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Author: Rebecca Anne Barr
Publisher: Manchester University Press
ISBN: 1526127075
Category : History
Languages : en
Pages : 446
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Book Description
This collection of essays seeks to challenge the notion of the supremacy of the brain as the key organ of the Enlightenment, by focusing on the workings of the bowels and viscera that so obsessed writers and thinkers during the long eighteenth-century. These inner organs and the digestive process acted as counterpoints to politeness and other modes of refined sociability, drawing attention to the deeper workings of the self. Moving beyond recent studies of luxury and conspicuous consumption, where dysfunctional bowels have been represented as a symptom of excess, this book seeks to explore other manifestations of the visceral and to explain how the bowels played a crucial part in eighteenth-century emotions and perceptions of the self. The collection offers an interdisciplinary and cross-cultural perspective on entrails and digestion by addressing urban history, visual studies, literature, medical history, religious history, and material culture in England, France, and Germany.
Author: Rebecca Anne Barr
Publisher: Manchester University Press
ISBN: 1526127075
Category : History
Languages : en
Pages : 446
Get Book Here
Book Description
This collection of essays seeks to challenge the notion of the supremacy of the brain as the key organ of the Enlightenment, by focusing on the workings of the bowels and viscera that so obsessed writers and thinkers during the long eighteenth-century. These inner organs and the digestive process acted as counterpoints to politeness and other modes of refined sociability, drawing attention to the deeper workings of the self. Moving beyond recent studies of luxury and conspicuous consumption, where dysfunctional bowels have been represented as a symptom of excess, this book seeks to explore other manifestations of the visceral and to explain how the bowels played a crucial part in eighteenth-century emotions and perceptions of the self. The collection offers an interdisciplinary and cross-cultural perspective on entrails and digestion by addressing urban history, visual studies, literature, medical history, religious history, and material culture in England, France, and Germany.
Author: Sarah Cohen
Publisher: Bloomsbury Publishing
ISBN: 1350203602
Category : Art
Languages : en
Pages : 273
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Book Description
How do our senses help us to understand the world? This question, which preoccupied Enlightenment thinkers, also emerged as a key theme in depictions of animals in eighteenth-century art. This book examines the ways in which painters such as Chardin, as well as sculptors, porcelain modelers, and other decorative designers portrayed animals as sensing subjects who physically confirmed the value of material experience. The sensual style known today as the Rococo encouraged the proliferation of animals as exemplars of empirical inquiry, ranging from the popular subject of the monkey artist to the alchemical wonders of the life-sized porcelain animals created for the Saxon court. Examining writings on sensory knowledge by La Mettrie, Condillac, Diderot and other philosophers side by side with depictions of the animal in art, Cohen argues that artists promoted the animal as a sensory subject while also validating the material basis of their own professional practice.
Author: Simon Dickie
Publisher: University of Chicago Press
ISBN: 0226146189
Category : History
Languages : en
Pages : 382
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Book Description
A rollicking review of popular culture in 18th century Britain this text turns away from sentimental and polite literature to focus instead on the jestbooks, farces, comic periodicals variety shows and minor comic novels that portray a society in which no subject was taboo and political correctness unimagined.
Author: Christina Lupton
Publisher: JHU Press
ISBN: 1421425777
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
How did eighteenth-century readers find and make time to read? Books have always posed a problem of time for readers. Becoming widely available in the eighteenth century—when working hours increased and lighter and quicker forms of reading (newspapers, magazines, broadsheets) surged in popularity—the material form of the codex book invited readers to situate themselves creatively in time. Drawing on letters, diaries, reading logs, and a range of eighteenth- and early nineteenth-century novels, Christina Lupton’s Reading and the Making of Time in the Eighteenth Century concretely describes how book-readers of the past carved up, expanded, and anticipated time. Placing canonical works by Elizabeth Inchbald, Henry Fielding, Amelia Opie, and Samuel Richardson alongside those of lesser-known authors and readers, Lupton approaches books as objects that are good at attracting particular forms of attention and paths of return. In contrast to the digital interfaces of our own moment and the ephemeral newspapers and pamphlets read in the 1700s, books are rarely seen as shaping or keeping modern time. However, as Lupton demonstrates, books are often put down and picked up, they are leafed through as well as read sequentially, and they are handed on as objects designed to bridge temporal distances. In showing how discourse itself engages with these material practices, Lupton argues that reading is something to be studied textually as well as historically. Applying modern theorists such as Niklas Luhmann, Bruno Latour, and Bernard Stiegler, Lupton offers a rare phenomenological approach to the study of a concrete historical field. This compelling book stands out for the combination of archival research, smart theoretical inquiry, and autobiographical reflection it brings into play.
Author: Clare Taylor
Publisher: Routledge
ISBN: 1351021761
Category : Art
Languages : en
Pages : 234
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Book Description
Wallpaper’s spread across trades, class and gender is charted in this first full-length study of the material’s use in Britain during the long eighteenth century. It examines the types of wallpaper that were designed and produced and the interior spaces it occupied, from the country house to the homes of prosperous townsfolk and gentry, showing that wallpaper was hung by Earls and merchants as well as by aristocratic women. Drawing on a wide range of little known examples of interior schemes and surviving wallpapers, together with unpublished evidence from archives including letters and bills, it charts wallpaper’s evolution across the century from cheap textile imitation to innovative new decorative material. Wallpaper’s growth is considered not in terms of chronology, but rather alongside the categories used by eighteenth-century tradesmen and consumers, from plains to flocks, from China papers to papier mâché and from stucco papers to materials for creating print rooms. It ends by assessing the ways in which eighteenth-century wallpaper was used to create historicist interiors in the twentieth century. Including a wide range of illustrations, many in colour, the book will be of interest to historians of material culture and design, scholars of art and architectural history as well as practicing designers and those interested in the historic interior.
