Bewnans Ke

Bewnans Ke PDF Author: Graham C. G. Thomas
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 584

Get Book Here

Book Description
Bewnans Ke is a recently discovered Middle Cornish play, which centres around a dispute between St Kea, and Teudar, a local tyrant. In addition a long section relates to King Arthur, Queen Guinevere's adultery with Mordred, and Arthur's battle with him. It is an important contribution to the lexicon and literature of Middle Cornish.

Bewnans Ke

Bewnans Ke PDF Author: Graham C. G. Thomas
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 584

Get Book Here

Book Description
Bewnans Ke is a recently discovered Middle Cornish play, which centres around a dispute between St Kea, and Teudar, a local tyrant. In addition a long section relates to King Arthur, Queen Guinevere's adultery with Mordred, and Arthur's battle with him. It is an important contribution to the lexicon and literature of Middle Cornish.

Bewnans Ke / the Life of St Kea

Bewnans Ke / the Life of St Kea PDF Author: Graham Thomas
Publisher:
ISBN: 9780859892940
Category : Arthurian romances
Languages : en
Pages : 0

Get Book Here

Book Description
In 2000, a sixteenth-century manuscript containing a copy of a previously unknown play in Middle Cornish, probably composed in the second half of the fifteenth century, was discovered among papers bequeathed to the National Library of Wales, Aberystwyth. This eagerly awaited edition of the play, published in association with the National Library of Wales, offers a conservatively edited text with a facing-page translation, and a reproduction of the original text at the foot of the page - vital for comparative purposes. Also included are a complete vocabulary, detailed linguistic notes, and a thorough introduction dealing with the language of the play, the hagiographic background of the St Kea material and the origins of other parts in the work of Geoffrey of Monmouth. The theme of the play is the contention between St Kea, patron of Kea parish in Cornwall, and Teudar, a local tyrant. This is combined with a long section dealing with the dispute over tribute payments between King Arthur and the Emperor Lucius Hiberius; Queen Guinevere's adultery with Arthur's nephew Modred; the latter's invitation to Cheldric and his Saxon hordes to come to Britain to assist him in his conflict with his uncle; and Arthur's battle with Modred. Winner of the 2008 Holyer An Gof Award for Cornish language publications.

Functions of Medieval English Stage Directions

Functions of Medieval English Stage Directions PDF Author: Philip Butterworth
Publisher: Taylor & Francis
ISBN: 1000610691
Category : Performing Arts
Languages : en
Pages : 421

Get Book Here

Book Description
When we speak of theatre, we think we know what a stage direction is: we tend to think of it as an authorial requirement, devised to be complementary to the spoken text and directed at those who put on a play as to what, when, where, how or why a moment, action or its staging should be completed. This is the general understanding to condition a theatrical convention known as the 'stage direction'. As such, we recognise that the stage direction is directed towards actors, directors, designers, and any others who have a part to play in the practical realisation of the play. And perhaps we think that this has always been the case. However, the term 'stage direction' is not a medieval one, nor does an English medieval equivalent term exist to codify the functions contained in extraneous manuscript notes, requirements, directions or records. The medieval English stage direction does not generally function in this way: it mainly exists as an observed record of earlier performance. There are examples of other functions, but even they are not directed at players or those involved in creating performance. More than 2000 stage directions from 40 or so plays and cycles have been included in the catalogue of the volume, and over 400 of those have been selected for analysis throughout the work. The purpose of this research is to examine the theatrical functions of medieval English stage directions as records of earlier performance. Examples of such functions are largely taken from outdoor scriptural plays. This book will be of great interest to students and scholars in theatre, medieval history and literature.

Bulletin bibliographique de la Société internationale arthurienne

Bulletin bibliographique de la Société internationale arthurienne PDF Author: International Arthurian Society
Publisher:
ISBN:
Category : Arthurian romances
Languages : en
Pages : 572

Get Book Here

Book Description


The Arthurian Place Names of Wales

The Arthurian Place Names of Wales PDF Author: Scott Lloyd
Publisher: University of Wales Press
ISBN: 1786830264
Category : History
Languages : en
Pages : 257

Get Book Here

Book Description
This new book examines all of the available source materials, dating from the ninth century to the present, that have associated Arthur with sites in Wales. The material ranges from Medieval Latin chronicles, French romances and Welsh poetry through to the earliest printed works, antiquarian notebooks, periodicals, academic publications and finally books, written by both amateur and professional historians alike, in the modern period that have made various claims about the identity of Arthur and his kingdom. All of these sources are here placed in context, with the issues of dating and authorship discussed, and their impact and influence assessed. This book also contains a gazetteer of all the sites mentioned, including those yet to be identified, and traces their Arthurian associations back to their original source.

