a world without African American literature was essential to that literature. In support of this point, Warren focuses on three moments in the history of Phylon, an important journal of African American culture. In the dialogues Phylon documents, the question of whether race would disappear as an organizing literary category emerges as shared ground for critical and literary practice. Warren also points out that while scholarship by black Americans has always been the province of a petit bourgeois elite, the strictures of Jim Crow enlisted these writers in a politics that served the race as a whole. Finally, Warren’s work sheds light on the current moment in which advocates of African American solidarity insist on a past that is more productively put behind us.
Publisher: Harvard University Press
ISBN: 0674268261
Category : Social Science
Languages : en
Pages : 193
Book Description
African American literature is over. With this provocative claim Kenneth Warren sets out to identify a distinctly African American literature—and to change the terms with which we discuss it. Rather than contest other definitions, Warren makes a clear and compelling case for understanding African American literature as creative and critical work written by black Americans within and against the strictures of Jim Crow America. Within these parameters, his book outlines protocols of reading that best make sense of the literary works produced by African American writers and critics over the first two-thirds of the twentieth century. In Warren’s view, African American literature begged the question: what would happen to this literature if and when Jim Crow was finally overthrown? Thus, imagining a world without African American literature was essential to that literature. In support of this point, Warren focuses on three moments in the history of Phylon, an important journal of African American culture. In the dialogues Phylon documents, the question of whether race would disappear as an organizing literary category emerges as shared ground for critical and literary practice. Warren also points out that while scholarship by black Americans has always been the province of a petit bourgeois elite, the strictures of Jim Crow enlisted these writers in a politics that served the race as a whole. Finally, Warren’s work sheds light on the current moment in which advocates of African American solidarity insist on a past that is more productively put behind us.
Black Poets of the United States
Author: Jean Wagner
Publisher: University of Illinois Press
ISBN: 9780252003417
Category : Biography & Autobiography
Languages : en
Pages : 592
Book Description
Traces the evolution of Afro-American poetry, highlighting individual poets up to the time of the Harlem Renaissance.
Publisher: University of Illinois Press
ISBN: 9780252003417
Category : Biography & Autobiography
Languages : en
Pages : 592
Book Description
Traces the evolution of Afro-American poetry, highlighting individual poets up to the time of the Harlem Renaissance.
Multicultural American Literature
Author: A. Robert Lee
Publisher:
ISBN: 9781578066445
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Table of contents
Publisher:
ISBN: 9781578066445
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Table of contents
Black American Prose Writers of the Harlem Renaissance
Author: Harold Bloom
Publisher: Chelsea House Publications
ISBN:
Category : History
Languages : en
Pages : 198
Book Description
-- Covers more than 1,400 of the most important authors who write in English-- Ranges from the author of Beowulf to present-day writers-- Includes writers in the Caribbean, Africa, Asia, Canada, Australia, and New Zealand-- Each volume covers approximately 12 authors and includes a concise biography, a selection of critical extracts, and a complete and up-to-date bibliography of the author's separate publications
Publisher: Chelsea House Publications
ISBN:
Category : History
Languages : en
Pages : 198
Book Description
-- Covers more than 1,400 of the most important authors who write in English-- Ranges from the author of Beowulf to present-day writers-- Includes writers in the Caribbean, Africa, Asia, Canada, Australia, and New Zealand-- Each volume covers approximately 12 authors and includes a concise biography, a selection of critical extracts, and a complete and up-to-date bibliography of the author's separate publications
Black American Prose Writers
Author: Harold Bloom
Publisher: Turtleback
ISBN: 9780785753537
Category : Literary Criticism
Languages : en
Pages :
Book Description
Provides biographical, critical, and bibliographical information
Publisher: Turtleback
ISBN: 9780785753537
Category : Literary Criticism
Languages : en
Pages :
Book Description
Provides biographical, critical, and bibliographical information
Black Literature in America
Author: Houston A. Baker (Jr.)
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
ISBN:
Category : Literary Collections
Languages : en
Pages : 466
Book Description
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
ISBN:
Category : Literary Collections
Languages : en
Pages : 466
Book Description