Author: Jason D. Hill
Publisher: Rowman & Littlefield
ISBN: 9780739138434
Category : Philosophy
Languages : en
Pages : 266
Book Description
In this highly original work, Jason D. Hill argues that strong racial, ethnic, and national identities function according to a separatist logic that does irreparable damage to our moral lives. Drawing on scholarship in philosophy, sociology, and cultural anthropology, the author boldly develops a new version of cosmopolitanism he coins posthuman cosmopolitanism, according to which only individual persons-not cultures, races, or ethnic groups-are the bearers of rights and the possessors of an inviolable status worthy of respect. Book jacket.
Beyond Blood Identities
Author: Jason D. Hill
Publisher: Rowman & Littlefield
ISBN: 9780739138434
Category : Philosophy
Languages : en
Pages : 266
Book Description
In this highly original work, Jason D. Hill argues that strong racial, ethnic, and national identities function according to a separatist logic that does irreparable damage to our moral lives. Drawing on scholarship in philosophy, sociology, and cultural anthropology, the author boldly develops a new version of cosmopolitanism he coins posthuman cosmopolitanism, according to which only individual persons-not cultures, races, or ethnic groups-are the bearers of rights and the possessors of an inviolable status worthy of respect. Book jacket.
Publisher: Rowman & Littlefield
ISBN: 9780739138434
Category : Philosophy
Languages : en
Pages : 266
Book Description
In this highly original work, Jason D. Hill argues that strong racial, ethnic, and national identities function according to a separatist logic that does irreparable damage to our moral lives. Drawing on scholarship in philosophy, sociology, and cultural anthropology, the author boldly develops a new version of cosmopolitanism he coins posthuman cosmopolitanism, according to which only individual persons-not cultures, races, or ethnic groups-are the bearers of rights and the possessors of an inviolable status worthy of respect. Book jacket.
Beyond Blood
Author: Pamela D. Palmater
Publisher: UBC Press
ISBN: 1895830710
Category : Law
Languages : en
Pages : 281
Book Description
The current Status criteria of the Indian Act contains descent-based rules akin to blood quantum that are particularly discriminatory against women and their descendants, which author Pamela Palmater argues will lead to the extinguishment of First Nations as legal and constitutional entities. Beginning with an historic overview of legislative enactments defining Indian status and their impact on First Nations, the author examines contemporary court rulings dealing with Indigenous identity, Aboriginal rights, and the Canadian Charter of Rights and Freedoms. Palmater also examines band membership codes to determine if their reliance on status criteria perpetuates discrimination. She offers changes for determining Indigenous identity and citizenship and argues that First Nations must determine citizenship themselves.
Publisher: UBC Press
ISBN: 1895830710
Category : Law
Languages : en
Pages : 281
Book Description
The current Status criteria of the Indian Act contains descent-based rules akin to blood quantum that are particularly discriminatory against women and their descendants, which author Pamela Palmater argues will lead to the extinguishment of First Nations as legal and constitutional entities. Beginning with an historic overview of legislative enactments defining Indian status and their impact on First Nations, the author examines contemporary court rulings dealing with Indigenous identity, Aboriginal rights, and the Canadian Charter of Rights and Freedoms. Palmater also examines band membership codes to determine if their reliance on status criteria perpetuates discrimination. She offers changes for determining Indigenous identity and citizenship and argues that First Nations must determine citizenship themselves.
Beyond Blood Identities
Author: Jason D. Hill
Publisher: Lexington Books
ISBN: 0739138448
Category : Philosophy
Languages : en
Pages : 264
Book Description
Beyond Blood Identities uncovers the social psychology of those who hold strong blood identities. In this highly original work, Jason D. Hill argues that strong racial, ethnic and national identities, which he refers to as 'tribal identities,' function according to a separatist logic that does irreparable damage to our moral lives. Drawing on scholarship in philosophy, sociology, and cultural anthropology, Hill contends that strong tribalism is a form of pathology. Beyond Blood Identities shows how a particular understanding of culture could lead to a new theoretical approach to enriched human living. Hill develops a new version of cosmopolitanism that he calls post-human cosmopolitanism to solve a number of challenges in contemporary society. From the problem of defining culture, the failure of multiculturalism, the question of who owns native culture, the identification of Jews as post-human people and the problem of their status as 'chosen people' in a modern world, the author applies a cosmopolitan analysis to some of the major problems in our global and interdependent world. He posits a world in which community has been dispensed with and replaced by its successor term sociality_the broad unmarked space in which creative social intercourse takes place. Hill applies a new cosmopolitanism to ideate a new post-humanity for the twenty-first century.
