Author: John Anthony Gilvey
Publisher: Macmillan
ISBN: 0312337760
Category : Biography & Autobiography
Languages : en
Pages : 398
Book Description
During the Golden Age of the Broadway musical, few director-choreographers could infuse a new musical with dance and movement in quite the way Gower Champion could. From his earliest Broadway success with Bye Bye Birdie to his triumphant and bittersweet valedictory, 42nd Street, musicals directed by Champion filled the proscenium with life. At their best, they touched the heart and stirred the soul with a skillful blend of elegance and American showmanship. He began his career as one-half of "America's Youngest Dance Team" with Jeanne Tyler and later teamed with his wife, dance partner, and longtime collaborator, Marge Champion. This romantic ballroom duo danced across America in the smartest clubs and onto the television screen, performing story dances that captivated the country. They ultimately took their talent to Hollywood, where they starred in the 1951 remake of Show Boat, Lovely to Look At, and other films. But Broadway always called to Champion, and in 1959 he was tapped to direct Bye Bye Birdie. The rest is history. In shows like Birdie, Carnival, Hello, Dolly!, I Do! I Do!, Sugar, and 42nd Street, luminaries such as Chita Rivera, Dick Van Dyke, Carol Channing, Mary Martin, Robert Preston, Tony Roberts, Robert Morse, Tammy Grimes, and Jerry Orbach brought Champion's creative vision to life. Working with composers and writers like Jerry Herman, Michael Stewart, Charles Strouse, Lee Adams, and Bob Merrill, he streamlined the musical making it flow effortlessly with song and dance from start to finish. John Gilvey has spoken with many of the people who worked with Champion, and in Before the Parade Passes By he tells the life story of this most American of Broadway musical director-choreographers from his early days dancing with Marge to his final days spent meticulously honing the visual magic of 42nd Street. Before the Parade Passes By is the life story of one man who personified the glory of the Broadway musical right up until the moment of his untimely death. When the curtain fell to thunderous applause on the opening night of 42nd Street, August 25, 1980, legendary impresario David Merrick came forward, silenced the audience, and announced that Champion had died that morning. As eminent theatre critic Ethan Mordden has firmly put it, "the Golden Age was over." Though the Golden Age of the Broadway musical is over, John Gilvey brings it to life again by telling the story of Gower Champion, one of its most passionate and creative legends.
Before the Parade Passes By
Author: John Anthony Gilvey
Publisher: Macmillan
ISBN: 0312337760
Category : Biography & Autobiography
Languages : en
Pages : 398
Book Description
During the Golden Age of the Broadway musical, few director-choreographers could infuse a new musical with dance and movement in quite the way Gower Champion could. From his earliest Broadway success with Bye Bye Birdie to his triumphant and bittersweet valedictory, 42nd Street, musicals directed by Champion filled the proscenium with life. At their best, they touched the heart and stirred the soul with a skillful blend of elegance and American showmanship. He began his career as one-half of "America's Youngest Dance Team" with Jeanne Tyler and later teamed with his wife, dance partner, and longtime collaborator, Marge Champion. This romantic ballroom duo danced across America in the smartest clubs and onto the television screen, performing story dances that captivated the country. They ultimately took their talent to Hollywood, where they starred in the 1951 remake of Show Boat, Lovely to Look At, and other films. But Broadway always called to Champion, and in 1959 he was tapped to direct Bye Bye Birdie. The rest is history. In shows like Birdie, Carnival, Hello, Dolly!, I Do! I Do!, Sugar, and 42nd Street, luminaries such as Chita Rivera, Dick Van Dyke, Carol Channing, Mary Martin, Robert Preston, Tony Roberts, Robert Morse, Tammy Grimes, and Jerry Orbach brought Champion's creative vision to life. Working with composers and writers like Jerry Herman, Michael Stewart, Charles Strouse, Lee Adams, and Bob Merrill, he streamlined the musical making it flow effortlessly with song and dance from start to finish. John Gilvey has spoken with many of the people who worked with Champion, and in Before the Parade Passes By he tells the life story of this most American of Broadway musical director-choreographers from his early days dancing with Marge to his final days spent meticulously honing the visual magic of 42nd Street. Before the Parade Passes By is the life story of one man who personified the glory of the Broadway musical right up until the moment of his untimely death. When the curtain fell to thunderous applause on the opening night of 42nd Street, August 25, 1980, legendary impresario David Merrick came forward, silenced the audience, and announced that Champion had died that morning. As eminent theatre critic Ethan Mordden has firmly put it, "the Golden Age was over." Though the Golden Age of the Broadway musical is over, John Gilvey brings it to life again by telling the story of Gower Champion, one of its most passionate and creative legends.
