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Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 360
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Book Description
Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 360
Get Book Here
Book Description
Author: S. t Coleridge
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 334
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 272
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Book Description
Author: Samuel Taylor Coleridge
Publisher: Forgotten Books
ISBN: 9780331466102
Category : Literary Collections
Languages : en
Pages : 330
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Book Description
Excerpt from Biographia Literaria, Vol. 2: Or Biographical Sketches of My Literary Life and Opinions Occasion of the Lyrical Ballads, and the objects originally proposed - Preface to the second edition - The ensuing controversy, its causes and acrimony-riephilosophic definitions of a poem and poetry with scholia. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Samuel Taylor Coleridge
Publisher: Forgotten Books
ISBN: 9780365210368
Category : Philosophy
Languages : en
Pages : 264
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Book Description
Excerpt from Biographia Literaria, or Biographical Sketches of My Literary Life and Opinions, Vol. 1: Part II From a hundred possible confutations let one suļ¬ice. According to this system the idea or vibration a from the external object A becomes associable with the idea or vibration m from the external object M, because the oscillation a propagated itself so as to reproduce the oscillation m. But the original impression from M was essentially different from the impression A unless therefore different causes may produce the same effect, the vibration a could never produce the vibra tion m: and this therefore could never be the means, by which a and m are associated.' To understand this, the attentive reader need only be reminded, that the ideas are themselves, in Hartley's system, nothing more than their appropriate configurative vibrations. It is a mere delusion of the fancy to conceive the pre existence of the ideas, in any chain of association, as so many differently coloured billiard-balls in contabt, so that when an object, the billiard-stick, strikes the first or white ball, the same motion propagates itself through the red, green, blue and black, and sets the whole in motion. N 0! We must suppose the very same force, which constitutes the white ball, to consti tute the red or black; or the idea of a circle to consti tute the idea of a triangle; which is impossible. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Samuel Taylor Coleridge
Publisher: Sagwan Press
ISBN: 9781296954208
Category :
Languages : en
Pages : 342
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: S. T. Coleridge
Publisher: Forgotten Books
ISBN: 9780267672219
Category : Literary Collections
Languages : en
Pages : 340
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Book Description
Excerpt from Biographia Literaria, Vol. 2 During the first year that Mr. Wordsworth and I were neighbours, our conversations turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Samuel Taylor Coleridge
Publisher: Legare Street Press
ISBN: 9781020193989
Category :
Languages : en
Pages : 0
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Book Description
First published in 1817, Biographia Literaria is a seminal work of literary criticism and autobiography. Written by the influential Romantic poet Samuel Taylor Coleridge, the book includes biographical sketches of Coleridge's contemporaries, as well as extensive discussions of literary theory and criticism. This edition, edited and expanded by Coleridge's nephew Henry Nelson Coleridge, provides valuable insight into the intellectual and cultural milieu of the late 18th and early 19th centuries. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Samuel Taylor Coleridge
Publisher: Palala Press
ISBN: 9781358051647
Category :
Languages : en
Pages :
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
