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Author: Peter J. Arnade
Publisher: Cornell University Press
ISBN: 9780801474965
Category : History
Languages : en
Pages : 372
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Book Description
A new history of the Dutch Revolt that shows how the act of rebellion forged a political identity through ritual, symbol, and public action.
Author: Peter J. Arnade
Publisher: Cornell University Press
ISBN: 9780801474965
Category : History
Languages : en
Pages : 372
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Book Description
A new history of the Dutch Revolt that shows how the act of rebellion forged a political identity through ritual, symbol, and public action.
Author: Peter Arnade
Publisher: Cornell University Press
ISBN: 1501726714
Category : History
Languages : en
Pages : 370
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Book Description
The Dutch Revolt has long been hailed as the triumph of political freedom over monarchical tyranny. In 1781, John Adams observed that the American Revolution was its "transcript." Known for its many protagonists—King Philip II, the Duke of Alba, the counts of Egmont and Hornes, radical Calvinists, obstreperous townspeople, and William of Orange—the Dutch Revolt brought into relief conflicts among civic freedoms, religious dissent, representative institutions, and royal authority. Drawing on a vast array of sources-including archival documents, political and religious pamphlets, ballads, chronicles and letters, and a rich store of popular prints-Peter Arnade gives us a new history of the core years of the revolt between 1566 and 1585, showing how the act of rebellion forged a political identity through ritual, symbol, and public action. In Beggars, Iconoclasts, and Civic Patriots, Arnade focuses on the political culture that took shape during the Revolt, a culture that itself fueled decades of turmoil. He sees the pulse of the Revolt in its public dramatization-the acts, words, and cultural representations that were its "daily bread and popular voice." The violent wave of radical iconoclasm that swept the southern Netherlands in 1566 is the book's pivot, setting the stage for the Duke of Alba's brutal effort to restore the authority of the Spanish crown. Arnade details the sieges and violent sacks of Dutch cities by the Army of Flanders, and the response of Dutch rebels, who touted defiant cities as the seats and guarantors of unassailable rights and freedoms. This civic patriotism hailed William of Orange as father of the fatherland, his apotheosis hearkening back to late medieval princely ritual even as it invoked new republican imagery.
Author: Matthew Fraser
Publisher: Rowman & Littlefield
ISBN: 1633888118
Category : History
Languages : en
Pages : 339
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Book Description
Recent years in America have seen Confederate monuments toppled, statues of colonizers vandalized, and public icons commemorating figures from a history of exploitation demolished. Some were alarmed by the destruction, claiming that pulling down public statues is a negation of an entire cultural heritage. For others, statue-smashing is justified vandalism against a legacy of injustice. Monumental Fury confronts the long-neglected questions of our relationship with statues, icons, and monuments in public spaces, providing a rich historical perspective on iconoclastic violence. Organized according to specific themes that provide insights into the erection and destruction of statues — from religion, war, and revolution to colonialism, ideology, art, and social justice — author Matthew Fraser examines the implications of our monuments from the Buddhas of Bamiyan to those of Napoleon Bonaparte, Abraham Lincoln, Robert E. Lee, Vladimir Lenin, and many more. Above all, the book endeavors to frame moments of statue-toppling throughout history so we can better understand the eruptions of iconoclastic violence that we are witnessing today. Statues are erected as expressions of power, and the impulse to destroy them is motivated by a desire to defy, reject, and eradicate their authority. However, the symbolic power of statues can stubbornly persist even after their destruction. This enduring paradox — between destruction and resurrection – is at the heart of this book. Fraser concludes with reflections that propose new ways of thinking about our relationship with statues and monuments and, more practically, about how we can creatively integrate their legacy into our collective memory in a way that inclusively enriches shared historical experience.
Author: Angela Vanhaelen
Publisher: Penn State Press
ISBN: 0271091908
Category : Art
Languages : en
Pages : 487
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Book Description
This book opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform. Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies.
Author: Sarah Betzer
Publisher: Penn State Press
ISBN: 0271091770
Category : Art
Languages : en
Pages : 485
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Book Description
Framed by tensions between figural sculpture experienced in the round and its translation into two-dimensional representations, Animating the Antique explores enthralling episodes in a history of artistic and aesthetic encounters. Moving across varied locations—among them Rome, Florence, Naples, London, Dresden, and Paris—Sarah Betzer explores a history that has yet to be written: that of the Janus-faced nature of interactions with the antique by which sculptures and beholders alike were caught between the promise of animation and the threat of mortification. Examining the traces of affective and transformative sculptural encounters, the book takes off from the decades marked by the archaeological, art-historical, and art-philosophical developments of the mid-eighteenth century and culminantes in fin de siècle anthropological, psychological, and empathic frameworks. It turns on two fundamental and interconnected arguments: that an eighteenth-century ontology of ancient sculpture continued to inform encounters with the antique well into the nineteenth century, and that by attending to the enduring power of this model, we can newly appreciate the distinctively modern terms of antique sculpture’s allure. As Betzer shows, these eighteenth-century developments had far-reaching ramifications for the making and beholding of modern art, the articulations of art theory, the writing of art history, and a significantly queer Nachleben of the antique. Bold and wide-ranging, Animating the Antique sheds light upon the work of myriad artists, in addition to that of writers ranging from Goethe and Winckelmann to Hegel, Walter Pater, and Vernon Lee. It will be especially welcomed by scholars and students working in eighteenth- and nineteenth-century art history, art writing, and art historiography.
