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Author: Christopher N. Phillips
Publisher: JHU Press
ISBN: 142140527X
Category : Literary Criticism
Languages : en
Pages : 375
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Book Description
The epic calls to mind the famous works of ancient poets such as Homer, Virgil, and Ovid. These long, narrative poems, defined by valiant characters and heroic deeds, celebrate events of great importance in ancient times. In this thought-provoking study, Christopher N. Phillips shows in often surprising ways how this exalted classical form proved as vital to American culture as it did to the great societies of the ancient world. Through close readings of James Fenimore Cooper, Lydia Sigourney, Henry Wadsworth Longfellow, and Herman Melville, as well as the transcendentalists, Phillips traces the rich history of epic in American literature and art from early colonial times to the late nineteenth century. Phillips shows that far from fading in the modern age, the epic form was continuously remade to frame a core element of American cultural expression. He finds the motive behind this sustained popularity in the historical interrelationship among the malleability of the epic form, the idea of a national culture, and the prestige of authorship—a powerful dynamic that extended well beyond the boundaries of literature. By locating the epic at the center of American literature and culture, Phillips’s imaginative study yields a number of important finds: the early national period was a time of radical experimentation with poetic form; the epic form was crucial to the development of constitutional law and the professionalization of visual arts; engagement with the epic synthesized a wide array of literary and artistic forms in efforts to launch the United States into the arena of world literature; and a number of writers shaped their careers around revising the epic form for their own purposes. Rigorous archival research, careful readings, and long chronologies of genre define this magisterial work, making it an invaluable resource for scholars of American studies, American poetry, and literary history.
Author: Christopher N. Phillips
Publisher: JHU Press
ISBN: 142140527X
Category : Literary Criticism
Languages : en
Pages : 375
Get Book Here
Book Description
The epic calls to mind the famous works of ancient poets such as Homer, Virgil, and Ovid. These long, narrative poems, defined by valiant characters and heroic deeds, celebrate events of great importance in ancient times. In this thought-provoking study, Christopher N. Phillips shows in often surprising ways how this exalted classical form proved as vital to American culture as it did to the great societies of the ancient world. Through close readings of James Fenimore Cooper, Lydia Sigourney, Henry Wadsworth Longfellow, and Herman Melville, as well as the transcendentalists, Phillips traces the rich history of epic in American literature and art from early colonial times to the late nineteenth century. Phillips shows that far from fading in the modern age, the epic form was continuously remade to frame a core element of American cultural expression. He finds the motive behind this sustained popularity in the historical interrelationship among the malleability of the epic form, the idea of a national culture, and the prestige of authorship—a powerful dynamic that extended well beyond the boundaries of literature. By locating the epic at the center of American literature and culture, Phillips’s imaginative study yields a number of important finds: the early national period was a time of radical experimentation with poetic form; the epic form was crucial to the development of constitutional law and the professionalization of visual arts; engagement with the epic synthesized a wide array of literary and artistic forms in efforts to launch the United States into the arena of world literature; and a number of writers shaped their careers around revising the epic form for their own purposes. Rigorous archival research, careful readings, and long chronologies of genre define this magisterial work, making it an invaluable resource for scholars of American studies, American poetry, and literary history.
Author: Diana West
Publisher: Macmillan
ISBN: 0312630786
Category : History
Languages : en
Pages : 415
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Book Description
Conservative columnist West uncovers how and when America gave up its core ideals and began the march toward socialism. She digs into the modern political landscape, dominated by President Barack Obama, to ask how it is that America turned its back on its basic beliefs.
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1006
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Book Description
Author: Bernard M. Levinson
Publisher: Indiana University Press
ISBN: 025306080X
Category : History
Languages : en
Pages : 433
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Book Description
How did the academy react to the rise, dominance, and ultimate fall of Germany's Third Reich? Did German professors of the humanities have to tell themselves lies about their regime's activities or its victims to sleep at night? Did they endorse the regime? Or did they look the other way, whether out of deliberate denial or out of fear for their own personal safety? The Betrayal of the Humanities: The University during the Third Reich is a collection of groundbreaking essays that shed light on this previously overlooked piece of history. The Betrayal of the Humanities accepts the regrettable news that academics and intellectuals in Nazi Germany betrayed the humanities, and explores what went wrong, what occurred at the universities, and what happened to the major disciplines of the humanities under National Socialism. The Betrayal of the Humanities details not only how individual scholars, particular departments, and even entire universities collaborated with the Nazi regime but also examines the legacy of this era on higher education in Germany. In particular, it looks at the peculiar position of many German scholars in the post-war world having to defend their own work, or the work of their mentors, while simultaneously not appearing to accept Nazism.