Publisher: Lexington Books
ISBN: 0739138448
Category : Philosophy
Languages : en
Pages : 264
Book Description
Beyond Blood Identities uncovers the social psychology of those who hold strong blood identities. In this highly original work, Jason D. Hill argues that strong racial, ethnic and national identities, which he refers to as 'tribal identities,' function according to a separatist logic that does irreparable damage to our moral lives. Drawing on scholarship in philosophy, sociology, and cultural anthropology, Hill contends that strong tribalism is a form of pathology. Beyond Blood Identities shows how a particular understanding of culture could lead to a new theoretical approach to enriched human living. Hill develops a new version of cosmopolitanism that he calls post-human cosmopolitanism to solve a number of challenges in contemporary society. From the problem of defining culture, the failure of multiculturalism, the question of who owns native culture, the identification of Jews as post-human people and the problem of their status as 'chosen people' in a modern world, the author applies a cosmopolitan analysis to some of the major problems in our global and interdependent world. He posits a world in which community has been dispensed with and replaced by its successor term sociality_the broad unmarked space in which creative social intercourse takes place. Hill applies a new cosmopolitanism to ideate a new post-humanity for the twenty-first century.
Blood Politics
Author: Circe Sturm
Publisher: Univ of California Press
ISBN: 0520230973
Category : History
Languages : en
Pages : 268
Book Description
"Blood Politics offers an anthropological analysis of contemporary identity politics within the second largest Indian tribe in the United States--one that pays particular attention to the symbol of "blood." The work treats an extremely sensitive topic with originality and insight. It is also notable for bringing contemporary theories of race, nationalism, and social identity to bear upon the case of the Oklahoma Cherokee."—Pauline Turner Strong, author of Captive Selves, Captivating Others: The Politics and Poetics of Colonial American Captivity Narratives
Publisher: Univ of California Press
ISBN: 0520230973
Category : History
Languages : en
Pages : 268
Book Description
"Blood Politics offers an anthropological analysis of contemporary identity politics within the second largest Indian tribe in the United States--one that pays particular attention to the symbol of "blood." The work treats an extremely sensitive topic with originality and insight. It is also notable for bringing contemporary theories of race, nationalism, and social identity to bear upon the case of the Oklahoma Cherokee."—Pauline Turner Strong, author of Captive Selves, Captivating Others: The Politics and Poetics of Colonial American Captivity Narratives
Red Skin, White Masks
Author: Glen Sean Coulthard
Publisher: U of Minnesota Press
ISBN: 1452942439
Category : Social Science
Languages : en
Pages : 289
Book Description
WINNER OF: Frantz Fanon Outstanding Book from the Caribbean Philosophical Association Canadian Political Science Association’s C.B. MacPherson Prize Studies in Political Economy Book Prize Over the past forty years, recognition has become the dominant mode of negotiation and decolonization between the nation-state and Indigenous nations in North America. The term “recognition” shapes debates over Indigenous cultural distinctiveness, Indigenous rights to land and self-government, and Indigenous peoples’ right to benefit from the development of their lands and resources. In a work of critically engaged political theory, Glen Sean Coulthard challenges recognition as a method of organizing difference and identity in liberal politics, questioning the assumption that contemporary difference and past histories of destructive colonialism between the state and Indigenous peoples can be reconciled through a process of acknowledgment. Beyond this, Coulthard examines an alternative politics—one that seeks to revalue, reconstruct, and redeploy Indigenous cultural practices based on self-recognition rather than on seeking appreciation from the very agents of colonialism. Coulthard demonstrates how a “place-based” modification of Karl Marx’s theory of “primitive accumulation” throws light on Indigenous–state relations in settler-colonial contexts and how Frantz Fanon’s critique of colonial recognition shows that this relationship reproduces itself over time. This framework strengthens his exploration of the ways that the politics of recognition has come to serve the interests of settler-colonial power. In addressing the core tenets of Indigenous resistance movements, like Red Power and Idle No More, Coulthard offers fresh insights into the politics of active decolonization.