Publisher: Macmillan
ISBN: 0312337760
Category : Biography & Autobiography
Languages : en
Pages : 398
Book Description
During the Golden Age of the Broadway musical, few director-choreographers could infuse a new musical with dance and movement in quite the way Gower Champion could. From his earliest Broadway success with Bye Bye Birdie to his triumphant and bittersweet valedictory, 42nd Street, musicals directed by Champion filled the proscenium with life. At their best, they touched the heart and stirred the soul with a skillful blend of elegance and American showmanship. He began his career as one-half of "America's Youngest Dance Team" with Jeanne Tyler and later teamed with his wife, dance partner, and longtime collaborator, Marge Champion. This romantic ballroom duo danced across America in the smartest clubs and onto the television screen, performing story dances that captivated the country. They ultimately took their talent to Hollywood, where they starred in the 1951 remake of Show Boat, Lovely to Look At, and other films. But Broadway always called to Champion, and in 1959 he was tapped to direct Bye Bye Birdie. The rest is history. In shows like Birdie, Carnival, Hello, Dolly!, I Do! I Do!, Sugar, and 42nd Street, luminaries such as Chita Rivera, Dick Van Dyke, Carol Channing, Mary Martin, Robert Preston, Tony Roberts, Robert Morse, Tammy Grimes, and Jerry Orbach brought Champion's creative vision to life. Working with composers and writers like Jerry Herman, Michael Stewart, Charles Strouse, Lee Adams, and Bob Merrill, he streamlined the musical making it flow effortlessly with song and dance from start to finish. John Gilvey has spoken with many of the people who worked with Champion, and in Before the Parade Passes By he tells the life story of this most American of Broadway musical director-choreographers from his early days dancing with Marge to his final days spent meticulously honing the visual magic of 42nd Street. Before the Parade Passes By is the life story of one man who personified the glory of the Broadway musical right up until the moment of his untimely death. When the curtain fell to thunderous applause on the opening night of 42nd Street, August 25, 1980, legendary impresario David Merrick came forward, silenced the audience, and announced that Champion had died that morning. As eminent theatre critic Ethan Mordden has firmly put it, "the Golden Age was over." Though the Golden Age of the Broadway musical is over, John Gilvey brings it to life again by telling the story of Gower Champion, one of its most passionate and creative legends.
Put on a Happy Face
Author: Charles Strouse
Publisher: Union Square Press
ISBN: 1402758898
Category : Art
Languages : en
Pages : 356
Book Description
Strouse composed some of the most successful shows in Broadway history (Annie, Bye Bye Birdie, Applause, and Golden Boy); wrote the film score for Bonnie and Clyde as well as the theme song for All in the Family; has been sampled by one of today's biggest rap stars (Jay-Z, in the Grammy-winning Hard Knock Life); and his songs have been sung by musical greats from Frank Sinatra to Ray Charles to Barbra Streisand. Timed to coincide with public celebrations of his 80th birthday, this memoir grants an insider's glimpse of Broadway, Hollywood, and beyond. Strouse relates the behind-the-curtain stories of his remarkable achievements, and tells about the people he's worked with along the way, including Butterfly McQueen, Gower Champion, Sammy Davis Jr., Lauren Bacall, Mel Brooks, Clifford Odets, Warren Beatty, Hal Prince and Carol Burnett.--From publisher description.
Publisher: Union Square Press
ISBN: 1402758898
Category : Art
Languages : en
Pages : 356
Book Description
Strouse composed some of the most successful shows in Broadway history (Annie, Bye Bye Birdie, Applause, and Golden Boy); wrote the film score for Bonnie and Clyde as well as the theme song for All in the Family; has been sampled by one of today's biggest rap stars (Jay-Z, in the Grammy-winning Hard Knock Life); and his songs have been sung by musical greats from Frank Sinatra to Ray Charles to Barbra Streisand. Timed to coincide with public celebrations of his 80th birthday, this memoir grants an insider's glimpse of Broadway, Hollywood, and beyond. Strouse relates the behind-the-curtain stories of his remarkable achievements, and tells about the people he's worked with along the way, including Butterfly McQueen, Gower Champion, Sammy Davis Jr., Lauren Bacall, Mel Brooks, Clifford Odets, Warren Beatty, Hal Prince and Carol Burnett.--From publisher description.
