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Author: Jeremy Denk
Publisher: Picador
ISBN: 1761261886
Category : Biography & Autobiography
Languages : en
Pages : 383
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Book Description
A uniquely illuminating memoir of the making of a musician, in which renowned pianist Jeremy Denk explores what he learned from his teachers about classical music: its forms, its power, its meaning - and what it can teach us about ourselves. In this searching and funny memoir, based on his popular New Yorker article, renowned pianist Jeremy Denk traces an implausible journey. Life is difficult enough as a precocious, temperamental, and insufferable six-year-old piano prodigy in New Jersey. But then a family meltdown forces a move to New Mexico, far from classical music’s nerve centers, and he has to please a new taskmaster while navigating cacti, and the perils of junior high school. Escaping from New Mexico at last, he meets a bewildering cast of college music teachers, ranging from boring to profound, and experiences a series of humiliations and triumphs, to find his way as one of the world’s greatest living pianists, a MacArthur 'Genius,' and a frequent performer at Carnegie Hall. There are few writers working today who are willing to eloquently explore both the joys and miseries of artistic practice. Hours of daily repetition, mystifying early advice, pressure from parents and teachers who drove him on – an ongoing battle of talent against two enemies: boredom and insecurity. As we meet various teachers, with cruel and kind streaks, Denk composes a fraught love letter to the act of teaching. He brings you behind the scenes, to look at what motivates both student and teacher, locked in a complicated and psychologically perilous relationship. In Every Good Boy Does Fine, Denk explores how classical music is relevant to 'real life,' despite its distance in time. He dives into pieces and composers that have shaped him – Bach, Mozart, Schubert, and Brahms, among others – and gives unusual lessons on melody, harmony, and rhythm. Why and how do these fundamental elements have such a visceral effect on us? He tries to sum up many of the lessons he has received, to repay the debt of all his amazing teachers; to remind us that music is our creation, and that we need to keep asking questions about its purpose.
Author: Jeremy Denk
Publisher: Picador
ISBN: 1761261886
Category : Biography & Autobiography
Languages : en
Pages : 383
Get Book Here
Book Description
A uniquely illuminating memoir of the making of a musician, in which renowned pianist Jeremy Denk explores what he learned from his teachers about classical music: its forms, its power, its meaning - and what it can teach us about ourselves. In this searching and funny memoir, based on his popular New Yorker article, renowned pianist Jeremy Denk traces an implausible journey. Life is difficult enough as a precocious, temperamental, and insufferable six-year-old piano prodigy in New Jersey. But then a family meltdown forces a move to New Mexico, far from classical music’s nerve centers, and he has to please a new taskmaster while navigating cacti, and the perils of junior high school. Escaping from New Mexico at last, he meets a bewildering cast of college music teachers, ranging from boring to profound, and experiences a series of humiliations and triumphs, to find his way as one of the world’s greatest living pianists, a MacArthur 'Genius,' and a frequent performer at Carnegie Hall. There are few writers working today who are willing to eloquently explore both the joys and miseries of artistic practice. Hours of daily repetition, mystifying early advice, pressure from parents and teachers who drove him on – an ongoing battle of talent against two enemies: boredom and insecurity. As we meet various teachers, with cruel and kind streaks, Denk composes a fraught love letter to the act of teaching. He brings you behind the scenes, to look at what motivates both student and teacher, locked in a complicated and psychologically perilous relationship. In Every Good Boy Does Fine, Denk explores how classical music is relevant to 'real life,' despite its distance in time. He dives into pieces and composers that have shaped him – Bach, Mozart, Schubert, and Brahms, among others – and gives unusual lessons on melody, harmony, and rhythm. Why and how do these fundamental elements have such a visceral effect on us? He tries to sum up many of the lessons he has received, to repay the debt of all his amazing teachers; to remind us that music is our creation, and that we need to keep asking questions about its purpose.