Publisher: U of Minnesota Press
ISBN: 1452942439
Category : Social Science
Languages : en
Pages : 289
Book Description
WINNER OF: Frantz Fanon Outstanding Book from the Caribbean Philosophical Association Canadian Political Science Association’s C.B. MacPherson Prize Studies in Political Economy Book Prize Over the past forty years, recognition has become the dominant mode of negotiation and decolonization between the nation-state and Indigenous nations in North America. The term “recognition” shapes debates over Indigenous cultural distinctiveness, Indigenous rights to land and self-government, and Indigenous peoples’ right to benefit from the development of their lands and resources. In a work of critically engaged political theory, Glen Sean Coulthard challenges recognition as a method of organizing difference and identity in liberal politics, questioning the assumption that contemporary difference and past histories of destructive colonialism between the state and Indigenous peoples can be reconciled through a process of acknowledgment. Beyond this, Coulthard examines an alternative politics—one that seeks to revalue, reconstruct, and redeploy Indigenous cultural practices based on self-recognition rather than on seeking appreciation from the very agents of colonialism. Coulthard demonstrates how a “place-based” modification of Karl Marx’s theory of “primitive accumulation” throws light on Indigenous–state relations in settler-colonial contexts and how Frantz Fanon’s critique of colonial recognition shows that this relationship reproduces itself over time. This framework strengthens his exploration of the ways that the politics of recognition has come to serve the interests of settler-colonial power. In addressing the core tenets of Indigenous resistance movements, like Red Power and Idle No More, Coulthard offers fresh insights into the politics of active decolonization.
At Night All Blood Is Black
Author: David Diop
Publisher: Farrar, Straus and Giroux
ISBN: 0374720479
Category : Fiction
Languages : en
Pages : 160
Book Description
*WINNER OF THE 2021 INTERNATIONAL BOOKER PRIZE* *ONE OF PRESIDENT BARACK OBAMA'S FAVORITE BOOKS OF 2021* Winner of the Los Angeles Times Book Prize for fiction Shortlisted for the 2022 DUBLIN Literary Award "Astonishingly good." —Lily Meyer, NPR "So incantatory and visceral I don’t think I’ll ever forget it." —Ali Smith, The Guardian | Best Books of 2020 One of The Wall Street Journal's 11 best books of the fall | One of The A.V. Club's fifteen best books of 2020 |A Sunday Times best book of the year Selected by students across France to win the Prix Goncourt des Lycéens, David Diop’s English-language, historical fiction debut At Night All Blood is Black is a “powerful, hypnotic, and dark novel” (Livres Hebdo) of terror and transformation in the trenches of the First World War. Alfa Ndiaye is a Senegalese man who, never before having left his village, finds himself fighting as a so-called “Chocolat” soldier with the French army during World War I. When his friend Mademba Diop, in the same regiment, is seriously injured in battle, Diop begs Alfa to kill him and spare him the pain of a long and agonizing death in No Man’s Land. Unable to commit this mercy killing, madness creeps into Alfa’s mind as he comes to see this refusal as a cruel moment of cowardice. Anxious to avenge the death of his friend and find forgiveness for himself, he begins a macabre ritual: every night he sneaks across enemy lines to find and murder a blue-eyed German soldier, and every night he returns to base, unharmed, with the German’s severed hand. At first his comrades look at Alfa’s deeds with admiration, but soon rumors begin to circulate that this super soldier isn’t a hero, but a sorcerer, a soul-eater. Plans are hatched to get Alfa away from the front, and to separate him from his growing collection of hands, but how does one reason with a demon, and how far will Alfa go to make amends to his dead friend? Peppered with bullets and black magic, this remarkable novel fills in a forgotten chapter in the history of World War I. Blending oral storytelling traditions with the gritty, day-to-day, journalistic horror of life in the trenches, David Diop's At Night All Blood is Black is a dazzling tale of a man’s descent into madness.
