Author: Trevor Hart
Publisher: Routledge
ISBN: 1317174933
Category : Religion
Languages : en
Pages : 463
Book Description
The central contention of Christian faith is that in the incarnation the eternal Word or Logos of God himself has taken flesh, so becoming for us the image of the invisible God. Our humanity itself is lived out in a constant to-ing and fro-ing between materiality and immateriality. Imagination, language and literature each have a vital part to play in brokering this hypostatic union of matter and meaning within the human creature. Approaching different aspects of two distinct movements between the image and the word, in the incarnation and in the dynamics of human existence itself, Trevor Hart presents a clearer understanding of each and explores the juxtapositions with the other. Hart concludes that within the Trinitarian economy of creation and redemption these two occasions of ’flesh-taking’ are inseparable and indivisible.
Between the Image and the Word
Author: Trevor Hart
Publisher: Routledge
ISBN: 1317174933
Category : Religion
Languages : en
Pages : 463
Book Description
The central contention of Christian faith is that in the incarnation the eternal Word or Logos of God himself has taken flesh, so becoming for us the image of the invisible God. Our humanity itself is lived out in a constant to-ing and fro-ing between materiality and immateriality. Imagination, language and literature each have a vital part to play in brokering this hypostatic union of matter and meaning within the human creature. Approaching different aspects of two distinct movements between the image and the word, in the incarnation and in the dynamics of human existence itself, Trevor Hart presents a clearer understanding of each and explores the juxtapositions with the other. Hart concludes that within the Trinitarian economy of creation and redemption these two occasions of ’flesh-taking’ are inseparable and indivisible.
Publisher: Routledge
ISBN: 1317174933
Category : Religion
Languages : en
Pages : 463
Book Description
The central contention of Christian faith is that in the incarnation the eternal Word or Logos of God himself has taken flesh, so becoming for us the image of the invisible God. Our humanity itself is lived out in a constant to-ing and fro-ing between materiality and immateriality. Imagination, language and literature each have a vital part to play in brokering this hypostatic union of matter and meaning within the human creature. Approaching different aspects of two distinct movements between the image and the word, in the incarnation and in the dynamics of human existence itself, Trevor Hart presents a clearer understanding of each and explores the juxtapositions with the other. Hart concludes that within the Trinitarian economy of creation and redemption these two occasions of ’flesh-taking’ are inseparable and indivisible.
Between Word and Image
Author: Dennis J. Schmidt
Publisher: Indiana University Press
ISBN: 025300618X
Category : Philosophy
Languages : en
Pages : 202
Book Description
Engagement with the image has played a decisive role in the formulation of the very idea of philosophy since Plato. Identifying pivotal moments in the history of philosophy, Dennis J. Schmidt develops the question of philosophy's regard of the image in thinking by considering painting—where the image most clearly calls attention to itself as an image. Focusing on Heidegger and the work of Paul Klee, Schmidt pursues larger issues in the relationship between word, image, and truth. As he investigates alternative ways of thinking about truth through word and image, Schmidt shows how the form of art can indeed possess the capacity to change its viewers.
Publisher: Indiana University Press
ISBN: 025300618X
Category : Philosophy
Languages : en
Pages : 202
Book Description
Engagement with the image has played a decisive role in the formulation of the very idea of philosophy since Plato. Identifying pivotal moments in the history of philosophy, Dennis J. Schmidt develops the question of philosophy's regard of the image in thinking by considering painting—where the image most clearly calls attention to itself as an image. Focusing on Heidegger and the work of Paul Klee, Schmidt pursues larger issues in the relationship between word, image, and truth. As he investigates alternative ways of thinking about truth through word and image, Schmidt shows how the form of art can indeed possess the capacity to change its viewers.
Between the Picture and the Word
Author: Colum Hourihane
Publisher: Index of Christian Art Department of Art and Archeology Princeton
ISBN: 9780976820215
Category : Art chrétien - 500-1500 (Moyen Âge) - Congrès
Languages : en
Pages : 0
Book Description
In this volume from the Index of Christian Art, a group of scholars makes skilled use of the methodology of iconography to examine a number of significant medieval manuscripts, including the Morgan Picture Bible.
Publisher: Index of Christian Art Department of Art and Archeology Princeton
ISBN: 9780976820215
Category : Art chrétien - 500-1500 (Moyen Âge) - Congrès
Languages : en
Pages : 0
Book Description
In this volume from the Index of Christian Art, a group of scholars makes skilled use of the methodology of iconography to examine a number of significant medieval manuscripts, including the Morgan Picture Bible.
