Author:
Publisher: Art / Books
ISBN: 9781908970565
Category :
Languages : en
Pages : 536
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Book Description
An essential anthology of the finest writings on Sean Scully, from Arthur Danto to Colm Tóibín This book collates the writings of some 50 international critics, curators, philosophers and historians who have charted the single-minded course that Sean Scully (born 1945) followed in the first three decades of his career. Reflecting the astonishing variety of his compositions, each one identifies novel aspects in the work and discovers something fresh to say. Illustrated with Scully's major paintings from the late 1960s to 1999, and with dozens of installation views, behind-the-scenes studio shots and portraits of the artist (many published here for the first time), this collection provides a concise account of the work of a painter who more than any other has demonstrated the poetic qualities of abstraction. Contributors include: William Feaver, Peter Fuller, Joseph Masheck, Adrian Lewis, Holland Cotter, John Caldwell, David Carrier, Susanne Lambrecht, Lynne Cooke, Robert Hughes, Arthur C. Danto, Carter Ratcliff, Enrique Juncosa, Jean Frémon, Mark Glazebrook, Donald Kuspit, Edward Lucie-Smith, John Yau and Colm Tóibín.
Author: Arthur C. Danto
Publisher: Princeton University Press
ISBN: 0691209308
Category : Art
Languages : en
Pages : 350
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Book Description
The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.
Author: Timothy Rub
Publisher: Yale University Press
ISBN: 9780876332955
Category :
Languages : en
Pages : 0
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Book Description
"A succinct account of the life and art of Sean Scully, widely considered to be one of the leading abstract painters of our time. This work sets his entire output within a detailed biographical framework, closely examining the relationship between the artist's paintings and his lesser-known drawings, pastels, watercolors, and prints-areas of Scully's production that are rarely considered together"--
Author:
Publisher: Penn State Press
ISBN: 9780271042978
Category : Art criticism
Languages : en
Pages : 312
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Book Description
Author: Kelly Grovier
Publisher: National Geographic Books
ISBN: 050023907X
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
Bold and engaging predictions of which artists and artworks from the past two decades will endure through their power to question, provoke, and inspire Just as Picasso’s Guernica or Gericault’s Raft of the Medusa survive as powerful cultural documents of their time, there will be works from our own era that will endure for generations to come. Kelly Grovier curates a compelling list of one hundred paintings, sculptures, drawings, installations, performances, and video pieces that have made the greatest impact from 1989 to the present. The global cast includes Marina Abramovic , Matthew Barney, Christian Boltanski, Louise Bourgeois, Maurizio Cattelan, Marlene Dumas, Olafur Eliasson, Andreas Gursky, Cristina Iglesias, On Kawara, Jeff Koons, Ernesto Neto, Gerhard Richter, Pipilotti Rist, Kara Walker, and Ai Weiwei. Many of the pieces reflect the cultural upheavals of recent times, from the collapse of the Berlin Wall to the blossoming of the Arab Spring. A daring yet convincing analysis of which artworks best capture the zeitgeist of our time, Grovier’s list also provides a much-needed map through the landscape of contemporary art. Illustrations of key works are supplemented by comparative images, and short texts offer a biography of each artwork, tracing its inception and impact, and offering a view not only into the imagination of the artist but into the age in which we live.
Author: Brenda Moore-McCann
Publisher: Lund Humphries Publishers Limited
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
Brenda Moore-McCann's in-depth study reveals the many layers of Brian O'Doherty's artistic identity. By contextualizing the work and providing first-class critical assessments, this book unravels his career to present a wealth of material with a distinct attitude and original vision.
Author: David Carrier
Publisher: Penn State Press
ISBN: 0271036060
Category : Art
Languages : en
Pages : 200
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Book Description
Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historian, does not attempt to write a world art history himself. Rather, he asks the question of how an art history of all cultures could be written—or whether it is even possible to do so. He also engages the political and moral issues raised by the idea of a multicultural art history. Focusing on a consideration of intersecting artistic traditions, Carrier negotiates the way meaning and understanding shift or are altered when a visual object from one culture, for example, is inserted into the visual tradition of another culture. A World Art History and Its Objects proposes the use of temporal narrative as a way to begin to understand a multicultural art history.
Author: Kelly Grovier
Publisher: National Geographic Books
ISBN: 0500295565
Category : Art
Languages : en
Pages : 0
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Book Description
An exciting new critical voice explores what it is that makes great art great through an illuminating analysis of the world’s artistic masterpieces. From a carved mammoth tusk (ca. 40,000 BCE) to Bosch’s Garden of Earthly Delights (1505–1510) to Duchamp’s Fountain (1917), a remarkable lexicon of astonishing imagery has imprinted itself onto the cultural consciousness of the past 40,000 years. Author Kelly Grovier devotes himself to illuminating these and more than fifty other seminal works in this radical new history of art. Stepping away from biography, style, and the chronology of “isms” that preoccupies most of art history, A New Way of Seeing invites a new interaction with art, one in which we learn from the artworks and not just about them. Grovier identifies that part of the artwork that bridges the divide between art and life and elevates its value beyond the visual to the vital. This book challenges the sensibility that conceives of artists as brands and the works they create as nothing more than material commodities to hoard, hide, and flip for profit. Lavishly illustrated with many of the most breathtaking and enduring artworks ever created, Kelly Grovier casts fresh light on these famous works by daring to isolate a single, and often overlooked, detail responsible for its greatness and power to move.
Author: Maria H. Loh
Publisher: Getty Publications
ISBN: 089236873X
Category : Imitation in art
Languages : en
Pages : 218
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Book Description
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.
Author: James Elkins
Publisher: Routledge
ISBN: 113595013X
Category : Art
Languages : en
Pages : 218
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Book Description
This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.
