Author: Meryle Secrest
Publisher: Holt McDougal
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 504
Book Description
Being Bernard Berenson
Author: Meryle Secrest
Publisher: Holt McDougal
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 504
Book Description
Publisher: Holt McDougal
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 504
Book Description
Bernard Berenson
Author: Rachel Cohen
Publisher: Yale University Press
ISBN: 0300199147
Category : Biography & Autobiography
Languages : en
Pages : 344
Book Description
"Few would have predicted that Bernard Berenson, from a poor Lithuanian Jewish immigrant family, would rise above poverty. Yet Berenson left his crowded home near Boston's railyards and transformed himself into the world's most renowned expert on Italian Renaissance paintings, the owner of a beautiful villa and an immense private library in the hills outside Florence. The explosion of the Gilded Age art market and Berenson's work for dealer Joseph Duveen supported a luxurious life, but it came with painful costs: Berenson hid his origins and, though his attributions remain foundational, felt that he had betrayed his gifts as a critic and interpreter of paintings. This finely drawn portrait of Berenson, the first biography devoted to him in a quarter century, draws on new archival materials that bring out the significance of his secret business dealings and the central importance of several women in his life and work: his sister Senda Berenson; his wife Mary Berenson; his patron Isabella Stewart Gardner; his lover Belle da Costa Greene; his dear friend Edith Wharton, and the companion of his last forty years, Nicky Mariano. Rachel Cohen explores Berenson's inner world and extraordinary visual capacity while also illuminating the historical forces-new capital, the developing art market, persistent anti-Semitism, and the two world wars-that profoundly affected his life"--
Publisher: Yale University Press
ISBN: 0300199147
Category : Biography & Autobiography
Languages : en
Pages : 344
Book Description
"Few would have predicted that Bernard Berenson, from a poor Lithuanian Jewish immigrant family, would rise above poverty. Yet Berenson left his crowded home near Boston's railyards and transformed himself into the world's most renowned expert on Italian Renaissance paintings, the owner of a beautiful villa and an immense private library in the hills outside Florence. The explosion of the Gilded Age art market and Berenson's work for dealer Joseph Duveen supported a luxurious life, but it came with painful costs: Berenson hid his origins and, though his attributions remain foundational, felt that he had betrayed his gifts as a critic and interpreter of paintings. This finely drawn portrait of Berenson, the first biography devoted to him in a quarter century, draws on new archival materials that bring out the significance of his secret business dealings and the central importance of several women in his life and work: his sister Senda Berenson; his wife Mary Berenson; his patron Isabella Stewart Gardner; his lover Belle da Costa Greene; his dear friend Edith Wharton, and the companion of his last forty years, Nicky Mariano. Rachel Cohen explores Berenson's inner world and extraordinary visual capacity while also illuminating the historical forces-new capital, the developing art market, persistent anti-Semitism, and the two world wars-that profoundly affected his life"--
Bernard Berenson
Author: Ernest Samuels
Publisher: Harvard University Press
ISBN: 9780674067776
Category : Art
Languages : en
Pages : 520
Book Description
Critic, arbiter of taste, renowned authority on Renaissance painting and oracle to millionaire art collectors, Bernard Berenson was the most formidable presence in the art world for more than thirty years. Four decades of his life are unfolded in this compelling book.
Publisher: Harvard University Press
ISBN: 9780674067776
Category : Art
Languages : en
Pages : 520
Book Description
Critic, arbiter of taste, renowned authority on Renaissance painting and oracle to millionaire art collectors, Bernard Berenson was the most formidable presence in the art world for more than thirty years. Four decades of his life are unfolded in this compelling book.
Sketch For A Self Portrait
Author: Bernard Berenson
Publisher: Read Books Ltd
ISBN: 1473381207
Category : Biography & Autobiography
Languages : en
Pages : 145
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Publisher: Read Books Ltd
ISBN: 1473381207
Category : Biography & Autobiography
Languages : en
Pages : 145
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Seeing and Knowing
Author: Bernard Berenson
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 152
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 152
Book Description
Looking at Pictures with Bernard Berenson
Author: Bernard Berenson
Publisher: New York : Abrams
ISBN:
Category : Art
Languages : en
Pages : 372
Book Description
Publisher: New York : Abrams
ISBN:
Category : Art
Languages : en
Pages : 372
Book Description
Italian Painters of the Renaissance
Author: Bernard Berenson
Publisher:
ISBN: 9781258103200
Category :
Languages : en
Pages : 536
Book Description
Publisher:
ISBN: 9781258103200
Category :
Languages : en
Pages : 536
Book Description
My Dear BB . . .
Author: Robert Cumming
Publisher: Yale University Press
ISBN: 0300216068
Category : Literary Collections
Languages : en
Pages : 601
Book Description
In 1925, the 22-year-old Kenneth Clark (1903–1983) and the legendary art critic and historian Bernard Berenson (1865–1959) met in Italy. From that moment, they began a correspondence that lasted until Berenson’s death at age 94. This book makes available, for the first time, the complete correspondence between two of the most influential figures in the 20th-century art world, and gives a new and unique insight into their lives and motivations. The letters are arranged into ten chronological sections, each accompanied by biographical details and providing the context for the events and personalities referred to. They were both talented letter writers: informative, spontaneous, humorous, gossipy, and in their frequent letters they exchanged news and views about art and politics, friends and family life, collectors, connoisseurship, discoveries, books read and written, and travel. Berenson advised Clark on his blossoming career, warning against the museum and commercial art worlds while encouraging his promise as a writer and interpreter of the arts. Above all, these letters trace the development of a deep and intimate friendship.