Jerry Herman
Author: Stephen Citron
Publisher: Yale University Press
ISBN: 0300133243
Category : Biography & Autobiography
Languages : en
Pages : 352
Book Description
This revealing and comprehensive book tells the full story of Jerry Herman’s life and career, from his early work in cabaret to his recent compositions for stage, screen, and television. Stephen Citron draws on extensive open-ended interviews with Jerry Herman as well as with scores of his theatrical colleagues, collaborators, and close friends. The resulting book—which sheds new light on each of Herman’s musicals and their scores—abounds in fascinating anecdotes and behind-the-scenes details about the world of musical theater. Readers will find a sharply drawn portrait of Herman’s private life and his creative talents. Citron’s insights into Herman’s music and lyrics, including voluminous examples from each of his musicals, are as instructive as they are edifying and entertaining.
Publisher: Yale University Press
ISBN: 0300133243
Category : Biography & Autobiography
Languages : en
Pages : 352
Book Description
This revealing and comprehensive book tells the full story of Jerry Herman’s life and career, from his early work in cabaret to his recent compositions for stage, screen, and television. Stephen Citron draws on extensive open-ended interviews with Jerry Herman as well as with scores of his theatrical colleagues, collaborators, and close friends. The resulting book—which sheds new light on each of Herman’s musicals and their scores—abounds in fascinating anecdotes and behind-the-scenes details about the world of musical theater. Readers will find a sharply drawn portrait of Herman’s private life and his creative talents. Citron’s insights into Herman’s music and lyrics, including voluminous examples from each of his musicals, are as instructive as they are edifying and entertaining.
Reading Lyrics
Author: Robert Gottlieb
Publisher: Pantheon
ISBN: 0375400818
Category : Music
Languages : en
Pages : 738
Book Description
A comprehensive anthology bringing together more than one thousand of the best American and English song lyrics of the twentieth century; an extraordinary celebration of a unique art form and an indispensable reference work and history that celebrates one of the twentieth century’s most enduring and cherished legacies. Reading Lyrics begins with the first masters of the colloquial phrase, including George M. Cohan (“Give My Regards to Broadway”), P. G. Wodehouse (“Till the Clouds Roll By”), and Irving Berlin, whose versatility and career span the period from “Alexander’s Ragtime Band” to “Annie Get Your Gun” and beyond. The Broadway musical emerges as a distinct dramatic form in the 1920s and 1930s, its evolution propelled by a trio of lyricists—Cole Porter, Ira Gershwin, and Lorenz Hart—whose explorations of the psychological and emotional nuances of falling in and out of love have lost none of their wit and sophistication. Their songs, including “Night and Day,” “The Man I Love,” and “Bewitched, Bothered and Bewildered,” have become standards performed and recorded by generation after generation of singers. The lure of Broadway and Hollywood and the performing genius of such artists as Al Jolson, Fred Astaire, Ethel Waters, Judy Garland, Frank Sinatra, and Ethel Merman inspired a remarkable array of talented writers, including Dorothy Fields (“A Fine Romance,” “I Can’t Give You Anything but Love”), Frank Loesser (“Guys and Dolls”), Oscar Hammerstein II (from the groundbreaking “Show Boat” of 1927 through his extraordinary collaboration with Richard Rodgers), Johnny Mercer, Yip Harburg, Andy Razaf, Noël Coward, and Stephen Sondheim. Reading Lyrics also celebrates the work of dozens of superb craftsmen whose songs remain known, but who today are themselves less known—writers like Haven Gillespie (whose “Santa Claus Is Coming to Town” may be the most widely recorded song of its era); Herman Hupfeld (not only the composer/lyricist of “As Time Goes By” but also of “Are You Makin’ Any Money?” and “When Yuba Plays the Rumba on the Tuba”); the great light versifier Ogden Nash (“Speak Low,” “I’m a Stranger Here Myself,” and, yes, “The Sea-Gull and the Ea-Gull”); Don Raye (“Boogie Woogie Bugle Boy,” “Mister Five by Five,” and, of course, “Milkman, Keep Those Bottles Quiet”); Bobby Troup (“Route 66”); Billy Strayhorn (not only for the omnipresent “Lush Life” but for “Something to Live For” and “A Lonely Coed”); Peggy Lee (not only a superb singer but also an original and appealing lyricist); and the unique Dave Frishberg (“I’m Hip,” “Peel Me a Grape,” “Van Lingo Mungo”). The lyricists are presented chronologically, each introduced by a succinct biography and the incisive commentary of Robert Gottlieb and Robert Kimball.
