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Author: Kirk Varnedoe
Publisher:
ISBN:
Category : Painting, Modern
Languages : en
Pages : 285
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Author: Kirk Varnedoe
Publisher:
ISBN:
Category : Painting, Modern
Languages : en
Pages : 285
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Book Description
Author: Roland N. Stromberg
Publisher:
ISBN: 9781349817467
Category :
Languages : en
Pages : 0
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Author: George P. Landow
Publisher: Routledge
ISBN: 1317534093
Category : Art
Languages : en
Pages : 268
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Book Description
In this study, first published in 1979, Landow contends that Hunt’s version of Pre-Raphaelitism concerned itself primarily with an elaborate system of painterly symbolism rather than with a photographic realism as has been usually supposed. Like Ruskin, Hunt believed that a symbolism based on scriptural typology – the method of finding anticipations of Christ in Hebrew history – could produce an ideal art that would solve the problems of Victorian painting. According to Hunt, this elaborate symbolism could simultaneously avoid the dangers of materialism inherent in a realistic style, the dead conventionalism of academic art, and the sentimentality of much contemporary painting. George Landow examines Hunt’s work in the context of this argument and, drawing on much unknown or previously inaccessible material, shows how he used texts, frames, and symbols to create a complex art of mediation that became increasingly visionary as the artist grew older. This book is ideal for students of art history.
Author: Robert James Bantens
Publisher: Kent Gallery
ISBN:
Category : Art
Languages : fr
Pages : 138
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Author: David Bonner Richardson
Publisher: Springer Science & Business Media
ISBN: 940118870X
Category : Philosophy
Languages : en
Pages : 285
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BERDYAEV AS A PHILOSOPHER How shall a non-Russian, above all a North American, assimilate the extraordinary assemblage of ideas which is Berdyaev's philosophy? Dr. Richardson does not exaggerate the difficulties. And he introduces us with great care (and what a formidable task it must have been) precisely to what is most strange in this writer, his fusion of historical .. eschatological-metaphysical-mystical-Christian conceptions. By some standards Berdyaev is a theologian rather than a philosopher; for he takes the truth of the Christian revelation for granted and his work can readily be viewed as an elaborate apologetic for one religion against all others and against irreligion. Yet I incline to sympathize with him in his claim to be a philosopher. What an eccentric one, however! There are indeed some partial analogies in the general European tradition. Certainly this Russian is a disciple of Kant, and strong traces of Kantianism survive in him. He also moved away from Kant somewhat as did Fichte, Hegel, and, above all, Schelling in his last period. His sympathetic response to Heracleitos and Boehme recalls Hegel. The interest in Boehme and Schelling is found also in Tillich. Like the late German-American, Berdyaev rejects conceptual in favor of symbolic speech about God. Like Bergson, he stresses intuition and makes a radical distinction between scientific logical analytic thought and the mode of apprehension by which, he believes, metaphysical truth is to be appropriated. Here one thinks also of Heidegger.
Author: Geoffrey Borny
Publisher: ANU E Press
ISBN: 1920942688
Category : Literary Criticism
Languages : en
Pages : 324
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The author's contention is that Chekhov's plays have often been misinterpreted by scholars and directors, particularly through their failure to adequately balance the comic and tragic elements inherent in these works. Through a close examination of the form and content of Chekhov's dramas, the author shows how deeply pessimistic or overly optimistic interpretations fail to sufficiently account for the rich complexity and ambiguity of these plays. The author suggests that, by accepting that Chekhov's plays are synthetic tragi-comedies which juxtapose potentially tragic sub-texts with essentially comic texts, critics and directors are more likely to produce richer and more deeply satisfying interpretations of these works. Besides being of general interest to any reader interested in understanding Chekhov's work, the book is intended to be of particular interest to students of Drama and Theatre Studies and to potential directors of these subtle plays.
Author: Ralph Gleis
Publisher: Hirmer Verlag GmbH
ISBN: 9783777435244
Category : Art, Belgian
Languages : en
Pages : 0
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"Enigmatic magic, erotic sensuality and dark dreamworlds all characterise Symbolism, which evolved as an art current from the 1880s on - with Brussels advancing to become a centre of activity in the development of European art. The tendency towards the morbid and the decadent was most pronounced in Belgian Symbolism. Many of the impulses for this avant-garde came from Belgian artists, such as the disreputable Félicien Rops, the subtle Fernand Khnopff, the occult Jean Delville and the eccentric Léon Spilliaert and James Ensor."--back cover.
Author: Johan Huizinga
Publisher:
ISBN:
Category :
Languages : en
Pages : 360
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Author: Scott Hamilton
Publisher: Princeton University Press
ISBN: 1400862698
Category : Poetry
Languages : en
Pages : 272
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Book Description
In this revisionary study of Ezra Pound's poetics, Scott Hamilton exposes the extent of the modernist poet's debt to the French romantic and symbolist traditions. Whereas previous critics have focused on a single influence, Hamilton explores a broad spectrum of French poets, including Thophile Gautier, Tristan Corbire, Jules Laforgue, Remy de Gourmont, Henri de Rgnier, Jules Romains, Laurent Tailhade, Paul Verlaine, and Stphane Mallarm. This exploration of Pound's canon demonstrates his logic in borrowing from the French tradition as well as a paradoxical circularity to his poetic development. Hamilton begins by explaining how Pound read Gautier's poetry as an example of Parnassianism and of the "satirical realism" of Flaubert and the modern novelistic tradition. He reveals, however, a crucial blind spot in Pound's poetic vision that facilitated his return to precisely those romantic and proto-symbolist elements in Gautier that were celebrated by Baudelaire and Mallarm, and that Pound, as a modern poet, felt obliged to repress. Arguing that Pound's response to symbolism was not specifically modernist, Hamilton shows how his dual attraction to the lyric and prose traditions, to symbolism and realism, and to the visionary and the historical helps us better to understand our own post-modern sensibility. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Arthur Machen
Publisher:
ISBN:
Category : Apparitions
Languages : en
Pages : 98
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Book Description