Author: J.A. Jance
Publisher: Simon and Schuster
ISBN: 1476745072
Category : Fiction
Languages : en
Pages : 512
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Book Description
From the New York Times bestselling author hailed for her “inimitable, take-no-prisoners style” (Kirkus Reviews), Cold Betrayal forces Ali Reynolds to confront the face of evil, and the women who are being hunted. Revenge isn’t the only dish served cold... Ali’s longtime friend and Taser-carrying nun, Sister Anselm, rushes to the bedside of a young pregnant woman hospitalized for severe injuries after she was hit by a car on a deserted Arizona highway. The girl had been running away from The Family, a polygamous cult with no patience for those who try to leave its ranks. Something about her strikes a chord in Sister Anselm, reminding her of a case she worked years before when another young girl wasn’t so lucky. Meanwhile, married life agrees with Ali. But any hopes that she and her husband, B. Simpson, will finally slow down and relax now that they’ve tied the knot are dashed when Ali’s new daughter-in-law approaches her, desperate for help. The girl’s grandmother, Betsy, is in danger: she’s been receiving anonymous threats, and someone even broke into her home and turned on the gas burners in the middle of the night. But the local police think the elderly woman’s just not as sharp as she used to be. While Ali struggles to find a way to protect Betsy before it’s too late, Sister Anselm needs her help as well, and the two race the clock to uncover the secrets that The Family has hidden for so long—before someone comes back to bury them forever.
Author: Gordon Corera
Publisher: Weidenfeld & Nicolson
ISBN: 0297861018
Category : History
Languages : en
Pages : 413
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Book Description
The secret history of MI6 - from the Cold War to the present day. The British Secret Service has been cloaked in secrecy and shrouded in myth since it was created a hundred years ago. Our understanding of what it is to be a spy has been largely defined by the fictional worlds of James Bond and John le Carre. THE ART OF BETRAYAL provides a unique and unprecedented insight into this secret world and the reality that lies behind the fiction. It tells the story of how the secret service has changed since the end of World War II and by focusing on the people and the relationships that lie at the heart of espionage, revealing the danger, the drama, the intrigue, the moral ambiguities and the occasional comedy that comes with working for British intelligence. From the defining period of the early Cold War through to the modern day, MI6 has undergone a dramatic transformation from a gung-ho, amateurish organisation to its modern, no less controversial, incarnation. Gordon Corera reveals the triumphs and disasters along the way. The grand dramas of the Cold War and after - the rise and fall of the Berlin Wall, the Cuban Missile Crisis, the 11 September 2001 attacks and the Iraq war - are the backdrop for the human stories of the individual spies whose stories form the centrepiece of the narrative. But some of the individuals featured here, in turn, helped shape the course of those events. Corera draws on the first-hand accounts of those who have spied, lied and in some cases nearly died in service of the state. They range from the spymasters to the agents they ran to their sworn enemies. Many of these accounts are based on exclusive interviews and access. From Afghanistan to the Congo, from Moscow to the back streets of London, these are the voices of those who have worked on the front line of Britain's secret wars. And the truth is often more remarkable than the fiction.
Author: Joseph Jastrow
Publisher:
ISBN:
Category : Advertising
Languages : en
Pages : 188
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Book Description
Author: Timothy R. Levine
Publisher: SAGE Publications
ISBN: 1483306895
Category : Social Science
Languages : en
Pages : 1094
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Book Description
The Encyclopedia of Deception examines lying from multiple perspectives drawn from the disciplines of social psychology, sociology, history, business, political science, cultural anthropology, moral philosophy, theology, law, family studies, evolutionary biology, philosophy, and more. From the “little white lie,” to lying on a resume, to the grandiose lies of presidents, this two-volume reference explores the phenomenon of lying in a multidisciplinary context to elucidate this common aspect of our daily lives. Not only a cultural phenomenon historically, lying is a frequent occurrence in our everyday lives. Research shows that we are likely to lie or intentionally deceive others several times a day or in one out of every four conversations that lasts more than 10 minutes. Key Features: More than 360 authored by key figures in the field are organized A-to-Z in two volumes, which are available in both print and electronic formats. Entries are written in a clear and accessible style that invites readers to explore and reflect on the use of lying and self-deception. Each article concludes with cross references to related entries and further readings. This academic, multi-author reference work will serve as a general, non-technical resource for students and researchers within social and behavioral science programs who seek to better understand the historical role of lying and how it is employed in modern society.
Author: Jeremy Fantl
Publisher: Oxford University Press
ISBN: 0198807953
Category : Philosophy
Languages : en
Pages : 248
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Book Description
When should you engage with difficult arguments against your cherished controversial beliefs? The primary conclusion of this book is that your obligations to engage with counterarguments are more limited than is often thought. In some standard situations, you shouldn't engage with difficult counterarguments and, if you do, you shouldn't engage with them open-mindedly. This conclusion runs counter to aspects of the Millian political tradition and political liberalism, as well as what people working in informal logic tend to say about argumentation. Not all misleading arguments wear their flaws on their sleeve. Each step of a misleading argument might seem compelling and you might not be able to figure out what's wrong with it. Still, even if you can't figure out what's wrong with an argument, you can know that it's misleading. One way to know that an argument is misleading is, counterintuitively, to lack expertise in the methods and evidence-types employed by the argument. When you know that a counterargument is misleading, you shouldn't engage with it open-mindedly and sometimes shouldn't engage with it at all. You shouldn't engage open-mindedly because you shouldn't be willing to reduce your confidence in response to arguments you know are misleading. And you sometimes shouldn't engage closed-mindedly, because to do so can be manipulative or ineffective. In making this case, Jeremy Fantl discusses echo chambers and group polarization, the importance in academic writing of a sympathetic case for the opposition, the epistemology of disagreement, the account of open-mindedness, and invitations to problematic academic speakers.
Author: Duncan Maclaren Robertson
Publisher:
ISBN:
Category :
Languages : en
Pages : 428
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Book Description
