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Author: Jeremy Gilbert-Rolfe
Publisher: Allworth Press
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
This book offers an unpredictable, humorous, and politically unconstrained perspective on today's heated debates about the meaning and role of beauty in art and contemporary society.
Author: Jeremy Gilbert-Rolfe
Publisher: Allworth Press
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
This book offers an unpredictable, humorous, and politically unconstrained perspective on today's heated debates about the meaning and role of beauty in art and contemporary society.
Author: Emily Brady
Publisher: Cambridge University Press
ISBN: 1107276268
Category : Philosophy
Languages : en
Pages : 241
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Book Description
In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.
Author: Timothy M. Costelloe
Publisher: Cambridge University Press
ISBN: 0521143675
Category : History
Languages : en
Pages : 319
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Book Description
This volume offers readers a unique and comprehensive overview of different theoretical and interdisciplinary perspectives on 'the sublime'.
Author: Bill Beckley
Publisher: Allworth Press
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
Combining classic theory with current discourse surounding art history's infamous S word, this colection contains some of today's most highly esteemed critics', artists', and poets' approaches to contemporary sublime.
Author: Philip Shaw
Publisher: Routledge
ISBN: 1134493185
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Often labelled as ‘indescribable’, the sublime is a term that has been debated for centuries amongst writers, artists, philosophers and theorists. Usually related to ideas of the great, the awe-inspiring and the overpowering, the sublime has become a complex yet crucial concept in many disciplines. Offering historical overviews and explanations, Philip Shaw looks at: the legacy of the earliest, classical theories of the sublime through the romantic to the postmodern and avant-garde sublimity the major theorists of the sublime such as Kant, Burke, Lyotard, Derrida, Lacan and Zizek, offering critical introductions to each the significance of the concept through a range of literary readings including the Old and New testaments, Homer, Milton and writing from the romantic era how the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch’s neo-noir. This remarkably clear study of what is, in essence, a term which evades definition, is essential reading for students of literature, critical and cultural theory.
Author: Alan P. R. Gregory
Publisher:
ISBN: 9781602584624
Category : Christianity and literature
Languages : en
Pages : 329
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Book Description
Explores the sublime in Christian theology and science fiction.
Author: Suzanne Ramljak
Publisher: Rizzoli Publications
ISBN: 084786314X
Category : Art
Languages : en
Pages : 0
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Book Description
Artists such as Maya Lin, Roxy Paine, and Dustin Yellin show the impact of human interventionon our ecosystem through a mix of installations, video, photography, and sculpture. Natural Wonders spotlights the works of thirteen artists who work in various media to depict themes of nature—both its beauty and its more disquieting aspects—from painting and sculpture to 3-D landscapes and botanical replications to dioramas and lenticular prints. The range of works encourages us to be more attentive to our natural surroundings and address timely issues such as habitat loss, environmental toxins, bioengineering, and increasing alienation from nature. Ramljak’s essay provides a broad cultural and historical context for the contemporary artworks, complemented by artist statements and an interview between environmentally minded artists Mark Dion and Alexis Rockman.
Author: David Shapiro
Publisher: Simon and Schuster
ISBN: 1621531112
Category : Art
Languages : en
Pages : 654
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Book Description
In this acclaimed art anthology, a prestigious group of artists, critics, and literati offer their incisive reflections on the questions of beauty, past, present, and future, and how it has become a domain of multiple perspectives. Here is Meyer Schapiro’s skeptical argument on perfection . . . contributions from artists as profound as Louise Bourgeois and Agnes Martin . . . and reflections of critics, curators, and philosophers on the problems of beauty and relativism. Readers will find fascinating insights from such art theorists and critics as Dave Hickey, Jeremy Gilbert-Rolfe, Donald Kuspit, Carter Ratcliff, and dozens more.
Author: Jane Forsey
Publisher: Cambridge Scholars Publishing
ISBN: 1527510301
Category : Philosophy
Languages : en
Pages : 126
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Book Description
The notion of the sublime, used to describe a particular kind of overwhelming or exhilarating aesthetic experience, has garnered a great deal of attention by philosophers, critical theorists and literary scholars. In the midst of this growing body of literature, Professor Jane Forsey published an article asking whether an aesthetic theory of the sublime is even possible, and argued provocatively in the negative. Claiming that efforts to explain the sublime inevitably result in theories that are either contradictory or incoherent, Forsey posed a challenge to anyone who takes the sublime seriously as an aesthetic category. This volume brings together an international slate of philosophers and scholars of the sublime, who have been invited to respond to, and critically engage with, Forsey’s article. Unlike other monographs and anthologies that deal broadly with the sublime in aesthetics, this collection examines specific conceptual problems with the very foundations of sublime theory in a manner that is tightly focused and rigorous. It represents a variety of approaches that defend the sublime, and concludes with an original response by Professor Forsey to her critics.
Author: David Weissman
Publisher: Walter de Gruyter
ISBN: 311032038X
Category : Philosophy
Languages : en
Pages : 129
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Book Description
Philosophic attention shifted after Hegel from Kant’s emphasis on sensibility to criticism and analyses of the fine arts. The arts themselves seemed as ample as nature; a disciplined science could devote as much energy to one as the other. But then the arts began to splinter because of new technologies: photography displaced figurative painting; hearing recorded music reduced the interest in learning to play it. The firm interiority that Hegel assumed was undermined by the speed, mechanization, and distractions of modern life. We inherit two problems: restore quality and conviction in the arts; cultivate the interiority—the sensibility—that is a condition for judgment in every domain. What is sensibility’s role in experiences of every sort, but especially those provoked when art is made and enjoyed?
