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Author: Belarus Free Theatre
Publisher: Bloomsbury Publishing
ISBN: 1783196246
Category : Drama
Languages : en
Pages : 303
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Book Description
The International Contest of Contemporary Drama (ICCD ) was set up by Belarus Free Theatre to encourage new writing and topromote Belarusian cultural identity on an international stage with the participation of artists around Europe. Belarusian playwrights, banned within their own country but recognised for their workoutside, have the opportunity to show their work in Belarus. It also includes the work of foreign playwrights in an international cultural context, and in which Belarus would have its place for the first time. The ICCD has produced playwrights such as Anna Yablonskaya, Aleksey Shcherbak, and Pavel Pryazhko – whose plays have been produced at the Royal Court Theatre – and brothers Mikhail and Vyatcheslav Durnenekov who have written for the Royal ShakespeareCompany. The contest, one of the top three of its kind in central Europe, has enjoyed success since its conception in 2005, garnering critical acclaim, but was discontinued in 2010 due to a lack of funds. 2014 is the first year it has been held in a free country. In previous years it was held underground in Belarus, hidden from the authorities.BFT have now reinstated this contest, and increased the diversity of participants in order to include Belarusians who remain isolated because of the state policy on internet censorship and media control. This publication is dedicated to promoting the works of the winning playwrights, and is published to coincide with an award ceremony at the Young Vic Theatre in London. In 2014, BFT received 523 submissions from 12 participating countries:Russia, Ukraine, Belarus, USA, Germany, UK, Israel, Kyrgyzstan, Kazakhstan, Azerbaijan, Georgia and Estonia. The winning plays in this collection are in 3 main categories: Best Full-Length Play; Best Experimental Writing for Theatre/Short Play; Best Adaptation of a Classic Text; plus a special award, The Tom Stoppard Award for Best Debut. The ICCD, and Belarus Free Theatre: New Plays from Central Europe, reconnects the Belarusian people with their independent artistic voice and their cultural identity within a European context. Medved / The Bear - WINNER Adaptation of a Classic Text Signals of Reconciliation - WINNER Full-Length Play Radio Culture - WINNER Experimental Writing for Theatre/Short Play Prestige - WINNER Tom Stoppard Award for Best Debut
Author: Belarus Free Theatre
Publisher: Bloomsbury Publishing
ISBN: 1783196246
Category : Drama
Languages : en
Pages : 303
Get Book Here
Book Description
The International Contest of Contemporary Drama (ICCD ) was set up by Belarus Free Theatre to encourage new writing and topromote Belarusian cultural identity on an international stage with the participation of artists around Europe. Belarusian playwrights, banned within their own country but recognised for their workoutside, have the opportunity to show their work in Belarus. It also includes the work of foreign playwrights in an international cultural context, and in which Belarus would have its place for the first time. The ICCD has produced playwrights such as Anna Yablonskaya, Aleksey Shcherbak, and Pavel Pryazhko – whose plays have been produced at the Royal Court Theatre – and brothers Mikhail and Vyatcheslav Durnenekov who have written for the Royal ShakespeareCompany. The contest, one of the top three of its kind in central Europe, has enjoyed success since its conception in 2005, garnering critical acclaim, but was discontinued in 2010 due to a lack of funds. 2014 is the first year it has been held in a free country. In previous years it was held underground in Belarus, hidden from the authorities.BFT have now reinstated this contest, and increased the diversity of participants in order to include Belarusians who remain isolated because of the state policy on internet censorship and media control. This publication is dedicated to promoting the works of the winning playwrights, and is published to coincide with an award ceremony at the Young Vic Theatre in London. In 2014, BFT received 523 submissions from 12 participating countries:Russia, Ukraine, Belarus, USA, Germany, UK, Israel, Kyrgyzstan, Kazakhstan, Azerbaijan, Georgia and Estonia. The winning plays in this collection are in 3 main categories: Best Full-Length Play; Best Experimental Writing for Theatre/Short Play; Best Adaptation of a Classic Text; plus a special award, The Tom Stoppard Award for Best Debut. The ICCD, and Belarus Free Theatre: New Plays from Central Europe, reconnects the Belarusian people with their independent artistic voice and their cultural identity within a European context. Medved / The Bear - WINNER Adaptation of a Classic Text Signals of Reconciliation - WINNER Full-Length Play Radio Culture - WINNER Experimental Writing for Theatre/Short Play Prestige - WINNER Tom Stoppard Award for Best Debut
Author: Ralf Remshardt
Publisher: Taylor & Francis
ISBN: 1000913643
Category : Performing Arts
Languages : en
Pages : 978
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Book Description
This is a comprehensive overview of contemporary European theatre and performance as it enters the third decade of the twenty-first century. It combines critical discussions of key concepts, practitioners, and trends within theatre-making, both in particular countries and across borders, that are shaping European stage practice. With the geography, geopolitics, and cultural politics of Europe more unsettled than at any point in recent memory, this book’s combination of national and thematic coverage offers a balanced understanding of the continent’s theatre and performance cultures. Employing a range of methodologies and critical approaches across its three parts and ninety-four chapters, this book’s first part contains a comprehensive listing of European nations, the second part charts responses to thematic complexes that define current European performance, and the third section gathers a series of case studies that explore the contribution of some of Europe’s foremost theatre makers. Rather than rehearsing rote knowledge, this is a collection of carefully curated, interpretive accounts from an international roster of scholars and practitioners. The Routledge Companion to Contemporary European Theatre and Performance gives undergraduate and graduate students as well as researchers and practitioners an indispensable reference resource that can be used broadly across curricula.
