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Author: John Pilling
Publisher: Cambridge University Press
ISBN: 9780521604512
Category : Drama
Languages : en
Pages : 296
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Book Description
A leading Beckett scholar and editor of the Cambridge Companion to Beckett, offers a coherent critical account of Beckett's earliest years.
Author: John Pilling
Publisher: Cambridge University Press
ISBN: 9780521604512
Category : Drama
Languages : en
Pages : 296
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Book Description
A leading Beckett scholar and editor of the Cambridge Companion to Beckett, offers a coherent critical account of Beckett's earliest years.
Author: Arka Chattopadhyay
Publisher: Bloomsbury Publishing USA
ISBN: 1501341162
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Beckett, Lacan and the Mathematical Writing of the Real proposes writing as a mathematical and logical operation to build a bridge between Lacanian psychoanalysis and Samuel Beckett's prose works. Arka Chattopadhyay studies aspects such as the fundamental operational logic of a text, use of mathematical forms like geometry and arithmetic, the human obsession with counting, the moving body as an act of writing and love, and sexuality as a challenge to the limits of what can be written through logic and mathematics. Chattopadhyay reads Beckett's prose works, including How It Is, Company, Worstward Ho, Malone Dies and Enough to highlight this terminal writing, which halts endless meanings with the material body of the word and gives Beckett a medium to inscribe what cannot be written otherwise.
Author: L. Oppenheim
Publisher: Springer
ISBN: 0230504620
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
Palgrave Advances in Samuel Beckett Studies explores the evolution of critical approaches to Beckett's writing. It will appeal to graduate students (and advance undergraduates) as well as scholars, for it offers both an overview of Beckett studies and investigates current debates within the interdisciplinary critical arena. Each of the contributors is an eminent Beckett specialist who has published widely in the field. The volume contains an introduction, twelve essays and a guide for further reading.
Author: Marius Buning
Publisher: Rodopi
ISBN: 9789042008083
Category : Art
Languages : en
Pages : 300
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Book Description
Author: Peter John Murphy
Publisher: University of Toronto Press
ISBN: 0802097960
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Paying close attention to the extensive network of allusions Beckett derived from Joyce's writing, P.J. Murphy reveals how Beckett consistently echoed and engaged in dialogue with Joyce's works.
Author: Charles A. Carpenter
Publisher: A&C Black
ISBN: 144118421X
Category : Reference
Languages : en
Pages : 525
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Book Description
Author: David Lloyd
Publisher: Edinburgh University Press
ISBN: 1474415733
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.
Author: Anthony Cordingley
Publisher: Edinburgh University Press
ISBN: 1474440622
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
A critical guide to the philosophy of Giorgio Agamben, organised around the philosophers and thinkers he draws on and critiques.
Author: Jean-Michel Rabaté
Publisher: John Wiley & Sons
ISBN: 1118488679
Category : Literary Criticism
Languages : en
Pages : 485
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Book Description
Featuring the latest research findings and exploring the fascinating interplay of modernist authors and intellectual luminaries, from Beckett and Kafka to Derrida and Adorno, this bold new collection of essays gives students a deeper grasp of key texts in modernist literature. Provides a wealth of fresh perspectives on canonical modernist texts, featuring the latest research data Adopts an original and creative thematic approach to the subject, with concepts such as race, law, gender, class, time, and ideology forming the structure of the collection Explores current and ongoing debates on the links between the aesthetics and praxis of authors and modernist theoreticians Reveals the profound ways in which modernist authors have influenced key thinkers, and vice versa
Author: Wimbush Andy
Publisher: BoD – Books on Demand
ISBN: 3838213696
Category : Philosophy
Languages : en
Pages : 292
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Book Description
In the 1930s, a young Samuel Beckett confessed to a friend that he had been living his life according to an ‘abject self-referring quietism’. Andy Wimbush argues that ‘quietism’—a philosophical and religious attitude of renunciation and will-lessness—is a key to understanding Beckett’s artistic vision and the development of his career as a fiction writer from his early novels Dream of Fair to Middling Women and Murphy to late short prose texts such as Stirrings Still and Company. Using Beckett’s published and archival material, Still: Samuel Beckett’s Quietism shows how Beckett distilled an understanding of quietism from the work of Arthur Schopenhauer, E.M. Cioran, Thomas à Kempis, Fyodor Dostoevsky, and André Gide, before turning it into an aesthetic that would liberate him from the powerful literary traditions of nineteenth-century realism and early twentieth-century high modernism. Quietism, argues Andy Wimbush, was for Beckett a lifelong preoccupation that shaped his perspectives on art, relationships, ethics, and even notions of salvation. But most of all it showed Beckett a way to renounce authorial power and write from a position of impotence, ignorance, and incoherence so as to produce a new kind of fiction that had, in Molloy’s words, the ‘tranquility of decomposition’.
