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Author: Shelley R. Langdale
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
Antionio del Pollaiuolo (1431-1498) was a renowned Florentine painter, sculptor, draftsman and goldsmith who was particularly admired for his dynamic and expressive portrayal of the human figure. He carried out a wide range of projects, but a relatively small number of his works survive, and he is perhaps most widely known for his magnificent engraving, Battle of the Nudes. The Cleveland Museum of Art's unique first state of the Battle of the Nudes has long been regarded as the exemplary early impression, printed before the plate began to wear and was supposedly re-engraved by another hand. All other known impressions are second states, pulled from the reworked plate.
Author: Shelley R. Langdale
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
Antionio del Pollaiuolo (1431-1498) was a renowned Florentine painter, sculptor, draftsman and goldsmith who was particularly admired for his dynamic and expressive portrayal of the human figure. He carried out a wide range of projects, but a relatively small number of his works survive, and he is perhaps most widely known for his magnificent engraving, Battle of the Nudes. The Cleveland Museum of Art's unique first state of the Battle of the Nudes has long been regarded as the exemplary early impression, printed before the plate began to wear and was supposedly re-engraved by another hand. All other known impressions are second states, pulled from the reworked plate.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
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Book Description
Author: Evelyn Ehrlich
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 4
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Book Description
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 160606584X
Category : Art
Languages : en
Pages : 436
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Book Description
A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.
Author: Michael Vickers
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Book Description
Author: Richard Leppert
Publisher: Routledge
ISBN: 042996465X
Category : Art
Languages : en
Pages : 336
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Book Description
The Nude explores some of the principal ways that paintings of the nude function in the conflicted terrain of culture and society in Europe and America from the fifteenth through twentieth centuries, as set against questions about human sexuality that emerge around differences of class, gender, age, and race. Author Richard Leppert relates the visual history of how the naked body intersects with the foundational characteristics of what it is to be human, measured against a range of basic emotions (happiness, delight, and desire; fear, anxiety, and abjection) and read in the context of changing social and cultural realities. The bodies comprising the Western nude are variously pleasured or tormented, ecstatic or bored, pleased or horrified. In short, as this volume amply demonstrates, the nude in Western art is a terrain on whose surface is written a summation of Western history: its glory but also its degradation.
Author: Gordon Downie
Publisher:
ISBN:
Category : Popular music
Languages : en
Pages :
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Book Description
Author: Garrett Ryan
Publisher: Rowman & Littlefield
ISBN: 1633887030
Category : History
Languages : en
Pages : 289
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Book Description
Why didn't the ancient Greeks or Romans wear pants? How did they shave? How likely were they to drink fine wine, use birth control, or survive surgery? In a series of short and humorous essays, Naked Statues, Fat Gladiators, and War Elephants explores some of the questions about the Greeks and Romans that ancient historian Garrett Ryan has answered in the classroom and online. Unlike most books on the classical world, the focus is not on famous figures or events, but on the fascinating details of daily life. Learn the answers to: How tall were the ancient Greeks and Romans? How long did they live? What kind of pets did they have? How dangerous were their cities? Did they believe their myths? Did they believe in ghosts, monsters, and/or aliens? Did they jog or lift weights? How did they capture animals for the Colosseum? Were there secret police, spies, or assassins? What happened to the city of Rome after the Empire collapsed? Can any families trace their ancestry back to the Greeks or Romans?
Author: David Landau
Publisher: Yale University Press
ISBN: 0300068832
Category : Art
Languages : en
Pages : 453
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Book Description
Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.
