Berber Tattooing in Morocco's Middle Atlas PDF Download
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Author: Felix Leu
Publisher:
ISBN: 9780955110955
Category : Berbers
Languages : en
Pages : 0
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Book Description
Author: Felix Leu
Publisher:
ISBN: 9780955110955
Category : Berbers
Languages : en
Pages : 0
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Book Description
Author: Mohammed Jiari
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 52
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Book Description
Amazigh (Berber) women tattooed their faces, feet, arms, and other body parts for beauty, health, and protection. However, as Morocco's cultural dynamics and traditions change with time, globalization, and the influence of Islam in society, the ancient tradition is quickly disappearing.The Most Creative New berber designs from North Africa with Berber Tattooing book.In this book: - A Short Introduction To Berber culture - Tattoo symbol and meanings - Tiny tattoos book- Berber tattoos
Author: Your Idlisen
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
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Book Description
Berber Tattoos, A Fading Tradition? Historically, the tattooing aided nomadic Amazigh tribes in distinguishing members of different groups. Symbols within the tattoos served as a unifying force, deeply rooted in each group's history and purpose. Beyond beautification, tattoos told the stories of tribes, tied women to their land, and conveyed familial ties. - A Short Introduction To Berber culture - More than 140 Berber Symbols 74 ymbols and Meanings 66 Creative Symbols
Author: Cynthia Becker
Publisher: University of Texas Press
ISBN: 0292712952
Category : History
Languages : en
Pages : 241
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Book Description
In southeastern Morocco, around the oasis of Tafilalet, the Ait Khabbash people weave brightly colored carpets, embroider indigo head coverings, paint their faces with saffron, and wear ornate jewelry. Their extraordinarily detailed arts are rich in cultural symbolism; they are always breathtakingly beautiful—and they are typically made by women. Like other Amazigh (Berber) groups (but in contrast to the Arab societies of North Africa), the Ait Khabbash have entrusted their artistic responsibilities to women. Cynthia Becker spent years in Morocco living among these women and, through family connections and female fellowship, achieved unprecedented access to the artistic rituals of the Ait Khabbash. The result is more than a stunning examination of the arts themselves, it is also an illumination of women's roles in Islamic North Africa and the many ways in which women negotiate complex social and religious issues. One of the reasons Amazigh women are artists is that the arts are expressions of ethnic identity, and it follows that the guardians of Amazigh identity ought to be those who literally ensure its continuation from generation to generation, the Amazigh women. Not surprisingly, the arts are visual expressions of womanhood, and fertility symbols are prevalent. Controlling the visual symbols of Amazigh identity has given these women power and prestige. Their clothing, tattoos, and jewelry are public identity statements; such public artistic expressions contrast with the stereotype that women in the Islamic world are secluded and veiled. But their role as public identity symbols can also be restrictive, and history (French colonialism, the subsequent rise of an Arab-dominated government in Morocco, and the recent emergence of a transnational Berber movement) has forced Ait Khabbash women to adapt their arts as their people adapt to the contemporary world. By framing Amazigh arts with historical and cultural context, Cynthia Becker allows the reader to see the full measure of these fascinating artworks.
Author: Lars F. Krutak
Publisher: Bennett & Bloom
ISBN:
Category : Art
Languages : en
Pages : 296
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Book Description
This account of the vanishing art of wmen's tribal tattooing is the record of anthropologist Lars Krutak's ten year research with indigenous peoples around the globe.
Author: Rebecca Vincent
Publisher: HarperCollins
ISBN: 0062985345
Category : Art
Languages : en
Pages : 449
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Book Description
A unique sourcebook of 1,000 mini works of art, ranging in myriad styles and subjects, curated by acclaimed tattoo artist Rebecca Vincent, complete with black-and-white illustrations and 50 color photographs throughout. Tiny tattoos are perennial favorites with both ink enthusiasts and the curious interested in getting their first piece of body art. Going back to the minimal style of the very first tattoos known to humanity—dotted patterns and lines found on mummies—celebrated English tattoo artist Rebecca Vincent brings together 1,000 small yet striking tattoos in this one-of-a-kind guide. Tiny Tattoos is the only contemporary source of inspiration for tattoo artists and fans interested in minimal ink designs. It offers advice drawn from Rebecca’s own experience; interviews with artists who specialize in smaller tattoos; a placement guide to show the parts of the body that heal fastest; information on the symbology behind select tattoos, including what they represent within the tattoo world and in other cultures; and pairing guides to show which tiny tattoos look good together. Whether you prefer classic or trendy, animals or symbols, thought-provoking words and quotes or food, this impressive work has the perfect image to help you express your personal creativity and personal style.