Publisher: Yale University Press
ISBN: 0300216068
Category : Literary Collections
Languages : en
Pages : 601
Book Description
In 1925, the 22-year-old Kenneth Clark (1903–1983) and the legendary art critic and historian Bernard Berenson (1865–1959) met in Italy. From that moment, they began a correspondence that lasted until Berenson’s death at age 94. This book makes available, for the first time, the complete correspondence between two of the most influential figures in the 20th-century art world, and gives a new and unique insight into their lives and motivations. The letters are arranged into ten chronological sections, each accompanied by biographical details and providing the context for the events and personalities referred to. They were both talented letter writers: informative, spontaneous, humorous, gossipy, and in their frequent letters they exchanged news and views about art and politics, friends and family life, collectors, connoisseurship, discoveries, books read and written, and travel. Berenson advised Clark on his blossoming career, warning against the museum and commercial art worlds while encouraging his promise as a writer and interpreter of the arts. Above all, these letters trace the development of a deep and intimate friendship.
Henry Walters and Bernard Berenson
Author: Stanley Mazaroff
Publisher: JHU Press
ISBN: 1421440466
Category : Art
Languages : en
Pages : 247
Book Description
Collecting Italian Renaissance paintings during America’s Gilded Age was fraught with risk because of the uncertain identities of the artists and the conflicting interests of the dealers. Stanley Mazaroff’s fascinating account of the close relationship between Henry Walters, founder of the legendary Walters Art Museum in Baltimore, and Bernard Berenson, the era’s preeminent connoisseur of Italian paintings, richly illustrates this important chapter of America’s cultural history. When Walters opened his Italianate museum in 1909, it was labeled as America’s “Great Temple of Art.” With more than 500 Italian paintings, including self-portraits purportedly by Raphael and Michelangelo, Walters’s collection was compared favorably with the great collections in London, Paris, and Berlin. In the midst of this fanfare, Berenson contacted Walters and offered to analyze his collection, sell him additional paintings, and write a scholarly catalogue that would trumpet the collection on both sides of the Atlantic. What Berenson offered was what Walters desperately needed—a badge of scholarship that Berenson’s invaluable imprimatur would undoubtedly bring. By 1912, Walters had become Berenson’s most active client, their business alliance wrapped in a warm and personal friendship. But this relationship soon became strained and was finally severed by a confluence of broken promises, inattention, deceit, and ethical conflict. To Walters’s chagrin, Berenson swept away the self-portraits allegedly by Raphael and Michelangelo and publicly scorned paintings that he was supposed to praise. Though painful to Walters, Berenson’s guidance ultimately led to a panoramic collection that beautifully told the great history of Italian Renaissance painting. Based primarily on correspondence and other archival documents recently discovered at the Walters Art Museum and the Villa I Tatti in Florence, the intriguing story of Walters and Berenson offers unusual insight into the pleasures and perils of collecting Italian Renaissance paintings, the ethics in the marketplace, and the founding of American art museums.
Publisher: JHU Press
ISBN: 1421440466
Category : Art
Languages : en
Pages : 247
Book Description
Collecting Italian Renaissance paintings during America’s Gilded Age was fraught with risk because of the uncertain identities of the artists and the conflicting interests of the dealers. Stanley Mazaroff’s fascinating account of the close relationship between Henry Walters, founder of the legendary Walters Art Museum in Baltimore, and Bernard Berenson, the era’s preeminent connoisseur of Italian paintings, richly illustrates this important chapter of America’s cultural history. When Walters opened his Italianate museum in 1909, it was labeled as America’s “Great Temple of Art.” With more than 500 Italian paintings, including self-portraits purportedly by Raphael and Michelangelo, Walters’s collection was compared favorably with the great collections in London, Paris, and Berlin. In the midst of this fanfare, Berenson contacted Walters and offered to analyze his collection, sell him additional paintings, and write a scholarly catalogue that would trumpet the collection on both sides of the Atlantic. What Berenson offered was what Walters desperately needed—a badge of scholarship that Berenson’s invaluable imprimatur would undoubtedly bring. By 1912, Walters had become Berenson’s most active client, their business alliance wrapped in a warm and personal friendship. But this relationship soon became strained and was finally severed by a confluence of broken promises, inattention, deceit, and ethical conflict. To Walters’s chagrin, Berenson swept away the self-portraits allegedly by Raphael and Michelangelo and publicly scorned paintings that he was supposed to praise. Though painful to Walters, Berenson’s guidance ultimately led to a panoramic collection that beautifully told the great history of Italian Renaissance painting. Based primarily on correspondence and other archival documents recently discovered at the Walters Art Museum and the Villa I Tatti in Florence, the intriguing story of Walters and Berenson offers unusual insight into the pleasures and perils of collecting Italian Renaissance paintings, the ethics in the marketplace, and the founding of American art museums.
The Bernard Berenson Collection of Oriental Art at Villa I Tatti
Author: Villa I Tatti (Florence, Italy)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 120
Book Description
This bolume catalogues the 43 objects in the Berenson collection. They include Chinese paintings, early Chinese gil-bronze Buddhist figures, Khmer sculpture and other works from China, Japan, Tibet and Southeast Asia.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 120
Book Description
This bolume catalogues the 43 objects in the Berenson collection. They include Chinese paintings, early Chinese gil-bronze Buddhist figures, Khmer sculpture and other works from China, Japan, Tibet and Southeast Asia.