Author: Jane Stafford
Publisher: Victoria University Press
ISBN: 9780864735225
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
This critical examination of Maoriland literature argues against the former glib dismissals of the period and focuses instead on the era’s importance in the birth of a distinct New Zealand style of writing. By connecting the literature and other cultural forms of Maoriland to the larger realms of empire and contemporary criticism, this study explores the roots of the country’s modern feminism, progressive social legislation, and bicultural relations.
Author: Ronald Reagan
Publisher: Simon and Schuster
ISBN: 0743271114
Category : Biography & Autobiography
Languages : en
Pages : 436
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Book Description
The most important speeches of America's "Great Communicator": Here, in his own words, is the record of Ronald Reagan's remarkable political career and historic eight-year presidency.
Author: Alexander Schmemann, protopriest
Publisher: Vladimir Djambov
ISBN:
Category : Religion
Languages : en
Pages : 959
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Book Description
“Wealth without work Pleasure without conscience Science without humanity Knowledge without character Politics without principle Commerce without morality Worship without sacrifice. https://vidjambov.blogspot.com/2023/01/book-inventory-vladimir-djambov-talmach.html
Author: Mary Kelly Black
Publisher: Xlibris Corporation
ISBN: 1462802001
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
These journal entries comprise two volumes of selections (Vol. I, 1973-1982, Vol. II, 1983-2003). Volume I includes an Introduction and some biographical memories. As Stephane Mallarme considered literature the antithesis of journalism, a journal is often the antithesis of a diary. It is of less interest to record moods and events, or barriers to self-realization, than to have ideas and insights about these. As a journal-keeper, I am generally disinterested in diurnal details, unless these form the compost of deeper exploration or revelation, seeking insight into my condition, not simply its description. A journal, therefore, is often more complex and difficult than a diary, far less personal in depictions of daily fortune, using everyday experiences as a stepstool (at the least) to peer beyond the walls of psychological enclosure. I did not choose the journal form to mask the personal, to belittle or avoid it, but to reflect my most intimate assessment of the personal as contributing to something greater: comprehension. It is not enough merely to record the frustrations, joys or barriers of living, without appraising these for what they represent and suggest, where we learn not merely reiterate. The ideal criteria of selection and discrimination apply not only to ones journal, but to life as well, adding a mythological drama and perspective that immersion alone does not permit. In some ways, journalizing is similar in impulse to the pastoral ethos or motif familiar in contemplative writing from Virgil to Thoreau: one withdraws from active society, toward natural or rural settings, in search of some form of respite, then returns to tell of their discoveries. Some critics have seen this as the organizing design of most North American fables--in fact, as the American mythology, seeking to heal the serious schism between our natural psyche and its more devastated environment; that is, a search for a middle ground (or via media) between the primitive and the technologically complex. This volume of journal selections resembles that motif, focusing on the withdrawal phase of a generally recuperative metaphysical cycle. Such solitude is intentional, a critical phase in the live/withdraw/live-again cycle of spiritual refreshment. A recuperative isolation can be experienced daily, if one is discriminating in how their time is spent, but is usually gained more intensely over long, purposefully reclusive periods. The motivations for my withdrawal were several, perhaps the strongest a propensity (as described of another Irish writer) for being nearly overcome by the variety of life. If not overcome, certainly fatigued by events in and of themselves. A reflective silence seemed essential to examine the roots of this propensity. An ideal of pure time, free of most distractions (human or otherwise), was also necessary for writing of the sort that interested me, the personally contemplative or mystical. Only through such reflection could I ever achieve a meaningful connection with the more active life that surrounded me. The predominant experience of solitude--especially in a society where the value of withdrawal is suspect or sporadic--is the figurative isolation one experiences throughout the entire cycle of withdrawal and re-emergence. It is generally difficult for lovers of action to comprehend this attraction to non-doing. One of the aims of solitude is to reunite philosophy and religion, or rather philosophy and awe, to not accept the social impoverishment of these universal needs for knowledge and worship. The asceticism of retreat was not solely the traditional and philosophical appeal of simplicity, but the freedom from income-producing and time-consuming work it permitted. For the solitary, however, an ideal of pure time must be united with an ideal of intimate association, if the mystical quest is to be emotionally as well a