Publisher: Farrar, Straus and Giroux
ISBN: 0374720479
Category : Fiction
Languages : en
Pages : 160
Book Description
*WINNER OF THE 2021 INTERNATIONAL BOOKER PRIZE* *ONE OF PRESIDENT BARACK OBAMA'S FAVORITE BOOKS OF 2021* Winner of the Los Angeles Times Book Prize for fiction Shortlisted for the 2022 DUBLIN Literary Award "Astonishingly good." —Lily Meyer, NPR "So incantatory and visceral I don’t think I’ll ever forget it." —Ali Smith, The Guardian | Best Books of 2020 One of The Wall Street Journal's 11 best books of the fall | One of The A.V. Club's fifteen best books of 2020 |A Sunday Times best book of the year Selected by students across France to win the Prix Goncourt des Lycéens, David Diop’s English-language, historical fiction debut At Night All Blood is Black is a “powerful, hypnotic, and dark novel” (Livres Hebdo) of terror and transformation in the trenches of the First World War. Alfa Ndiaye is a Senegalese man who, never before having left his village, finds himself fighting as a so-called “Chocolat” soldier with the French army during World War I. When his friend Mademba Diop, in the same regiment, is seriously injured in battle, Diop begs Alfa to kill him and spare him the pain of a long and agonizing death in No Man’s Land. Unable to commit this mercy killing, madness creeps into Alfa’s mind as he comes to see this refusal as a cruel moment of cowardice. Anxious to avenge the death of his friend and find forgiveness for himself, he begins a macabre ritual: every night he sneaks across enemy lines to find and murder a blue-eyed German soldier, and every night he returns to base, unharmed, with the German’s severed hand. At first his comrades look at Alfa’s deeds with admiration, but soon rumors begin to circulate that this super soldier isn’t a hero, but a sorcerer, a soul-eater. Plans are hatched to get Alfa away from the front, and to separate him from his growing collection of hands, but how does one reason with a demon, and how far will Alfa go to make amends to his dead friend? Peppered with bullets and black magic, this remarkable novel fills in a forgotten chapter in the history of World War I. Blending oral storytelling traditions with the gritty, day-to-day, journalistic horror of life in the trenches, David Diop's At Night All Blood is Black is a dazzling tale of a man’s descent into madness.
Beyond Babylon
Author: Igiaba Scego
Publisher:
ISBN: 9781931883832
Category : Fiction
Languages : en
Pages : 464
Book Description
"Describes Argentina's horrific dirty war, the chaotic final years of brutal dictatorship in Somalia, and the modern-day excesses of Italy's right-wing politics through the words of two half-sisters, their mothers, and the elusive father who ties their stories together"--
Publisher:
ISBN: 9781931883832
Category : Fiction
Languages : en
Pages : 464
Book Description
"Describes Argentina's horrific dirty war, the chaotic final years of brutal dictatorship in Somalia, and the modern-day excesses of Italy's right-wing politics through the words of two half-sisters, their mothers, and the elusive father who ties their stories together"--
In the Flesh
Author: Erika Zimmermann Damer
Publisher: University of Wisconsin Press
ISBN: 0299318702
Category : Literary Criticism
Languages : en
Pages : 353
Book Description
In the Flesh deeply engages postmodern and new materialist feminist thought in close readings of three significant poets—Propertius, Tibullus, and Ovid—writing in the early years of Rome's Augustan Principate. In their poems, they represent the flesh-and-blood body in both its integrity and vulnerability, as an index of social position along intersecting axes of sex, gender, status, and class. Erika Zimmermann Damer underscores the fluid, dynamic, and contingent nature of identities in Roman elegy, in response to a period of rapid legal, political, and social change. Recognizing this power of material flesh to shape elegiac poetry, she asserts, grants figures at the margins of this poetic discourse—mistresses, rivals, enslaved characters, overlooked members of households—their own identities, even when they do not speak. She demonstrates how the three poets create a prominent aesthetic of corporeal abjection and imperfection, associating the body as much with blood, wounds, and corporeal disintegration as with elegance, refinement, and sensuality.
