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Author: Francesc Torres
Publisher:
ISBN:
Category : Social Science
Languages : es
Pages : 142
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Book Description
Torres videotaped in the abandoned village of Belchite in northeastern Spain, which was virtually destroyed in 1937 in a major battle of the Spanish Civil War. The artist also videotaped in New York's South Bronx, an urban battlefield scarred by peacetime destruction, which has become increasingly dead and abandoned with intermittent outbursts of violence. The installation consists of an environment of highly stylized ruins depicting both sites and including tenement buildings, a bombed-out church, a basketball court, and the shell of an automobile. Torres has also produced a self-contained, single-channel videotape on this subject. The theoretical premise for Belchite/South Bronx is that the difference between war and peace exists only on statistical and rhetorical levels.
Author: Francesc Torres
Publisher:
ISBN:
Category : Social Science
Languages : es
Pages : 142
Get Book Here
Book Description
Torres videotaped in the abandoned village of Belchite in northeastern Spain, which was virtually destroyed in 1937 in a major battle of the Spanish Civil War. The artist also videotaped in New York's South Bronx, an urban battlefield scarred by peacetime destruction, which has become increasingly dead and abandoned with intermittent outbursts of violence. The installation consists of an environment of highly stylized ruins depicting both sites and including tenement buildings, a bombed-out church, a basketball court, and the shell of an automobile. Torres has also produced a self-contained, single-channel videotape on this subject. The theoretical premise for Belchite/South Bronx is that the difference between war and peace exists only on statistical and rhetorical levels.
Author: Peter L'Official
Publisher: Harvard University Press
ISBN: 0674238079
Category : Social Science
Languages : en
Pages : 321
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Book Description
A cultural history of the South Bronx that reaches beyond familiar narratives of urban ruin and renaissance, beyond the “inner city” symbol, to reveal the place and people obscured by its myths. For decades, the South Bronx was America’s “inner city.” Synonymous with civic neglect, crime, and metropolitan decay, the Bronx became the preeminent symbol used to proclaim the failings of urban places and the communities of color who lived in them. Images of its ruins—none more infamous than the one broadcast live during the 1977 World Series: a building burning near Yankee Stadium—proclaimed the failures of urbanism. Yet this same South Bronx produced hip hop, arguably the most powerful artistic and cultural innovation of the past fifty years. Two narratives—urban crisis and cultural renaissance—have dominated understandings of the Bronx and other urban environments. Today, as gentrification transforms American cities economically and demographically, the twin narratives structure our thinking about urban life. A Bronx native, Peter L’Official draws on literature and the visual arts to recapture the history, people, and place beyond its myths and legends. Both fact and symbol, the Bronx was not a decades-long funeral pyre, nor was hip hop its lone cultural contribution. L’Official juxtaposes the artist Gordon Matta-Clark’s carvings of abandoned buildings with the city’s trompe l’oeil decals program; examines the centrality of the Bronx’s infamous Charlotte Street to two Hollywood films; offers original readings of novels by Don DeLillo and Tom Wolfe; and charts the emergence of a “global Bronx” as graffiti was brought into galleries and exhibited internationally, promoting a symbolic Bronx abroad. Urban Legends presents a new cultural history of what it meant to live, work, and create in the Bronx.
Author: Thomas McEvilley
Publisher: Skyhorse Publishing Inc.
ISBN: 9781581150230
Category : Art
Languages : en
Pages : 466
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Book Description
Framed in a lucid discussion of the intellectual issues surrounding the postmodern movement, the essays in this book re-examine the course of twentieth-century art through the work of twenty-five major sculptors. McEvilley masterfully traces the evolution of modern sculpture from the readymades of Marcel Duchamp to the anti-painting statements of the 1960s to the spiritualism and conceptualism of the 1980s and 1990s. This is a groundbreaking work in the field of art criticism and a fundamental text for anyone interested in the history of current art and culture. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Author: Nicholas Mirzoeff
Publisher: Duke University Press
ISBN: 0822349183
Category : Art
Languages : en
Pages : 416
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Book Description
Develops a comparative de-colonial framework for visual culture studies.