Image, Word and God in the Early Christian Centuries
Author: Mark Edwards
Publisher: Routledge
ISBN: 1317118839
Category : Religion
Languages : en
Pages : 262
Book Description
Christianity proclaims Christ and the incarnate word of God; the Bible is described as the Word of God in both Jewish and Christian tradition. Are these usages merely homonymous, or would the ancients have recognized a more intimate relation between the word incarnate and the word proclaimed? This book investigates the concept of logos in pagan, Jewish and Christian thought, with a view to elucidating the polyphonic functions which the word acquired when used in theological discourse. Edwards presents a survey of theological applications of the term Logos in Greek, Jewish and Christian thought from Plato to Augustine and Proclus. Special focus is placed on: the relation of words to images in representation of divine realm, the relation between the logos within (reason) and the logos without (speech) both in linguistics and in Christology, the relation between the incarnate Word and the written text, and the place of reason in the interpretation of revelation. Bringing together materials which are rarely synthesized in modern study, this book shows how Greek and biblical thought part company in their appraisal of the capacity of reason to grasp the nature of God, and how in consequence verbal revelation plays a more significant role in biblical teaching. Edwards shows how this entailed the rejection of images in Jewish and Christian thought, and how the manifestation in flesh of Christ as the living word of God compelled the church to reconsider both the relation of word to image and the interplay between the logos within and the written logos in the formulation of Christian doctrine.
Publisher: Routledge
ISBN: 1317118839
Category : Religion
Languages : en
Pages : 262
Book Description
Christianity proclaims Christ and the incarnate word of God; the Bible is described as the Word of God in both Jewish and Christian tradition. Are these usages merely homonymous, or would the ancients have recognized a more intimate relation between the word incarnate and the word proclaimed? This book investigates the concept of logos in pagan, Jewish and Christian thought, with a view to elucidating the polyphonic functions which the word acquired when used in theological discourse. Edwards presents a survey of theological applications of the term Logos in Greek, Jewish and Christian thought from Plato to Augustine and Proclus. Special focus is placed on: the relation of words to images in representation of divine realm, the relation between the logos within (reason) and the logos without (speech) both in linguistics and in Christology, the relation between the incarnate Word and the written text, and the place of reason in the interpretation of revelation. Bringing together materials which are rarely synthesized in modern study, this book shows how Greek and biblical thought part company in their appraisal of the capacity of reason to grasp the nature of God, and how in consequence verbal revelation plays a more significant role in biblical teaching. Edwards shows how this entailed the rejection of images in Jewish and Christian thought, and how the manifestation in flesh of Christ as the living word of God compelled the church to reconsider both the relation of word to image and the interplay between the logos within and the written logos in the formulation of Christian doctrine.
Depicting the Word
Author: Parry
Publisher: BRILL
ISBN: 9004476180
Category : History
Languages : en
Pages : 230
Book Description
This volume is a comparative study of the major iconophile writings of John of Damascus, Theodore the Studite and the Patriarch Nikephoros. Contrary to expectations, this study shows that far from being reactionary in their thought, the iconophiles were in fact more radical in their theology that the iconoclasts. Following an historical introduction, the first part of the book deals with philosophical themes. Titles of particular chapters include Aristotelianism, Icon and Idol, Patristic Authority, Written and Unwritten Tradition, Modes of Veneration, and Biblical Exegesis. This book will be of considerable interest to scholars and students of the Byzantine iconoclastic period. Readers seeking to understand the importance of icons and iconography in Byzantine Christianity will find this volume particularly useful.
Publisher: BRILL
ISBN: 9004476180
Category : History
Languages : en
Pages : 230
Book Description
This volume is a comparative study of the major iconophile writings of John of Damascus, Theodore the Studite and the Patriarch Nikephoros. Contrary to expectations, this study shows that far from being reactionary in their thought, the iconophiles were in fact more radical in their theology that the iconoclasts. Following an historical introduction, the first part of the book deals with philosophical themes. Titles of particular chapters include Aristotelianism, Icon and Idol, Patristic Authority, Written and Unwritten Tradition, Modes of Veneration, and Biblical Exegesis. This book will be of considerable interest to scholars and students of the Byzantine iconoclastic period. Readers seeking to understand the importance of icons and iconography in Byzantine Christianity will find this volume particularly useful.
Andy Warhol, Priest
Author: Peter Kattenberg
Publisher: BRILL
ISBN: 9004497242
Category : Religion
Languages : en
Pages : 159
Book Description
This book explores a new interpretation of Andy Warhol's The Last Supper Series. It brings together two worlds, the sacred and the secular. By showing how the sacred is manifest in advertising, it demonstrates the metaphorical power of popular imagery. Warhol bore out the proposition that an artist is essentially a "Yours faithfully". The essence of his Last Supper series lies in the mystery that should remain so: 'mirari non rimari sapientia vera est'. To scrutinize the host would be unfaithful to Christ, who said: "This is my Body". To perceive Warhol's work as simply signifying itself would be unfaithful to America's most influential artist. A case in point is The Last Supper (Dove): pictorial analysis proves that Leonardo's Il Cenacolo was not robbed of its sublimity. Warhol remained faithful to it as a means of unveiling the holy.