Author:
Publisher: BRILL
ISBN: 9004277196
Category : History
Languages : en
Pages : 922
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Book Description
News Networks in Early Modern Europe attempts to redraw the history of European news communication in the 16th and 17th centuries. News is defined partly by movement and circulation, yet histories of news have been written overwhelmingly within national contexts. This volume of essays explores the notion that early modern European news, in all its manifestations – manuscript, print, and oral – is fundamentally transnational. These 37 essays investigate the language, infrastructure, and circulation of news across Europe. They range from the 15th to the 18th centuries, and from the Ottoman Empire to the Americas, focussing on the mechanisms of transmission, the organisation of networks, the spread of forms and modes of news communication, and the effects of their translation into new locales and languages.
Author: John Cleland
Publisher: Library of Alexandria
ISBN: 1465532900
Category : Fiction
Languages : en
Pages : 273
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Book Description
So delicate is the pleasure, so superior to defending is the dignity of confessing one's follies, that the wonder is to see so few capable of it. Yet, what does such a confession cost, but the sacrifice of a paltry, miserable, false self-love, which is for ever misleading and betraying us? And of all its illusions there is not perhaps a more dangerous or a more silly one, than that which hinders us from discerning that there is scarce a less merit in acknowledging candidly one's faults, than in not having been guilty of them. For my own part, I speak experimentally. I never felt so pleasing, so sensible a consolation for the misfortune of having been a coxcomb, and an eminent one, too, as this proof of the sincerity of my conversion, in the courage of coming to a fair and open confession of the follies I drove into, in the course of that character. And though nothing is truer than that the desire of pleasing the ladies first engaged me to take it up, and seek with uncommon pain to shine in it, it is but justice to subjoin that, if I owed to that amiable and unaccountable sex my having been a coxcomb, I owe to a select one of it, too, the being one no longer. But let the following history of my errors and return to reason, which I now go into without further preamble, substitute facts to reflections. These ever follow with a better grace than they lead. My father and mother died long before I knew all that I lost, in losing them. I was their only child, and under that title heir to two of the best estates in two of our richest counties in England, besides a sum that did not want many thousand pounds of making what is called, in the language of Change-Alley, a plumb: and which was secured to me much more effectually, as it happened, than a good education. For to say that I had not a bad one was barely all that I dare venture, and keep any measures with truth. Being left as I was, under" the care and tuition of an old, rich aunt, who was a widow, and past the possibility of having any children herself; her declared and real intention to leave me all her fortune, which was very considerable, though most certainly I could not want it, engaged my guardians to acquiesce in my education being trusted without the least interposition or control, on their part, to her management and direction. There was the less reason, 3 too, for this choice, for that a woman who had from her infancy constantly lived, in the country, and of course had been but little acquainted with the world, could not be the fittest person in it, to superintend the bringing up of a young gentleman of my pretensions to make a figure in it, both from my birth and my fortune. But such is the power of interest. My aunt insisted, and the expectation of that distant, superfluous addition to my fortune formed in the eyes of my guardians a sufficient excuse for giving way to my aunt's fondness.
Author: Rebecca Anne Barr
Publisher: Springer
ISBN: 3030026388
Category : History
Languages : en
Pages : 320
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Book Description
This edited collection presents a selection of essays on the history of Irish masculinities. Beginning with representations of masculinity in eighteenth-century drama, economics, and satire, and concluding with work on the politics of masculinity post Good-Friday Agreement in Northern Ireland, the collection advances the importance of masculinities in our understanding of Irish history and historiography. Using a variety of approaches, including literary and legal theory as well as cultural, political and local histories, this collection illuminates the differing forms, roles, and representations of Irish masculinities. Themes include the politicisation of Irishmen in both the Republic of Ireland and in Northern Ireland; muscular manliness in the Irish Diaspora; Orangewomen and political agency; the disruptive possibility of the rural bachelor; and aspirational constructions of boyhood. Several essays explore how masculinity is constructed and performed by women, thus emphasizing the necessity of differentiating masculinity from maleness. These essays demonstrate the value of gender and masculinities for historical research and the transformative potential of these concepts in how we envision Ireland’s past, present, and future.
Author: Joseph R. Geraci
Publisher: National Aquarium in Baltimore
ISBN: 0977460908
Category : Marine mammals
Languages : en
Pages : 386
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Book Description
Comprehensive manual for understanding and carrying out marine mammal rescue activities for stranded seals, manatees, dolphins, whales, or sea otters.
Author: Laurent Curelly
Publisher: Seventeenth and Eighteenth Cen
ISBN: 9781526134325
Category : History
Languages : en
Pages : 288
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Book Description
This edited collection addresses the issue of radicalism by focusing on the media that contributed to its diffusion in the early modern era, using innovative interdisciplinary research that draws on a wide range of primary material.
