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Author: Pedro de Guzmán (S.I.)
Publisher:
ISBN:
Category :
Languages : es
Pages : 476
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Book Description
Author: Pedro de Guzmán (S.I.)
Publisher:
ISBN:
Category :
Languages : es
Pages : 476
Get Book Here
Book Description
Author: Pedro de Guzman (S. J., Le P.)
Publisher:
ISBN:
Category :
Languages : es
Pages : 439
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Book Description
Author: Pedro Guzmán de Avila
Publisher:
ISBN:
Category :
Languages : es
Pages : 0
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Book Description
![Bienes de el honesto trabajo y daños de la ociosidad enocho [sic] discursos PDF](https://books.google.com/books/content/images/frontcover/M73NMgEACAAJ?fife=w80-h100)
Author: Pedro de Guzmán
Publisher:
ISBN:
Category :
Languages : es
Pages : 439
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Book Description
![Bienes de el honesto y trabajo y daños d[e] la ociosidad enocho discursos PDF](https://books.google.com/books/content/images/frontcover/GKmHYgEACAAJ?fife=w80-h100)
Author: Pedro de Guzmán
Publisher:
ISBN:
Category : Sermons, Spanish
Languages : es
Pages : 439
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Book Description
Author: David William Foster
Publisher: U of Minnesota Press
ISBN: 9781452900964
Category : Latin American literature
Languages : en
Pages : 470
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Book Description
Author: Pedro Perret
Publisher:
ISBN:
Category :
Languages : es
Pages :
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Author: Jules Whicker
Publisher: Tamesis Books
ISBN: 9781855660939
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
Arising from neo-stoic interpretations of prudence, Alarcon's identification of the successful manipulation of illusion as a moral art serves as a defence of the comedia and offers an alternative to the supposed moral irresponsibility of Lope de Vega."--Jacket.
Author: Ruth MacKay
Publisher: Cornell University Press
ISBN: 1501728385
Category : History
Languages : en
Pages : 314
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Book Description
Since the early modern era, historians and observers of Spain, both within the country and beyond it, have identified a peculiarly Spanish disdain for work, especially manual labor, and have seen it as a primary explanation for that nation's alleged failure to develop like the rest of Europe. In "Lazy, Improvident People," the historian Ruth MacKay examines the origins of this deeply ingrained historical prejudice and cultural stereotype. MacKay finds these origins in the ilustrados, the Enlightenment intellectuals and reformers who rose to prominence in the late eighteenth century. To advance their own, patriotic project of rationalization and progress, they disparaged what had gone before. Relying in part on late medieval and early modern political treatises about "vile and mechanical" labor, they claimed that previous generations of Spaniards had been indolent and backward. Through a close reading of the archival record, MacKay shows that such treatises and dramatic literature in no way reflected the actual lives of early modern artisans, who were neither particularly slothful nor untalented. On the contrary, they behaved as citizens, and their work was seen as dignified and essential to the common good. MacKay contends that the ilustrados' profound misreading of their own past created a propagandistic myth that has been internalized by subsequent intellectuals. MacKay's is thus a book about the notion of Spanish exceptionalism, the ways in which this notion developed, and the burden and skewed vision it has imposed on Spaniards and outsiders. "Lazy, Improvident People" will fascinate not only historians of early modern and modern Spain but all readers who are concerned with the process by which historical narratives are formed, reproduced, and given authority.
Author: Rachael Ball
Publisher: LSU Press
ISBN: 0807165107
Category : History
Languages : en
Pages : 250
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Book Description
In Treating the Public, Rachael Ball presents a comparative history of commercial theater, public opinion, and charitable organizations in eight cities across the Spanish and Anglo-Atlantic worlds during the sixteenth and seventeenth centuries. This innovative study uncovers the rapid expansion of public drama into urban daily life in the Spanish Atlantic, revealing the means by which men and women provided and sought theatrical entertainment while practicing Catholic piety and working to aid the poor. Ball focuses her analysis on the theaters of Madrid, Seville, Mexico City, and Puebla de los Angeles, which she compares to English-speaking theaters throughout the Atlantic world in cities and towns including London, Bristol, Dublin, and Williamsburg, Virginia. Ball shows how the corrales de comedias, or inn-yard theaters, became staples of city life throughout Spain and the Spanish Atlantic. This development stemmed, she argues, from a tremendous output of dramatic works and from the theaters’ charitable activities that included donating a percentage of admission fees to hospitals and orphanages. As a result, groups like theatrical companies, religious lay brotherhoods, city leaders, and hospitals forged collaborative relationships which at once allowed the corrales to flourish and protected theaters as charitable institutions. Ball highlights the uniqueness of this system by contrasting it with public drama in England, where financial dependence on courtly and noble patronage slowed the spread of regular theatrical performances to provincial cities and colonial centers. Using an array of archival and print sources, Ball links the largely disconnected national histories of Spanish, English, and colonial American theaters. Treating the Public uncovers the depth of the comedia tradition that flourished in early modern Spain as well as the geographic scope of the Spanish theater as a political, social, and cultural institution.