Publisher: BRILL
ISBN: 9004497242
Category : Religion
Languages : en
Pages : 159
Book Description
This book explores a new interpretation of Andy Warhol's The Last Supper Series. It brings together two worlds, the sacred and the secular. By showing how the sacred is manifest in advertising, it demonstrates the metaphorical power of popular imagery. Warhol bore out the proposition that an artist is essentially a "Yours faithfully". The essence of his Last Supper series lies in the mystery that should remain so: 'mirari non rimari sapientia vera est'. To scrutinize the host would be unfaithful to Christ, who said: "This is my Body". To perceive Warhol's work as simply signifying itself would be unfaithful to America's most influential artist. A case in point is The Last Supper (Dove): pictorial analysis proves that Leonardo's Il Cenacolo was not robbed of its sublimity. Warhol remained faithful to it as a means of unveiling the holy.
Between the Image and the Word
Author: Trevor A. Hart
Publisher: Routledge
ISBN: 1472413709
Category : Art
Languages : en
Pages : 265
Book Description
The central contention of Christian faith is that in the incarnation the eternal Word or Logos of God himself has taken flesh, so becoming for us the image of the invisible God. Our humanity itself is lived out in a constant to-ing and fro-ing between materiality and immateriality. Approaching different aspects of two distinct movements between the image and the word, in the incarnation and in the dynamics of human existence itself, Trevor Hart presents a clearer understanding of each and explores the juxtapositions with the other.
Publisher: Routledge
ISBN: 1472413709
Category : Art
Languages : en
Pages : 265
Book Description
The central contention of Christian faith is that in the incarnation the eternal Word or Logos of God himself has taken flesh, so becoming for us the image of the invisible God. Our humanity itself is lived out in a constant to-ing and fro-ing between materiality and immateriality. Approaching different aspects of two distinct movements between the image and the word, in the incarnation and in the dynamics of human existence itself, Trevor Hart presents a clearer understanding of each and explores the juxtapositions with the other.
Image and Word
Author: Antonella Braida
Publisher: Routledge
ISBN: 1351197738
Category : Art
Languages : en
Pages : 328
Book Description
"What was the role of images in the Western tradition? And how did they relate to the printed work? The essays in this wide-ranging collection address these questions by presenting a variety of material, including visual representations that can be read as texts and traditional book illustrations. The editors offer a critical review of visual arts and texts, encompassing thirteenth-century Spanish miniatures, Italian Renaissance painting and book illustrations, the explosion of inter-arts comparisons in the nineteenth century in the works of such diverse writers as Blake, Mallarme and D'Annunzio, and the modern debate on the visual arts."
Publisher: Routledge
ISBN: 1351197738
Category : Art
Languages : en
Pages : 328
Book Description
"What was the role of images in the Western tradition? And how did they relate to the printed work? The essays in this wide-ranging collection address these questions by presenting a variety of material, including visual representations that can be read as texts and traditional book illustrations. The editors offer a critical review of visual arts and texts, encompassing thirteenth-century Spanish miniatures, Italian Renaissance painting and book illustrations, the explosion of inter-arts comparisons in the nineteenth century in the works of such diverse writers as Blake, Mallarme and D'Annunzio, and the modern debate on the visual arts."
The Image of the City
Author: Kevin Lynch
Publisher: MIT Press
ISBN: 9780262620017
Category : Architecture
Languages : en
Pages : 212
Book Description
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
Publisher: MIT Press
ISBN: 9780262620017
Category : Architecture
Languages : en
Pages : 212
Book Description
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
Beyond Textual Literacy: Visual Literacy for Creative and Critical Inquiry
Author: Mary A. Drinkwater
Publisher: BRILL
ISBN: 1848880073
Category : Social Science
Languages : en
Pages : 314
Book Description
This volume contains chapters derived from papers presented at the 3rd Global Conference on Visual Literacies: Exploring Critical Issues held in Oxford, UK, July 14th through the 16th, 2009. The conference brought together a broad range of cultural, artistic and academic participants.
Publisher: BRILL
ISBN: 1848880073
Category : Social Science
Languages : en
Pages : 314
Book Description
This volume contains chapters derived from papers presented at the 3rd Global Conference on Visual Literacies: Exploring Critical Issues held in Oxford, UK, July 14th through the 16th, 2009. The conference brought together a broad range of cultural, artistic and academic participants.