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Author: Dr Martin Garrett
Publisher: Routledge
ISBN: 1134967578
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Martin Garrett's comprehensive collection presents and explains the history of the critical reception to Massinger's work from the early seventeenth to the late nineteenth century. The volume includes extensive selections from the writings of Pepys, Goldsmith, Coleridge, Hazlitt, Lamb and Swinburne, as well as briefer comments from Scott, Byron and Keats. Responses to Massinger's plays from writers as diverse as Boswell, Mrs Thrale, Dickens and Elizabeth Barrett Browning are discussed in Martin Garrett's introduction, which also includes an account of the plays' original political and theatrical context.
Author: Dr Martin Garrett
Publisher: Routledge
ISBN: 1134967578
Category : Literary Criticism
Languages : en
Pages : 256
Get Book Here
Book Description
Martin Garrett's comprehensive collection presents and explains the history of the critical reception to Massinger's work from the early seventeenth to the late nineteenth century. The volume includes extensive selections from the writings of Pepys, Goldsmith, Coleridge, Hazlitt, Lamb and Swinburne, as well as briefer comments from Scott, Byron and Keats. Responses to Massinger's plays from writers as diverse as Boswell, Mrs Thrale, Dickens and Elizabeth Barrett Browning are discussed in Martin Garrett's introduction, which also includes an account of the plays' original political and theatrical context.
Author: Philip Massinger
Publisher: Oxford University Press
ISBN: 0199696918
Category : Drama
Languages : en
Pages : 431
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Book Description
A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Author: Benjamin Townley Spencer
Publisher: Princeton University Press
ISBN: 1400878446
Category : Literary Criticism
Languages : en
Pages : 359
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Book Description
Contents Preface, v Introduction, 1 I. Date of Composition, 1 II. Editions, 2 III. Stage History, 8 IV. Sources, 11 V. Classical Ideas, 43 VII. Textual Note, 69 Text, 76 Notes, 161 Appendix I: Influences, 257 Appendix II: Publishers and Printers, 260 Bibliography, 262 Originally published in 1932. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author:
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Category :
Languages : en
Pages : 702
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Book Description
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Category : Early English newspapers
Languages : en
Pages : 710
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Book Description
The "Gentleman's magazine" section is a digest of selections from the weekly press; the "(Trader's) monthly intelligencer" section consists of news (foreign and domestic), vital statistics, a register of the month's new publications, and a calendar of forthcoming trade fairs.
Author: Edward Cave
Publisher:
ISBN:
Category : Books and bookselling
Languages : en
Pages : 710
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Book Description
Author: Philip Massinger
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 540
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Book Description
Author:
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ISBN:
Category : Books
Languages : en
Pages : 808
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Book Description
Author: Philip Massinger
Publisher:
ISBN:
Category :
Languages : en
Pages : 542
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Book Description
Author: Professor Joanne Rochester
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409475824
Category : Literary Criticism
Languages : en
Pages : 186
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Book Description
The playwrights composing for the London stage between 1580 and 1642 repeatedly staged plays-within and other metatheatrical inserts. Such works present fictionalized spectators as well as performers, providing images of the audience-stage interaction within the theatre. They are as much enactments of the interpretive work of a spectator as of acting, and as such they are a potential source of information about early modern conceptions of audiences, spectatorship and perception. This study examines on-stage spectatorship in three plays by Philip Massinger, head playwright for the King's Men from 1625 to 1640. Each play presents a different form of metatheatrical inset, from the plays-within of The Roman Actor (1626), to the masques-within of The City Madam (1632) to the titular miniature portrait of The Picture (1629), moving thematically from spectator interpretations of dramatic performance, the visual spectacle of the masque to staged 'readings' of static visual art. All three forms present a dramatization of the process of examination, and allow an analysis of Massinger's assumptions about interpretation, perception and spectator response.