Author: J.A.E. Curtis
Publisher: Bloomsbury Publishing
ISBN: 1350142476
Category : History
Languages : en
Pages : 297
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Book Description
How and why does the stage, and those who perform upon it, play such a significant role in the social makeup of modern Russia, Ukraine and Belarus? In New Drama in Russian, Julie Curtis brings together an international team of leading scholars and practitioners to tackle this complex question. New Drama, which draws heavily on techniques of documentary and verbatim writing, is a key means of protest in the Russian-speaking world; since the fall of the Soviet Union in 1991, theatres, dramatists, and critics have collaborated in using the genre as a lens through which to explore a wide range of topics from human rights and state oppression to sexuality and racism. Yet surprisingly little has been written on this important theatrical movement. New Drama in Russian rectifies this. Through providing analytical surveys of this outspoken transnational genre alongside case-studies of plays and interviews with playwrights, this volume sheds much-needed light on the key issues of performance, politics, and protest in Russia, Ukraine and Belarus. Meticulously researched and elegantly argued, this book will be of immense value to scholars of Russian cultural history and post-Soviet literary studies.
Author: Andy Byford
Publisher:
ISBN: 1789620872
Category : Foreign Language Study
Languages : en
Pages : 376
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Book Description
'[The book] shows that nationalist topoi inevitably have anti-transnational implications. [...] Vlad Strukov and Lara Ryazanova-Clarke look at Russian media ecology from the outside - from Latvia and the United Kingdom media ecology. Strukov's contribution conversely elaborates [...] the Russo-national centricity of the international media outlet of the Riga news portal Meduza, which he calls "transnational Russo-centrism".' Dirk Uffelmann, Zeitschrift für Slavische Philologie
Author: Belarus Free Theatre
Publisher: Bloomsbury Publishing
ISBN: 1786820811
Category : Drama
Languages : en
Pages : 275
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Book Description
The International Contest of Contemporary Drama (ICCD) was set up by Belarus Free Theatre to encourage new writing and to promote Belarusian cultural identity on an international stage with the participation of artists across Europe. The contest will be held underground in Belarus, hidden from the authorities, and simultaneously in London, and means that Belarusian playwrights, who remain isolated in their own country because of the state policy on internet censorship and media control, and are banned from performing can be recognized for their work internationally, and have the opportunity to show their work free from state oppression. This publication is dedicated to promoting the works of the winning playwrights. This collection contains: Herman, Franz and Gregor by Julia Tupikina DIPROSOPUS: A Story in Two Faces by Lyudmila Zaytseva ONYX by Maxim Dosko Same Thing BY OLGA PRUSAK The Time Wardrobe or The New Adventures of D’Artagnan by Yuri Leonidovich Harin The Women and the Sniper by Tatiana Kitsenko
Author: Vessela S. Warner
Publisher: University of Iowa Press
ISBN: 1609386779
Category : Performing Arts
Languages : en
Pages : 295
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Book Description
Theatre in Eastern and Central Europe was never the same after the fall of the Berlin Wall in 1989. In the transition to a postcommunist world, “alternative theatre” found ways to grapple with political chaos, corruption, and aggressive implementation of a market economy. Three decades later, this volume is the first comprehensive examination of alternative theatre in ten former communist countries. The essays focus on companies and artists that radically changed the language and organization of theatre in the countries formerly known as the Eastern European bloc. This collection investigates the ways in which postcommunist alternative theatre negotiated and embodied change not only locally but globally as well. Contributors: Dennis Barnett, Dennis C. Beck, Violeta Decheva, Luule Epner, John Freedman, Barry Freeman, Margarita Kompelmakher, Jaak Rahesoo, Angelina Ros ̧ca, Ban ̧uta Rubess, Christopher Silsby, Andrea Tompa, S. E. Wilmer
Author: Naomi Wallace