Publisher: Pantheon
ISBN: 0375400818
Category : Music
Languages : en
Pages : 738
Book Description
A comprehensive anthology bringing together more than one thousand of the best American and English song lyrics of the twentieth century; an extraordinary celebration of a unique art form and an indispensable reference work and history that celebrates one of the twentieth century’s most enduring and cherished legacies. Reading Lyrics begins with the first masters of the colloquial phrase, including George M. Cohan (“Give My Regards to Broadway”), P. G. Wodehouse (“Till the Clouds Roll By”), and Irving Berlin, whose versatility and career span the period from “Alexander’s Ragtime Band” to “Annie Get Your Gun” and beyond. The Broadway musical emerges as a distinct dramatic form in the 1920s and 1930s, its evolution propelled by a trio of lyricists—Cole Porter, Ira Gershwin, and Lorenz Hart—whose explorations of the psychological and emotional nuances of falling in and out of love have lost none of their wit and sophistication. Their songs, including “Night and Day,” “The Man I Love,” and “Bewitched, Bothered and Bewildered,” have become standards performed and recorded by generation after generation of singers. The lure of Broadway and Hollywood and the performing genius of such artists as Al Jolson, Fred Astaire, Ethel Waters, Judy Garland, Frank Sinatra, and Ethel Merman inspired a remarkable array of talented writers, including Dorothy Fields (“A Fine Romance,” “I Can’t Give You Anything but Love”), Frank Loesser (“Guys and Dolls”), Oscar Hammerstein II (from the groundbreaking “Show Boat” of 1927 through his extraordinary collaboration with Richard Rodgers), Johnny Mercer, Yip Harburg, Andy Razaf, Noël Coward, and Stephen Sondheim. Reading Lyrics also celebrates the work of dozens of superb craftsmen whose songs remain known, but who today are themselves less known—writers like Haven Gillespie (whose “Santa Claus Is Coming to Town” may be the most widely recorded song of its era); Herman Hupfeld (not only the composer/lyricist of “As Time Goes By” but also of “Are You Makin’ Any Money?” and “When Yuba Plays the Rumba on the Tuba”); the great light versifier Ogden Nash (“Speak Low,” “I’m a Stranger Here Myself,” and, yes, “The Sea-Gull and the Ea-Gull”); Don Raye (“Boogie Woogie Bugle Boy,” “Mister Five by Five,” and, of course, “Milkman, Keep Those Bottles Quiet”); Bobby Troup (“Route 66”); Billy Strayhorn (not only for the omnipresent “Lush Life” but for “Something to Live For” and “A Lonely Coed”); Peggy Lee (not only a superb singer but also an original and appealing lyricist); and the unique Dave Frishberg (“I’m Hip,” “Peel Me a Grape,” “Van Lingo Mungo”). The lyricists are presented chronologically, each introduced by a succinct biography and the incisive commentary of Robert Gottlieb and Robert Kimball.
Jerry Herman
Author: Jerry Herman
Publisher: Routledge
ISBN: 1135885796
Category : Music
Languages : en
Pages : 361
Book Description
Jerry Herman is one of Broadway's most celebrated composers and lyricists. He is the author of two of the biggest successes in musical theater history: Hello, Dolly! and Mame . Herman is also responsible for Mack and Mabel, Milk and Honey , and the musical version of the film La Cage Aux Folles. All of these have been produced many times, in both professional and amateur productions around the world. He is currently writing a new musical, Miss Spectacular , commissioned by Steve Wynn to be produced in a new theater at his Venetian Hotel in Las Vegas. This book offers all of the lyrics to Herman's well-loved songs along with rare production photographs from all of his shows. It includes early lyrics from Herman's first Broadway revues and shows, songs cut from his best-loved shows, and new lyrics. Herman's songs have been sung by all the masters of American pop song but have never been collected before. In addition to the lyrics, Herman offers his personal reminiscences and comments on the lyrics and the shows. For the fan of Broadway theater and of Jerry Herman's works, this book will be a treasure.
