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Author: Carmen M. Cusack
Publisher: Cambridge Scholars Publishing
ISBN: 1527541800
Category : Social Science
Languages : en
Pages : 237
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Book Description
This volume depicts the struggle of birds for freedom, an endeavour similarly experienced by women in the United States and other regions of the globe. It is a prolific study of how creatures interact psychosocially. Sometimes, birds inspire humanity, and, at other times, humans desecrate birds. They may interweave seamlessly or may experience indirect and direct conflicts. Their needs overlap and may be satisfied and explored compassionately through analytical lenses, including those of feminism, anthropomorphism, and animal rights. They share platforms, including art, the male gaze, and discussions about capture and oppression. In this work, both are presented as equally adept to survival on Earth. In this capacity, the book is novel and fresh. In spite of contradictions, such as preserving some birds at zoos, while causing others to fight for sport, birds, overall, will continue to cause humans to thrive, develop, and take-off; and by experiencing their lives through this book, humans who share the birds’ spiritual and spatial realms will develop a keener sense of environmental care and how to make cruelty-free choices. This book’s range is profound, and includes original research on diverse areas depicting Martin Luther King, Big Bird, the presidents, celebrities, and other notable sources of leadership. It also considers influential zoos and several preservation sites. In all, it is a well-founded work that demonstrates care in research and argument.
Author: Carmen M. Cusack
Publisher: Cambridge Scholars Publishing
ISBN: 1527541800
Category : Social Science
Languages : en
Pages : 237
Get Book Here
Book Description
This volume depicts the struggle of birds for freedom, an endeavour similarly experienced by women in the United States and other regions of the globe. It is a prolific study of how creatures interact psychosocially. Sometimes, birds inspire humanity, and, at other times, humans desecrate birds. They may interweave seamlessly or may experience indirect and direct conflicts. Their needs overlap and may be satisfied and explored compassionately through analytical lenses, including those of feminism, anthropomorphism, and animal rights. They share platforms, including art, the male gaze, and discussions about capture and oppression. In this work, both are presented as equally adept to survival on Earth. In this capacity, the book is novel and fresh. In spite of contradictions, such as preserving some birds at zoos, while causing others to fight for sport, birds, overall, will continue to cause humans to thrive, develop, and take-off; and by experiencing their lives through this book, humans who share the birds’ spiritual and spatial realms will develop a keener sense of environmental care and how to make cruelty-free choices. This book’s range is profound, and includes original research on diverse areas depicting Martin Luther King, Big Bird, the presidents, celebrities, and other notable sources of leadership. It also considers influential zoos and several preservation sites. In all, it is a well-founded work that demonstrates care in research and argument.
Author: Elizabeth Eva Leach
Publisher: Cornell University Press
ISBN: 1501727575
Category : Music
Languages : en
Pages : 362
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Book Description
Is birdsong music? The most frequent answer to this question in the Middle Ages was resoundingly "no." In Sung Birds, Elizabeth Eva Leach traces postmedieval uses of birdsong within Western musical culture. She first explains why such melodious sound was not music for medieval thinkers and then goes on to consider the ontology of music, the significance of comparisons between singers and birds, and the relationship between art and nature as enacted by the musical performance of late-medieval poetry. If birdsong was not music, how should we interpret the musical depiction of birdsong in human music-making? What does it tell us about the singers, their listeners, and the moral status of secular polyphony? Why was it the fourteenth century that saw the beginnings of this practice, continued to this day in the music of Messiaen and others?Leach explores medieval arguments about song, language, and rationality whose basic terms survive undiminished into the present. She considers not only lyrics that have their singers voice the songs or speech of birds but also those that represent other natural, nonmusical, sounds such as human cries or the barks of dogs. The dangerous sweetness of birdsong was invoked in discussions of musical ethics, which, because of the potential slippage between irrational beast and less rational woman in comparisons with rational human masculinity, depict women's singing as less than fully human. Leach's argument comes full circle with the advent of sound recording. This technological revolution-like its medieval equivalent, the invention of the music book-once again made the relationship between music and nature an acute preoccupation of Western culture.
Author: Ana Gerhard
Publisher:
ISBN: 9782923163895
Category : Juvenile Fiction
Languages : en
Pages : 48
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Book Description
Provides an introduction to classical music, describing how birds have inspired composers throughout history, and includes a musical glossary and short biographies of the composers.
Author: Terry Tempest Williams
Publisher: Macmillan
ISBN: 1250024110
Category : Biography & Autobiography
Languages : en
Pages : 258
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Book Description
In 54 chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother's journals in a book that keeps turning around the question, "What does it mean to have a voice?"