Author: Kristine Kolrud
Publisher: Routledge
ISBN: 1351929208
Category : Art
Languages : en
Pages : 265
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Book Description
The phenomenon of iconoclasm, expressed through hostile actions towards images, has occurred in many different cultures throughout history. The destruction and mutilation of images is often motivated by a blend of political and religious ideas and beliefs, and the distinction between various kinds of ’iconoclasms’ is not absolute. In order to explore further the long and varied history of iconoclasm the contributors to this volume consider iconoclastic reactions to various types of objects, both in the very recent and distant past. The majority focus on historical periods but also on history as a backdrop for image troubles of our own day. Development over time is a central question in the volume, and cross-cultural influences are also taken into consideration. This broad approach provides a useful comparative perspective both on earlier controversies over images and relevant issues today. In the multimedia era increased awareness of the possible consequences of the use of images is of utmost importance. ’Iconoclasm from Antiquity to Modernity’ approaches some of the problems related to the display of particular kinds of images in conflicted societies and the power to decide on the use of visual means of expression. It provides a deeper understanding of the mechanisms of the phenomenon of iconoclasm. Of interest to a wide group of scholars the contributors draw upon various sources and disciplines, including art history, cultural history, religion and archaeology, as well as making use of recent research from within social and political sciences and contemporary events. Whilst the texts are addressed primarily to those researching the Western world, the volume contains material which will also be of interest to students of the Middle East.
Author: A. C. Duke
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754656791
Category : History
Languages : en
Pages : 338
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Book Description
Alastair Duke has long been recognized as one of the leading scholars of the early modern Netherlands, known internationally for his important work on the impact of religious change on political events which was the focus of his Reformation and Revolt in the Low Countries (1990). This new volume explores the emergence of new political and religious identities in the Netherlands. These essays, together, demonstrate how dissident identities shaped and contributed to the development of the Netherlands during the early modern period.
Author: Christopher P. Heuer
Publisher: Zone Books
ISBN: 1942130147
Category : Art
Languages : en
Pages : 265
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Book Description
European narratives of the Atlantic New World tell stories of people and things: strange flora, wondrous animals, and sun-drenched populations for Europeans to mythologize or exploit. Yet between 1500 and 1700 one region upended all of these conventions in travel writing, science, and, most unexpectedly, art: the Arctic. Icy, unpopulated, visually and temporally “abstract,” the far North – a different kind of terra incognita for the Renaissance imagination – offered more than new stuff to be mapped, plundered, or even seen. Neither a continent, an ocean, nor a meteorological circumstance, the Arctic forced visitors from England, the Netherlands, Germany, and Italy, to grapple with what we would now call a “nonsite,” spurring dozens of previously unknown works, objects, and texts – and this all in an intellectual and political milieu crackling with Reformation debates over art’s very legitimacy. Into the White uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates of perception and matter, of representation, discovery, and the time of the earth – long before the nineteenth century romanticized the polar landscape. In the far North, this book contends, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and unmasterable, something beyond the idea of image itself.
Author: Joseph E. Morgan
Publisher: Lexington Books
ISBN: 149854682X
Category : Music
Languages : en
Pages : 283
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Book Description
Tyranny and Music is an edited collection of essays that explore how musical artists respond to cruel or oppressive governments and ruling regimes. Its primary strength and unique quality lies in its diversity, presenting a postmodern collage of scholarship that reaches across the divides of classical, popular and traditional musics just as it connects musical resistance of the past with the present and the near (Western) with the far (non-Western). Contemporary topics include Chosan’s analysis of blood diamonds in the Sierra Leonean Civil War, and collective memory in the Persian Gulf War songs. Historical topics include the image of John Wilkes Booth in the popular imagination, censorship in the Soviet Union, Victor Ullman’s song setting at Terezín, artistic restrictions in Maoist China, anti-inquisition propaganda in the outbreak of the Dutch revolt, Revolutionary Era Anthems in the United States and much more. These essays, while remarkable in their scholarly erudition, also provide intimate glimpses of the resiliency of the individual artist. From Cherine Amr’s Heavy Metal resistance to the Muslim Brotherhood to Hanns Eisler’s battle with the United States House on Un-American Activities Committee, stories of human struggle and perseverance arise from each of these narratives.
Author: Marisa Bass
Publisher: Princeton University Press
ISBN: 0691177155
Category : Art
Languages : en
Pages : 313
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Book Description
How the nature illustrations of a Renaissance polymath reflect his turbulent age This pathbreaking and stunningly illustrated book recovers the intersections between natural history, politics, art, and philosophy in the late sixteenth-century Low Countries. Insect Artifice explores the moment when the seismic forces of the Dutch Revolt wreaked havoc on the region’s creative and intellectual community, compelling its members to seek solace in intimate exchanges of art and knowledge. At its center is a neglected treasure of the late Renaissance: the Four Elements manuscripts of Joris Hoefnagel (1542–1600), a learned Netherlandish merchant, miniaturist, and itinerant draftsman who turned to the study of nature in this era of political and spiritual upheaval. Presented here for the first time are more than eighty pages in color facsimile of Hoefnagel’s encyclopedic masterwork, which showcase both the splendor and eccentricity of its meticulously painted animals, insects, and botanical specimens. Marisa Anne Bass unfolds the circumstances that drove the creation of the Four Elements by delving into Hoefnagel’s writings and larger oeuvre, the works of his friends, and the rich world of classical learning and empirical inquiry in which he participated. Bass reveals how Hoefnagel and his colleagues engaged with natural philosophy as a means to reflect on their experiences of war and exile, and found refuge from the threats of iconoclasm and inquisition in the manuscript medium itself. This is a book about how destruction and violence can lead to cultural renewal, and about the transformation of Netherlandish identity on the eve of the Dutch Golden Age.