Author: Daphne du Maurier
Publisher: Little, Brown
ISBN: 0316253634
Category : Biography & Autobiography
Languages : en
Pages : 121
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Book Description
Rebecca was one of Daphne du Maurier's greatest bestsellers. It has been read all around the world, and in many different languages. The book has been adapted for the theater, film, television, and even opera. Now Daphne du Maurier reveals how it came to be written: its origins, its development, and the directions its plot might have taken. The original outline of the novel is here, as well as the original Epilogue. Daphne du Maurier also reveals how she first came upon Manebilly, the secret house hidden away in Cornish woodland, that was to become the romantic setting of Rebecca: a house which stood derelict, and which she lovingly restored. "In her heartfelt memories...one hears the genuine, thoughtful voice of a woman whose works have been loved by millions."-New York Times
Author: Anne Cameron
Publisher: HARBOUR Publishing Company Limited
ISBN:
Category : Fiction
Languages : en
Pages : 212
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Book Description
Collected stories of the Nootka tribe of Vancouver Island which portray the traditional way of life as remembered by the women of the tribe.
Author: Atsushi Akera
Publisher: MIT Press
ISBN: 0262512033
Category : Computers
Languages : en
Pages : 441
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Book Description
How the complex interplay of academic, commercial, and military interests produced an intense period of scientific discovery and technological innovation in computing during the Cold War.
Author: Joop van Wijk-Voskuijl
Publisher: Simon and Schuster
ISBN: 1982198230
Category : History
Languages : en
Pages : 288
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Book Description
A “gripping” (Kati Marton, author of The Chancellor) historical investigation and family memoir that intertwines the iconic narrative of Anne Frank with the untold story of Bep Voskuijl, her protector and closest confidante in the Annex, bringing us closer to understanding one of the great secrets of World War II. Anne Frank’s life has been studied by many scholars, but the story of Bep Voskuijl has remained untold, until now. As the youngest of the five Dutch people who hid the Frank family, Bep was Anne’s closest confidante during the 761 excruciating days she spent hidden in the Secret Annex. Bep, who was just twenty-three when the Franks went into hiding, risking her life to protect them, plunging into Amsterdam’s black market to source food and medicine for people who officially didn’t exist under the noses of German soldiers and Dutch spies. In those cramped quarters, Bep and Anne’s friendship bloomed through deep conversations, shared meals, and a youthful understanding. Told by her own son, The Last Secrets of Anne Frank intertwines the story of Bep and her sister Nelly with Anne’s iconic narrative. Nelly’s name may have been scrubbed from Anne’s published diary, but Joop van Wijk-Voskuijl and Jeroen De Bruyn expose details about her collaboration with the Nazis, a deeply held family secret. After the war, Bep tried to bury her memories just as the Secret Annex was becoming world famous as a symbol of resistance to the Nazi horrors. She never got over losing Anne nor could Bep put to rest the horrifying suspicion that those in the Annex had been betrayed by her own flesh and blood. “Part biography, part whodunit” (The Wall Street Journal), this is a story about those caught in between the Jewish victims and Nazi persecutors, and the moral ambiguities and hard choices faced by ordinary families like the Voskuijls, in which collaborators and resistors often lived under the same roof. Beautifully written and unsettlingly suspenseful, The Last Secrets of Anne Frank will show the Secret Annex as we’ve never seen it before. And it provides a powerful understanding of how historical trauma is inherited from one generation to the next and how sometimes keeping a secret hurts far more than revealing a shameful truth.
Author:
Publisher:
ISBN:
Category : Consumer protection
Languages : en
Pages : 406
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Book Description
