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Author: Bernard Shaw
Publisher: University of Toronto Press
ISBN: 9780802030023
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
This volume of The Selected Correspondence of Bernard Shaw focuses on film: a behind-the-scenes view of the film industry's day-to-day workings from the unique perspectives of Shaw and his favourite director, Gabriel Pascal.
Author: Bernard Shaw
Publisher: University of Toronto Press
ISBN: 9780802030023
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
This volume of The Selected Correspondence of Bernard Shaw focuses on film: a behind-the-scenes view of the film industry's day-to-day workings from the unique perspectives of Shaw and his favourite director, Gabriel Pascal.
Author: Valerie Pascal
Publisher: New York : McGraw-Hill
ISBN:
Category : Motion picture producers and directors
Languages : en
Pages : 408
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Book Description
Biography of George Bernard Shaw and filmmaker Gabriel Pascal and their work together.
Author: Bernard Shaw
Publisher:
ISBN:
Category : Dramatists, Irish
Languages : en
Pages : 285
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
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Book Description
Author: Marjorie Deans
Publisher: London : Macdonald
ISBN:
Category : Caesar and Cleopatra (Motion picture)
Languages : en
Pages : 154
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Book Description
Author: Marjorie Deans
Publisher: Hassell Street Press
ISBN: 9781013543784
Category :
Languages : en
Pages : 154
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Marjorie Deans
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
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Book Description
Author: Francois Rabelais
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Bernard Shaw
Publisher: University of Toronto Press
ISBN: 0802089615
Category : Biography & Autobiography
Languages : en
Pages : 297
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Book Description
This rich selection of Shaw's correspondence with his US and UK publishers proves how much the dramatist lived up to his own words by providing the details of his steady involvement in the publication of his works.
Author: Bernard Shaw
Publisher: SIU Press
ISBN: 9780809321551
Category : Literary Collections
Languages : en
Pages : 228
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Book Description
When an interviewer asked Bernard Shaw whether, "speaking personally", he would prefer to see the English and Americans "become drama and variety fans as of old, rather than movie fans", Shaw replied, "Speaking personally, I should prefer to see them become Shaw fans". With his customary wit and quite often with remarkable prescience, Shaw began a dialogue on cinema that ran almost from the infancy of the industry in 1908 until his death in 1950. Bernard F. Dukore presents the first collection of Bernard Shaw's writings and oral statements about cinema. Of the more than one hundred comments Dukore has selected, fifty-nine -- more than half -- are new to today's readers. Twelve are previously unpublished, one is published in full for the first time, and forty-six appear in a collected edition of Shaw's writings for the first time since their publication in newspapers and magazines. Very early in the life of cinema, Shaw perceived that as an invention, movies would be more momentous than the printing press because they appealed to the illiterate as well as the literate, to the manual laborer at the end of an exhausting day as well as to the person with more leisure. He predicted that cinema would form people's minds and shape their conduct. He recognized that cinema's "colossal proportions make mediocrity compulsory" by leveling art and life down to the blandest morality and to the lowest common denominator of potential audiences throughout the world. By 1908, Shaw was familiar with experiments synchronizing movies and sound. When talkies arrived, he discerned that they would precipitate major changes in acting, writing, and economics. He also saw how they would affect live theatre:"The theatre may survive as a place where people are taught to act", he said in 1930, "but apart from that there will be nothing but 'talkies' soon". At that time, few people in the theatrical profession were making such prophecies, at least not in public.