Irish Influence on Medieval Welsh Literature

Irish Influence on Medieval Welsh Literature PDF Author: Patrick Sims-Williams
Publisher: OUP Oxford
ISBN: 0191591599
Category : Literary Criticism
Languages : en
Pages : 448

Get Book Here

Book Description
In the Middle Ages Ireland's extensive and now famous literature was unknown outside the Gaelic-speaking world of Ireland, Scotland, and the Isle of Man - with Wales an important exception. Irish emigrants had settled in Wales from the fifth century onwards, Irish scholars worked in Wales in the ninth century, and throughout the Middle Ages there were ecclesiastical, mercantile, and military contacts across the Irish Sea. From this standpoint, it is not surprising that the names of Irish heroes such as Cú Roí, Cú Chulainn, Finn, and Deirdre became known to Welsh poets, and that Irish narratives influenced the authors of the Welsh Mabinogion. Yet the Welsh and Irish languages were not mutually comprehensible, the degree to which the two countries still shared a common Celtic inheritance is contested, and Latin provided a convenient lingua franca. Could some of the similarities between the Irish and Welsh literatures be due to independent influences or even to coincidence? Patrick Sims-Williams provides a new approach to these controversial questions, situating them in the context of the rest of medieval literature and international folklore. The result is the first comprehensive estimation of the extent to which Irish literature influenced medieval Welsh literature. This book will be of interest not only to medievalists but to all those concerned with the problem of how to recognize and evaluate literary influence.

Studies on the Collective and Feminine in Indo-European from a Diachronic and Typological Perspective

Studies on the Collective and Feminine in Indo-European from a Diachronic and Typological Perspective PDF Author: Sergio Neri
Publisher: BRILL
ISBN: 9004264957
Category : Language Arts & Disciplines
Languages : en
Pages : 390

Get Book Here

Book Description
This volume contains thirteen contributions on the origin of the feminine gender and its relation to the collective in the Indo-European parent language. The Indo-European daughter languages have got mostly a three-gender system, however the early attested Anatolian languages owned only two genders. In this respect, it is debatable whether the feminine gender is primary or arose secondarily from another morphological category. Due to special morphological and morphosyntactic phenomena it is also questionable whether the neuter plural of the individual languages continues an inflectional category or it was rather grammaticalized from an original word formation category collective. The authors suggest different approaches on the question of the relationship between feminine and collective.

The History of Negation in the Languages of Europe and the Mediterranean

The History of Negation in the Languages of Europe and the Mediterranean PDF Author: David Willis
Publisher: Oxford University Press, USA
ISBN: 0199602530
Category : Language Arts & Disciplines
Languages : en
Pages : 556

Get Book Here

Book Description
This is the first of a two-volume comparative history of negation in the languages of Europe and the Mediterranean. It examines the development of sentential negation and negative indefinites and quantifiers in languages and language groups such as Italian, English, Dutch, German, Celtic, Slavonic, Greek, Uralic, and Afro-Asiatic.

Arthur in the Celtic Languages

Arthur in the Celtic Languages PDF Author: Ceridwen Lloyd-Morgan
Publisher: University of Wales Press
ISBN: 1786833441
Category : Literary Criticism
Languages : en
Pages : 434

Get Book Here

Book Description
• Arthur in the Celtic Languages is a reliable up-to-date introduction to the field. • It is the only book covering Arthurian literature and traditions in the Celtic languages (Welsh, Cornish, Breton, Irish, Scottish Gaelic) • This book covers medieval and modern literatures. • It also discusses folklore, ballads and other popular traditions as well as place-names.

The Routledge Research Companion to Early Drama and Performance

The Routledge Research Companion to Early Drama and Performance PDF Author: Pamela King
Publisher: Routledge
ISBN: 1317043650
Category : Performing Arts
Languages : en
Pages : 681

Get Book Here

Book Description
The study of early drama has undergone a quiet revolution in the last four decades, radically altering critical approaches to form, genre, and canon. Drawing on disciplines from art history to musicology and reception studies, The Routledge Research Companion to Early Drama and Performance reconsiders early "drama" as a mixed mode entertainment best studied not only alongside non-dramatic texts, but also other modes of performance. From performance before the playhouse to the afterlife of medieval drama in the contemporary avant-garde, this stunning collection of essays is divided into four sections: Northern European Playing before the Playhouse; Modes of Production and Reception; Reviewing the Anglophone Tradition; The Long Middle Ages Offering a much needed reassessment of what is generally understood as "English medieval drama", The Routledge Research Companion to Early Drama and Performance provides an invaluable resource for both students and scholars of medieval studies.