Publisher: Faber & Faber
ISBN: 0571347835
Category : Drama
Languages : en
Pages : 100
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Book Description
You haven't asked, but yes, you both may stay in our house for the time being. And use our things. I figure it'll take a war to settle it all.A compelling story of two families - one Palestinian, one Israeli - forced by history into an intimacy they didn't choose. In 1948, Palestinian couple Said and Safiyya fled their home during the Nakba. Now, in the aftermath of the 1967 Six Day War, the borders are open for the first time in twenty years, and they dare to return to their home in Haifa. They are ready to find someone else living where they once did, but nothing can prepare them for the encounter they both desire and dread with the son they had to leave behind.Ghassan Kanafani's classic novella Returning to Haifa has been adapted for the stage by Naomi Wallace and Ismail Khalidi. The play premiered at the Finborough Theatre, London, in February 2018 to coincide with the seventieth anniversaries of both the Nakba or 'catastrophe' - the mass dispossession of the Palestinians in 1948 - and the foundation of the State of Israel.
Author: Yana Meerzon
Publisher: Springer Nature
ISBN: 3031201965
Category : Performing Arts
Languages : en
Pages : 768
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Book Description
The Palgrave Handbook of Theatre and Migration provides a wide survey of theatre and performance practices related to the experience of global movements, both in historical and contemporary contexts. Given the largest number of people ever (over one hundred million) suffering from forced displacement today, much of the book centres around the topic of refuge and exile and the role of theatre in addressing these issues. The book is structured in six sections, the first of which is dedicated to the major theoretical concepts related to the field of theatre and migration including exile, refuge, displacement, asylum seeking, colonialism, human rights, globalization, and nomadism. The subsequent sections are devoted to several dozen case studies across various geographies and time periods that highlight, describe and analyse different theatre practices related to migration. The volume serves as a prestigious reference work to help theatre practitioners, students, scholars, and educators navigate the complex field of theatre and migration.
Author: Manfred Brauneck
Publisher: transcript Verlag
ISBN: 383943243X
Category : Performing Arts
Languages : en
Pages : 603
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Book Description
Over the past 20 years European theatre underwent fundamental changes in terms of aesthetic focus, institutional structure and in its position in society. The impetus for these changes was provided by a new generation in the independent theatre scene. This book brings together studies on the state of independent theatre in different European countries, focusing on the fields of dance and performance, children and youth theatre, theatre and migration and post-migrant theatre. Additionally, it includes essays on experimental musical theatre and different cultural policies for independent theatre scenes in a range of European countries.
Author: Vessela S. Warner
Publisher: University of Iowa Press
ISBN: 1609386787
Category : Performing Arts
Languages : en
Pages : 295
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Book Description
Theatre in Eastern and Central Europe was never the same after the fall of the Berlin Wall in 1989. In the transition to a postcommunist world, “alternative theatre” found ways to grapple with political chaos, corruption, and aggressive implementation of a market economy. Three decades later, this volume is the first comprehensive examination of alternative theatre in ten former communist countries. The essays focus on companies and artists that radically changed the language and organization of theatre in the countries formerly known as the Eastern European bloc. This collection investigates the ways in which postcommunist alternative theatre negotiated and embodied change not only locally but globally as well. Contributors: Dennis Barnett, Dennis C. Beck, Violeta Decheva, Luule Epner, John Freedman, Barry Freeman, Margarita Kompelmakher, Jaak Rahesoo, Angelina Ros ̧ca, Ban ̧uta Rubess, Christopher Silsby, Andrea Tompa, S. E. Wilmer