Author: Lars Krutak
Publisher: University of Washington Press
ISBN: 0295742844
Category : Art
Languages : en
Pages : 391
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Book Description
The human desire to adorn the body is universal and timeless. While specific forms of body decoration and the motivations for them vary by region, culture, and era, all human societies have engaged in practices designed to augment and enhance people’s natural appearance. Tattooing, the process of inserting pigment into the skin to create permanent designs and patterns, is one of the most widespread forms of body art and was practiced by ancient cultures throughout the world, with tattoos appearing on human mummies by 3200 BCE. Ancient Ink, the first book dedicated to the archaeological study of tattooing, presents new, globe-spanning research examining tattooed human remains, tattoo tools, and ancient art. Connecting ancient body art traditions to modern culture through Indigenous communities and the work of contemporary tattoo artists, the volume’s contributors reveal the antiquity, durability, and significance of body decoration, illuminating how different societies have used their skin to construct their identities.
Author: Bruno Barbatti
Publisher: www.acr-edition.com
ISBN: 2867701848
Category : Arts, Berber
Languages : en
Pages : 345
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Book Description
A new slant on Berber carpets, their meanings and motifs.
Author: Steve Allin
Publisher: SeedPress
ISBN: 0955110904
Category : Building materials
Languages : en
Pages : 5
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Book Description
Building with Hemp has been an inspiration for architects, builders, community activists, students and teachers around the world and as this construction system is gaining in popularity this edition will be even more important in assisting the uptake of this technology internationally.
Author: Helene E. Hagan
Publisher: Xlibris Corporation
ISBN: 1477165606
Category : Art
Languages : en
Pages : 139
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Book Description
For you, it may look like a small unimportant detail, like your thumbnail. But for me, it is the whole vast world. Look at this jewel... here is the ant, here is the hyena, the jackal, the hoof of a horse, that of a gazelle, the sun, the moon, the stars, the good eye... this triangle, this is woman, and here are the eyebrows of the Malignant One, there, laughter... it is all of our lives in one piece of silver. (Translated from the French by Helene E. Hagan, from original Tuareg words of an artisan cited by J. Gabus, 1971) An extensive study of the symbolism of Tuareg jewelry has not yet been undertaken to date. It is this simple realization that brought the authors together in a decision to collect information on the topic, from past scholarly journals and books, contemporary articles and web sites, but also from Tuareg informants whose expert knowledge was sought. Though this book is small and does not aspire to be all encompassing, it is the first work totally dedicated to the presentation of the elaborate silver jewelry of Tuareg men and women of Northern Niger in the English language, and the only one we know that is solely dedicated to providing information concerning the function, meanings, and symbols of that jewelry. The book introduces the reader to the culture of the Tuaregs, a remarkable group of African nomads of the Sahara Desert, which has fascinated the Europeans who came into contact with them in the nineteenth and twentieth centuries. In the last decade or so, as the Tuareg societies of Niger and Mali underwent major change, a number of American researchers began to document some of their ways. Research and publications in the English language are, however, lagging far behind those in the French language. Fortunately, the primary author of this book, Helene Hagan, was originally educated in the French language, and as an Amazigh (Berber) herself, is very familiar with North African scholarship in the Amazigh culture. Thus, as a bilingual anthropologist of Berber ancestry, born and raised in Morocco, and an activist for Amazigh cultural, linguistic and human rights, she benefits from a fourfold source of valuable information: French scholarship, American contemporary accounts, the latest Amazigh research emanating out of North Africa, and Northern Niger Tuareg informants she knows. This unique set of circumstances gives the book an extra dimension of depth and insight. The book recounts the myth of origin of the Kel Tamasheq of Niger, and looks at the continuity and development of symbols from archaic inscriptions and rock art of the Sahara to present-day engravings on silver jewelry and the Tifinagh alphabet. The second chapter is entirely devoted to retracing this development and showing the correspondence between Tifinagh characters of the Amazigh alphabet and the elegant, clear lines of geometric designs, which characterize the silver jewelry of the Tuareg people. The two are deeply connected. Modern Tifinagh Calligraphic Art is also featured in this chapter. The next chapter delves into the mystery of the famous Cross of Agadez and the various hypotheses that have been offered as to its meaning. It depicts the artisanal mode of production, and the functions the crosses hold for Tuareg people themselves. Nowadays, the production of crosses for the western world diminishes the role this cross, Tenghelet tan Agadez, had as a clan identifier. It has become, like other less well known pieces of Tuareg jewelry, a simple ornament or necklace devoid of any particular significance, and the markings on those crosses are losing some of their intentions of yore. The book reviews specific masculine jewelry and feminine adornment in the next two chapters, and looks at the role various pieces of silver jewelry play in the relations
