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Author: Maryrose Casey
Publisher: Univ. of Queensland Press
ISBN: 9780702234323
Category : Drama
Languages : en
Pages : 416
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Book Description
Provides the first significant social and cultural history of Indigenous theatre across Australia. Creating Frames traces the journey behind a substantial national body of work and its importance in ensuring that Indigenous voices are heard.
Author: Maryrose Casey
Publisher: Univ. of Queensland Press
ISBN: 9780702234323
Category : Drama
Languages : en
Pages : 416
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Book Description
Provides the first significant social and cultural history of Indigenous theatre across Australia. Creating Frames traces the journey behind a substantial national body of work and its importance in ensuring that Indigenous voices are heard.
Author: Helen Gilbert
Publisher: University of Michigan Press
ISBN: 9780472066773
Category : Drama
Languages : en
Pages : 292
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Book Description
SIGHTLINES explores Australian drama for its complex negotiations of race, gender, and postcolonialism. Drama scholar Helen Gilbert discusses an exciting variety of plays. Although focused mainly on performance, her insistent interest in historical and political contexts also speaks to the broader concerns of cultural studies. 23 illustrations.
Author: Katherine E. Russo
Publisher: Tangram Ediz. Scientifiche
ISBN: 8864580573
Category : Language Arts & Disciplines
Languages : en
Pages : 135
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Book Description
Author: Joanne Tompkins
Publisher: Springer
ISBN: 0230286240
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
This study investigates contestations over spatiality in one culturally composite nation, Australia, where contemporary theatre stages competing cultural and political agendas through space and place. Covering a wide range of plays it will have wide appeal for issues of space, spatiality and territory in all forms of theatre, in all nations.
Author: Katherine E. Russo
Publisher: Cambridge Scholars Publishing
ISBN: 1443821667
Category : Social Science
Languages : en
Pages : 210
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Book Description
Practices of Proximity investigates the appropriation of the English language taking place in the Australian literary contact zone between an official ‘white’ Australia—the apparent owners of both the land and the English language—and Australian Indigenous peoples. Rescuing the debate from seemingly peripheral locations—the ‘empty’ Great Sandy Desert, or the abject urban margin—it insists on the complex, ultimately open-ended and multilateral ownership of the English language by all who inhabit the intersubjective space of literature, rendering the inherited authority of who ‘owns’ meaning problematical and ethically suspect. Documenting the complex practices of bricolage and re-lexification of a multi-accentuated Australia, the book invites readers to consider Australian Indigenous literature as a space from which a re-routing of issues of co-habitation, sovereignty, and being and becoming Australian might begin. This interdisciplinary study of Australian Indigenous practices of appropriation ranges from texts produced during the first encounters of Indigenous and non-Indigenous peoples to the work of established and rising authors, such as Oodgeroo Noonuccal, Jack Davis, Lionel Fogarty, Romaine Moreton and Kim Scott.
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Author: Sarah Overton
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 788
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Book Description
Author: Nicholas J. Goetzfridt
Publisher: Bloomsbury Publishing USA
ISBN: 0313369887
Category : Literary Criticism
Languages : en
Pages : 369
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Book Description
Oceania has a rich and growing literary tradition. The imaginative literature that emerged in the 1960s often reflected the forms and structures of European literature, though the ideas expressed were typically anticolonial. After three decades, the literature of Oceania has become much more complex, in terms of style as well as content; and authors write in a multiplicity of styles and voices. While the written literature of Oceania is continuously gaining more critical attention, questions about the imposition of European literary standards and values as a further extension of colonialism in the Pacific have become a central issue. This book is a detailed survey of the expanding amount of critical and interpretive material written about the imaginative literature of authors from Oceania. It focuses on commentary and scholarship concerned with the poetry, fiction, and drama written in English by indigenous peoples of the Pacific Islands, New Zealand, and Australia. The criticisms have appeared in academic books and journals since the mid-1960s. They have developed to the point at which critical issues, related to decolonization and the expression of ideas without having to first satisfy foreign expectations, often determine the direction of such discussions. Entries are grouped in topical chapters, and each entry includes an extensive annotation. An introductory essay summarizes the evolution of Pacific literature.
Author: Arnab Ray
Publisher: Taylor & Francis
ISBN: 1000770249
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
This book interrogates the relationship of theatre and the dialectics of centre and the margins. It looks into the exciting world of performance to examine how theatre as an art form is perfectly placed to both perform and critique complex relations of power, politics, and culture. The volume looks into how drama has historically served as a stage for expressing and showcasing prevalent social, historical, and cultural contexts from which it has emerged or intends to critique. Including a wide range of performative practices like Dalit Theatre, Australian Aboriginal theatre, Western realism, and Yoruba theatre, it explores varied lived experiences of people, and voices of subversion, subalternity, resistance, and transformation. The book scrutinises the strategies of representation enunciated through textuality, theatricality, and performance in these works and the politics they are inextricably linked with. This book will be of interest and use to scholars, researchers, and students of theatre and performance studies, postcolonial studies, race and inequality studies, gender studies, and culture studies.
Author:
Publisher:
ISBN:
Category : Australian literature
Languages : en
Pages : 480
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Book Description
Author: Brian Crow
Publisher: Cambridge University Press
ISBN: 9780521567220
Category : Drama
Languages : en
Pages : 208
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Book Description
In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.