Publisher: Routledge
ISBN: 1135885796
Category : Music
Languages : en
Pages : 361
Book Description
Jerry Herman is one of Broadway's most celebrated composers and lyricists. He is the author of two of the biggest successes in musical theater history: Hello, Dolly! and Mame . Herman is also responsible for Mack and Mabel, Milk and Honey , and the musical version of the film La Cage Aux Folles. All of these have been produced many times, in both professional and amateur productions around the world. He is currently writing a new musical, Miss Spectacular , commissioned by Steve Wynn to be produced in a new theater at his Venetian Hotel in Las Vegas. This book offers all of the lyrics to Herman's well-loved songs along with rare production photographs from all of his shows. It includes early lyrics from Herman's first Broadway revues and shows, songs cut from his best-loved shows, and new lyrics. Herman's songs have been sung by all the masters of American pop song but have never been collected before. In addition to the lyrics, Herman offers his personal reminiscences and comments on the lyrics and the shows. For the fan of Broadway theater and of Jerry Herman's works, this book will be a treasure.
The Routledge Companion to the Contemporary Musical
Author: Jessica Sternfeld
Publisher: Routledge
ISBN: 1134851855
Category : Music
Languages : en
Pages : 715
Book Description
The Routledge Companion to the Contemporary Musical is dedicated to the musical’s evolving relationship to American culture in the late twentieth and early twenty-first centuries. In the past decade-and-a-half, international scholars from an ever-widening number of disciplines and specializations have been actively contributing to the interdisciplinary field of musical theater studies. Musicals have served not only to mirror the sociopolitical, economic, and cultural tenor of the times, but have helped shape and influence it, in America and across the globe: a genre that may seem, at first glance, light-hearted and escapist serves also as a bold commentary on society. Forty-four essays examine the contemporary musical as an ever-shifting product of an ever-changing culture. This volume sheds new light on the American musical as a thriving, contemporary performing arts genre, one that could have died out in the post-Tin Pan Alley era but instead has managed to remain culturally viable and influential, in part by newly embracing a series of complex contradictions. At present, the American musical is a live, localized, old-fashioned genre that has simultaneously developed into an increasingly globalized, tech-savvy, intensely mediated mass entertainment form. Similarly, as it has become increasingly international in its scope and appeal, the stage musical has also become more firmly rooted to Broadway—the idea, if not the place—and thus branded as a quintessentially American entertainment.
Publisher: Routledge
ISBN: 1134851855
Category : Music
Languages : en
Pages : 715
Book Description
The Routledge Companion to the Contemporary Musical is dedicated to the musical’s evolving relationship to American culture in the late twentieth and early twenty-first centuries. In the past decade-and-a-half, international scholars from an ever-widening number of disciplines and specializations have been actively contributing to the interdisciplinary field of musical theater studies. Musicals have served not only to mirror the sociopolitical, economic, and cultural tenor of the times, but have helped shape and influence it, in America and across the globe: a genre that may seem, at first glance, light-hearted and escapist serves also as a bold commentary on society. Forty-four essays examine the contemporary musical as an ever-shifting product of an ever-changing culture. This volume sheds new light on the American musical as a thriving, contemporary performing arts genre, one that could have died out in the post-Tin Pan Alley era but instead has managed to remain culturally viable and influential, in part by newly embracing a series of complex contradictions. At present, the American musical is a live, localized, old-fashioned genre that has simultaneously developed into an increasingly globalized, tech-savvy, intensely mediated mass entertainment form. Similarly, as it has become increasingly international in its scope and appeal, the stage musical has also become more firmly rooted to Broadway—the idea, if not the place—and thus branded as a quintessentially American entertainment.
Jerry's Girls
Author: Jerry Herman
Publisher: Samuel French, Inc.
ISBN: 9780573681813
Category : Drama
Languages : en
Pages : 68
Book Description
"All the best songs for women from such immortal musicals as Mame, Hello Dolly!, Milk and Honey, Mack and Mabel, A Day in Hollywood/A Night in the Ukraine and La Cage Aux Folles."--Publisher.
Publisher: Samuel French, Inc.
ISBN: 9780573681813
Category : Drama
Languages : en
Pages : 68
Book Description
"All the best songs for women from such immortal musicals as Mame, Hello Dolly!, Milk and Honey, Mack and Mabel, A Day in Hollywood/A Night in the Ukraine and La Cage Aux Folles."--Publisher.
Showstoppers!