Author: Anna Maria Guasch
Publisher: Edicions Universitat Barcelona
ISBN: 8491683402
Category : Art
Languages : en
Pages : 204
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Book Description
When we talk about the geographical, ecological, ethnographic, historical, documentary, and cosmopolitan “turns” in relation to the work of practitioners of contempory art, what exactly do we mean? Are we talking about a “reading strategy”? About an interpretive model, as would be derived from the linguistic turn of the 1970s, or rather about a stratigraphic structure that could be read across multiple cultural practices? Do we wish to read one system by means of another system, in a way that one nurtures the other so that it can open us up to other forms of being? Or is it rather about a generative movement in which a new horizon emerges in the process, leaving behind the practice that was its point of departure? The recurrence of “turn” in place of “style”, “-ism”, or “tendency” would ultimately respond to a clear urgency of the contemporary global world: a movement characterised by aesthetic pluralism, by the simultaneousness of various modi operandi, and by a great multiplicity of languages that constantly change their state while having many features in common. And “turn” would also allow within the space of the contemporary — of here and now —, a great diversity of stories from all around the world that should be confronted simultaneously in an intellectual outlook that is continuous and disjunctive, essential to understanding the present as a whole.
Author: Chris Ryan
Publisher: Routledge
ISBN: 1136427058
Category : Business & Economics
Languages : en
Pages : 318
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Book Description
Through a series of case studies that involve past conflict in China, the United States, The South Pacific and Europe, the nature of battlefield sites as tourist locations are explored. As places of past conflict and individual acts of heroism, these sites are places of story telling. How are these stories told? And for what purposes are the stories told? The acts and modes of interpretation are many, ranging from a discourse conducted through silences to the more complex nuanced story telling told through re-enactments of past battles. The book also asks where is the battle-field? - as case studies relate to conflicts that ranged over several hundreds of miles, to, on the other hand, acts of local civil disturbance that subsequently achieved mythic values in a history of national identity. The book is divided into 'acts', these being 'Acts of Resource Management', 'Acts of Silence', 'Acts of Discovery and Rediscovery', 'Acts of Imagination' and 'Acts of Remembrance' and embrace examples as diverse as an re-enactment of past battles on a New Zealand rural town cricket pitch to the towering strength of the aircraft carrier USS Yorktown, and from the Straits of Taiwan to the centre of Canada.
Author: Colleen P. Culleton
Publisher: Routledge
ISBN: 1317104587
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
Bringing together works by Salvador Espriu, Juan Goytisolo, Mercè Rodoreda, Esther Tusquets, and Juan Marsa that portray memory as a disorienting narrative enterprise, Colleen Culleton argues that the source of this disorientation is the material reality of life in Barcelona in the immediate post-Civil War years. Barcelona was the object of harsh persecution in the first years of the Franco regime that included the erasure of marks of Catalan identity and cultural history from the urban landscape and made Barcelona a moving target for memory. The literature and film she examines show characters struggling to produce narratives of the remembered past that immediately conflict with the dominant version of Spain's historical narrative formulated to legitimize the Civil War. Culleton suggests the trope of the laberinto, used as an image or device in all five of the works she considers and translated into English as both maze and labyrinth, opens up a space that enables readers to take vulnerability to outside interference into account as an inseparable part of remembrance. While the narratives all have maze-like qualities involving a high level of reader participation and choice, the exigencies of the labyrinth with its unicursal demands for patience, perseverance, and faith always prevail. Thus do the Francoist narrative and social structure in the end resurface and reassert themselves over the narrating character's perspective.
Author: John Alan Farmer
Publisher: Bronx Museum of Arts
ISBN:
Category : Art, American
Languages : en
Pages : 120
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Book Description
Author: Francesc Torres
Publisher: Arizona Board of Regents
ISBN:
Category : Art
Languages : en
Pages : 128
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Book Description
Author: Johannes H. Birringer
Publisher:
ISBN: 9780801858512
Category : Art
Languages : en
Pages : 426
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Book Description
The author discusses the performance aspects of such political events as the breaching of the Berlin wall and the destruction of Sarajevo, and examines the use of video and agitprop performance in political activity, including protests by the gay activist group ACT UP and the disquieting performances of the former pornography actress and sex worker Annie Sprinkle. Birringer ends with a discussion of the continuing incursions of business into digital media, including the "imperialism of technological enhancements" as experienced in the culture of constant "upgrades" and the omnipresence of Bill Gates.