Publisher: University of Wisconsin Press
ISBN: 0299318702
Category : Literary Criticism
Languages : en
Pages : 353
Book Description
In the Flesh deeply engages postmodern and new materialist feminist thought in close readings of three significant poets—Propertius, Tibullus, and Ovid—writing in the early years of Rome's Augustan Principate. In their poems, they represent the flesh-and-blood body in both its integrity and vulnerability, as an index of social position along intersecting axes of sex, gender, status, and class. Erika Zimmermann Damer underscores the fluid, dynamic, and contingent nature of identities in Roman elegy, in response to a period of rapid legal, political, and social change. Recognizing this power of material flesh to shape elegiac poetry, she asserts, grants figures at the margins of this poetic discourse—mistresses, rivals, enslaved characters, overlooked members of households—their own identities, even when they do not speak. She demonstrates how the three poets create a prominent aesthetic of corporeal abjection and imperfection, associating the body as much with blood, wounds, and corporeal disintegration as with elegance, refinement, and sensuality.
Beyond Blood and Coercion
Author: Yves Winter
Publisher:
ISBN:
Category : Rhetoric
Languages : en
Pages : 692
Book Description
This dissertation investigates and criticizes two common assumptions about violence in contemporary political theory and philosophy: that violence is mute and that it is instrumental. Through close readings of the works of Niccolò Machiavelli, Karl Marx, and Friedrich Engels, I argue that political violence has a semiotic character, that it involves the production of signs and meanings. These signs and meanings are not peripheral but central to the operations of political violence, because the political effectiveness of violence is partially determined by its representation. Practices of representation regulate how political violence is received and understood by an audience, which is why political violence cannot be explained by reference to institutions alone. Rather, it must be interpreted in the context of these practices of representation. It calls, therefore, for a critical hermeneutic attentive to how meanings and signs circulate beyond violence's narrowly functional and instrumental dimensions and beyond the control of violence's wielders. My readings offer a model for such an interpretive approach, for a critical hermeneutic that accounts for the semiotic aspects inherent in practices of political violence. My textual analyses ask how modes of representation and visibility organize particular formations of violence and produce political effects. By tracing the disseminations and dispersals of violence in Machiavelli's and Marx's texts, I challenge the conventionla classification that separates political from non-political violence, and I raise the question of what makes violence recognizable as political.
Publisher:
ISBN:
Category : Rhetoric
Languages : en
Pages : 692
Book Description
This dissertation investigates and criticizes two common assumptions about violence in contemporary political theory and philosophy: that violence is mute and that it is instrumental. Through close readings of the works of Niccolò Machiavelli, Karl Marx, and Friedrich Engels, I argue that political violence has a semiotic character, that it involves the production of signs and meanings. These signs and meanings are not peripheral but central to the operations of political violence, because the political effectiveness of violence is partially determined by its representation. Practices of representation regulate how political violence is received and understood by an audience, which is why political violence cannot be explained by reference to institutions alone. Rather, it must be interpreted in the context of these practices of representation. It calls, therefore, for a critical hermeneutic attentive to how meanings and signs circulate beyond violence's narrowly functional and instrumental dimensions and beyond the control of violence's wielders. My readings offer a model for such an interpretive approach, for a critical hermeneutic that accounts for the semiotic aspects inherent in practices of political violence. My textual analyses ask how modes of representation and visibility organize particular formations of violence and produce political effects. By tracing the disseminations and dispersals of violence in Machiavelli's and Marx's texts, I challenge the conventionla classification that separates political from non-political violence, and I raise the question of what makes violence recognizable as political.
Wonderful Blood
Author: Caroline Walker Bynum
Publisher: University of Pennsylvania Press
ISBN: 0812220196
Category : History
Languages : en
Pages : 457
Book Description
Bynum argues that Christ's blood as both object and symbol was central to late medieval art, literature, and religious life. As cult object, blood provided a focus of theological debate about the nature of matter, body, and God and an occasion for Jewish persecution; as motif, blood became a central symbol in popular devotion.
Publisher: University of Pennsylvania Press
ISBN: 0812220196
Category : History
Languages : en
Pages : 457
Book Description
Bynum argues that Christ's blood as both object and symbol was central to late medieval art, literature, and religious life. As cult object, blood provided a focus of theological debate about the nature of matter, body, and God and an occasion for Jewish persecution; as motif, blood became a central symbol in popular devotion.