Author: Gerald Nachman
Publisher: Chicago Review Press
ISBN: 1613731051
Category : Performing Arts
Languages : en
Pages : 550
Book Description
When Robert Preston shouted "Ya got trouble!" in River City, when Carol Channing glided down a gilded staircase while waiters serenaded her with "Hello, Dolly!," when Barbra Streisand defied us to rain on her parade in Funny Girl, audiences were instantly enchanted. Showstoppers! is all about Broadway musicals' most memorable numbers—why they were so effective, how they were created, and why they still resonate. Much of it is told through the eyes of the performers, songwriters, directors, and choreographers who first built these explosive numbers and lit the fuse. Gerald Nachman interviewed dozens of iconic musical theater figures, including Patti LuPone, John Raitt, Jerry Herman, Edie Adams, Dick Van Dyke, Joel Grey, Marvin Hamlisch, John Kander, Tommy Tune, Sheldon Harnick, and Harold Prince, uncovering priceless untold anecdotes and details.
Publisher: Chicago Review Press
ISBN: 1613731051
Category : Performing Arts
Languages : en
Pages : 550
Book Description
When Robert Preston shouted "Ya got trouble!" in River City, when Carol Channing glided down a gilded staircase while waiters serenaded her with "Hello, Dolly!," when Barbra Streisand defied us to rain on her parade in Funny Girl, audiences were instantly enchanted. Showstoppers! is all about Broadway musicals' most memorable numbers—why they were so effective, how they were created, and why they still resonate. Much of it is told through the eyes of the performers, songwriters, directors, and choreographers who first built these explosive numbers and lit the fuse. Gerald Nachman interviewed dozens of iconic musical theater figures, including Patti LuPone, John Raitt, Jerry Herman, Edie Adams, Dick Van Dyke, Joel Grey, Marvin Hamlisch, John Kander, Tommy Tune, Sheldon Harnick, and Harold Prince, uncovering priceless untold anecdotes and details.
The Matchmaker
Author: Thornton Wilder
Publisher: Concord Theatricals
ISBN: 9780573612220
Category : Drama
Languages : en
Pages : 132
Book Description
"This play is a rewritten version of the play "The merchant of Yonkers" which was directed in 1938 ..."--P. [4].
Publisher: Concord Theatricals
ISBN: 9780573612220
Category : Drama
Languages : en
Pages : 132
Book Description
"This play is a rewritten version of the play "The merchant of Yonkers" which was directed in 1938 ..."--P. [4].
Show and Tell
Author: Ken Bloom
Publisher: Oxford University Press
ISBN: 019022102X
Category : Music
Languages : en
Pages : 353
Book Description
Did you know that Frank Sinatra was nearly considered for the original production of Fiddler on the Roof? Or that Jerome Robbins never choreographed the famous "Dance at the Gym" in West Side Story? Or that Lin-Manuel Miranda called out an audience member on Twitter for texting during a performance of Hamilton (the perpetrator was Madonna)? In Show and Tell: The New Book of Broadway Anecdotes, Broadway aficionado-in-chief Ken Bloom takes us on a spirited spin through some of the most intriguing factoids in show business, offering up an unconventional history of the theatre in all its idiosyncratic glory. From the cantankerous retorts of George Abbott to the literally show-stopping antics of Katharine Hepburn, you'll learn about the adventures and star turns of some of the Broadway's biggest personalities, and discover little-known tidbits about beloved plays and musicals from The Black Crook to Beautiful.
Publisher: Oxford University Press
ISBN: 019022102X
Category : Music
Languages : en
Pages : 353
Book Description
Did you know that Frank Sinatra was nearly considered for the original production of Fiddler on the Roof? Or that Jerome Robbins never choreographed the famous "Dance at the Gym" in West Side Story? Or that Lin-Manuel Miranda called out an audience member on Twitter for texting during a performance of Hamilton (the perpetrator was Madonna)? In Show and Tell: The New Book of Broadway Anecdotes, Broadway aficionado-in-chief Ken Bloom takes us on a spirited spin through some of the most intriguing factoids in show business, offering up an unconventional history of the theatre in all its idiosyncratic glory. From the cantankerous retorts of George Abbott to the literally show-stopping antics of Katharine Hepburn, you'll learn about the adventures and star turns of some of the Broadway's biggest personalities, and discover little-known tidbits about beloved plays and musicals from The Black Crook to Beautiful.