Author: Sally Macarthur
Publisher: Routledge
ISBN: 1317009096
Category : Music
Languages : en
Pages : 205
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Book Description
Towards a Twenty-First-Century Feminist Politics of Music opens up a new way of thinking about the absence of women's music. It does not aim to find 'a solution' in a liberal feminist sense, but to discover new potentialities, new possibilities for thought and action. Sally Macarthur encourages us, with the assistance of Deleuze, and feminist-Deleuzian work, to begin the important work of imagining what else might be possible, not in order to provide answers but to open up the as yet unknown. The power of thought - or what Deleuze calls the 'virtual' - opens up new possibilities. Macarthur suggests that the future for women's 'new' music is not tied to the predictable and known but to futures beyond the already-known. Previous research concludes that women's music is virtually absent from the concert hall, and yet fails to find a way of changing this situation. Macarthur finds that the flaw in the recommendations flowing from past research is that it envisages the future from the standpoint of the present, and it relies on a set of pre-determined goals. It thus replicates the present reality, so reinforcing rather than changing the status quo. Macarthur challenges this thinking, and argues that this repetitive way of thinking is stuck in the present, unable to move forward. Macarthur situates her argument in the context of current dominant neoliberal thought and practice. She argues that women have generally not thrived in the neoliberal model of the composer, which envisages the composer as an individual, autonomous creator and entrepreneur. Successful female composers must work with this dominant, modernist aesthetic and exploit the image of the neo-romantic, entrepreneurial creator. This book sets out in contrast to develop a new conception of subjectivity that sows the seeds of a twenty-first-century feminist politics of music.
Author: Eileen M. Hayes
Publisher: University of Illinois Press
ISBN: 0252035143
Category : Music
Languages : en
Pages : 250
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Book Description
Drawing on fieldwork conducted at eight women's music festivals, Eileen M. Hayes shows how studying these festivals--attended by predominately white lesbians--provides critical insight into the role of music and lesbian community formation. She argues that the women's music festival is a significant institutional site for the emergence of black feminist consciousness in the contemporary period. Hayes also offers sage perspectives on black women's involvement in the women's music festival scene, the ramifications of their performances as drag kings in those environments, and the challenges and joys of a black lesbian retreat based on the feminist festival model. With acuity and candor, longtime feminist activist Hayes elucidates why this music scene matters. Veteran vocalist, percussionist, producer, and cultural historian Linda Tillery provides a foreword.
Author: Peg Zeglin Brand
Publisher: Indiana University Press
ISBN: 9780253213754
Category : Philosophy
Languages : en
Pages : 356
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Book Description
Beauty has captured human interest since before Plato, but how, why, and to whom does beauty matter in today's world? Whose standard of beauty motivates African Americans to straighten their hair? What inspires beauty queens to measure up as flawless objects for the male gaze? Why does a French performance artist use cosmetic surgery to remake her face into a composite of the master painters' version of beauty? How does beauty culture perceive the disabled body? Is the constant effort to remain young and thin, often at considerable economic and emotional expense, ethically justifiable? Provocative essays by an international group of scholars discuss aesthetics in aesthetics, the arts, the tools of fashion, the materials of decoration, and the big business of beautification—beauty matters—to reveal the ways gender, race, and sexual orientation have informed the concept of beauty and driven us to become more beautiful. Here, Kant rubs shoulders with Calvin Klein. Beauty Matters draws from visual art, dance, cultural history, and literary and feminist theory to explore the values and politics of beauty. Various philosophical perspectives on ethics and aesthetics emerge from this penetrating book to determine and reveal that beauty is never disinterested.
Author: Lyanda Lynn Haupt
Publisher: Little, Brown Spark
ISBN: 0316370878
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
On May 27th, 1784, Wolfgang Amadeus Mozart met a flirtatious little starling in a Viennese shop who sang an improvised version of the theme from his Piano Concerto no. 17 in G major. Sensing a kindred spirit in the plucky young bird, Mozart bought him and took him home to be a family pet. For three years, the starling lived with Mozart, influencing his work and serving as his companion, distraction, consolation, and muse. Two centuries later, starlings are reviled by even the most compassionate conservationists. A nonnative, invasive species, they invade sensitive habitats, outcompete local birds for nest sites and food, and decimate crops. A seasoned birder and naturalist, Lyanda Lynn Haupt is well versed in the difficult and often strained relationships these birds have with other species and the environment. But after rescuing a baby starling of her own, Haupt found herself enchanted by the same intelligence and playful spirit that had so charmed her favorite composer. In Mozart's Starling, Haupt explores the unlikely and remarkable bond between one of history's most cherished composers and one of earth's most common birds. The intertwined stories of Mozart's beloved pet and Haupt's own starling provide an unexpected window into human-animal friendships, music, the secret world of starlings, and the nature of creative inspiration. A blend of natural history, biography, and memoir, Mozart's Starling is a tour de force that awakens a surprising new awareness of our place in the world.
Author: Michigan State Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 460
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Book Description
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1714
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Book Description
