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Author: Caroline Campbell
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 158
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Book Description
An investigation into the overlapping cultures of East and West in Renaissance Venice through the work of the supremely talented Bellini family
Author: Caroline Campbell
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 158
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Book Description
An investigation into the overlapping cultures of East and West in Renaissance Venice through the work of the supremely talented Bellini family
Author: Elizabeth Rodini
Publisher: Bloomsbury Publishing
ISBN: 1838604812
Category : Art
Languages : en
Pages : 233
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Book Description
The first book-length study on Bellini's famous portrait of Sultan Mehmed II, tracing it's history from the Ottoman Empire to the present day.
Author: Institut du Monde Arabe (Paris)
Publisher: Yale University Press
ISBN: 0300124309
Category : History
Languages : en
Pages : 388
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Book Description
From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828–1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.
Author: David Alan Brown
Publisher: Yale University Press
ISBN: 9780300116779
Category : Art
Languages : en
Pages : 364
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Book Description
Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.
Author: Boston, Mass. Isabella Stewart Gardner Museum
Publisher: Yale University Press
ISBN: 9780300063417
Category : Art
Languages : en
Pages : 170
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Book Description
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
Author: Andrea Bayer
Publisher: Metropolitan Museum of Art
ISBN: 1588394530
Category : Art
Languages : en
Pages : 82
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Book Description
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, May 15-Sept. 3, 2012.
Author: Jason Goodwin
Publisher: Faber & Faber
ISBN: 0571267521
Category : Fiction
Languages : en
Pages : 322
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Book Description
Charged by the Sultan to find a stolen painting by Bellini, Yashim the detective enlists the help of his friend Palewski, the Polish Ambassador, and goes undercover. Venice in 1840 is a city of empty palazzos and silent canals, and Palewski starts to mingle with Venetian dealers - but when two bodies turn up in the canal, he realises that art in Venice is a deadly business, and it is up to Yashim to attempt to rescue his intrepid friend from forces bigger than they had ever imagined . . .
Author: Patricia Lee Rubin
Publisher: Metropolitan Museum of Art
ISBN: 1588394255
Category : Art, Italian
Languages : en
Pages : 434
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Book Description
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
Author: Elizabeth Rodini
Publisher: Bloomsbury Publishing
ISBN: 1838604847
Category : Art
Languages : en
Pages : 233
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Book Description
In 1479, the Venetian painter Gentile Bellini arrived at the Ottoman court in Istanbul, where he produced his celebrated portrait of Sultan Mehmed II. An important moment of cultural diplomacy, this was the first of many intriguing episodes in the picture's history. Elizabeth Rodini traces Gentile's portrait from Mehmed's court to the Venetian lagoon, from the railway stations of war-torn Europe to the walls of London's National Gallery, exploring its life as a painting and its afterlife as a famous, often puzzling image. Rediscovered by the archaeologist Austen Henry Layard at the height of Orientalist outlooks in Britain, the picture was also the subject of a lawsuit over what defines a “portrait”; it was claimed by Italians seeking to hold onto national patrimony around 1900; and it starred in a solo exhibition in Istanbul in 1999. Rodini's focused inquiry also ranges broadly, considering the nature of historical evidence, the shifting status of authenticity and verisimilitude, and the contemporary political resonance of Old Master paintings. Told as an object biography and imagined as an exploration of art historical methodologies, this book situates Gentile's portrait in evolving dialogues between East and West, uncovering the many and varied ways that objects construct meaning.
Author: JamesG. Harper
Publisher: Routledge
ISBN: 1351539868
Category : Art
Languages : en
Pages : 342
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Book Description
Unprecedented in its range - extending from Venice to the New World and from the Holy Roman Empire to the Ottoman Empire - this collection probes the place that the Ottoman Turks occupied in the Western imaginaire, and the ways in which this occupation expressed itself in the visual arts. Individual essays in this volume examine specific images or groups of images, problematizing the 'truths' they present and analyzing the contexts that shape the presentation of Ottoman or Islamic subject matter in European art. The contributors trace the transmission of early modern images and representations across national boundaries and across centuries to show how, through processes of translation that often involved multiple stages, the figure of the Turk (and by extension that of the Muslim) underwent a multiplicity of interpretations that reflect and reveal Western needs, anxieties and agendas. The essays reveal how anachronisms and inaccuracies mingled with careful detail to produce a "Turk," a figure which became a presence to reckon with in painting, sculpture, tapestry and printmaking.
