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Author: Julie A. Brown
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754657774
Category : Music
Languages : en
Pages : 204
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Book Description
In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartók engaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In this book, Julie Brown argues that Bartók's concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartók was composing.
Author: Julie A. Brown
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754657774
Category : Music
Languages : en
Pages : 204
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Book Description
In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartók engaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In this book, Julie Brown argues that Bartók's concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartók was composing.
Author: Julie Brown
Publisher: Routledge
ISBN: 1351574574
Category : Music
Languages : en
Pages : 193
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Book Description
The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bart ngaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bart concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Bart eveloped each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bart as composing.
Author: Julie Brown
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Julie Brown
Publisher:
ISBN: 9781315096599
Category : Electronic books
Languages : en
Pages :
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Book Description
"The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bart?ngaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bart? concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Bart?eveloped each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bart?as composing."--Provided by publisher.
Author: Kent Farbach
Publisher:
ISBN:
Category : Art and music
Languages : en
Pages : 252
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Book Description
After defining the word 'grotesque', this thesis explores the various distortion techniques in examples of grotesque visual art. Parallels are drawn between visual art and music by demonstrating how distortion techniques in selected works of Béla Bartók are similar to those found in the visual arts.
Author: David Cooper
Publisher: Yale University Press
ISBN: 0300213077
Category : Biography & Autobiography
Languages : en
Pages : 451
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Book Description
"This deeply researched biography of Béla Bartók (1881–1945) provides a more comprehensive view of the innovative Hungarian musician than ever before. David Cooper traces Bartók’s international career as an ardent ethno-musicologist and composer, teacher, and pianist, while also providing a detailed discussion of most of his works. Further, the author explores how Europe’s political and cultural tumult affected Bartók’s work, travel, and reluctant emigration to the safety of America in his final years. Cooper illuminates Bartók’s personal life and relationships, while also expanding what is known about the influence of other musicians—Richard Strauss, Zoltán Kodály, and Yehudi Menuhin, among many others. The author also looks closely at some of the composer’s actions and behaviors which may have been manifestations of Asperger syndrome. The book, in short, is a consummate biography of an internationally admired musician."
Author: Elliott Antokoletz
Publisher: Taylor & Francis
ISBN: 1135845417
Category :
Languages : en
Pages : 529
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Book Description
Author: John H Baron
Publisher: Routledge
ISBN: 1135848289
Category : Art
Languages : en
Pages : 797
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Book Description
Chamber Music: A Research and Information Guide is a reference tool for anyone interested in chamber music. It is not a history or an encyclopedia but a guide to where to find answers to questions about chamber music. The third edition adds nearly 600 new entries to cover new research since publication of the previous edition in 2002. Most of the literature is books, articles in journals and magazines, dissertations and theses, and essays or chapters in Festschriften, treatises, and biographies. In addition to the core literature obscure citations are also included when they are the only studies in a particular field. In addition to being printed, this volume is also for the first time available online. The online environment allows for information to be updated as new research is introduced. This database of information is a "live" resource, fully searchable, and with active links. Users will have unlimited access, annual revisions will be made and a limited number of pages can be downloaded for printing.
Author: Nicolò Palazzetti
Publisher: Boydell & Brewer
ISBN: 1783276207
Category : History
Languages : en
Pages : 320
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Book Description
Examines the reputation of the Hungarian musician Béla Bartók (1881-1945) as an antifascist hero. This book examines the reputation of the Hungarian composer Béla Bartók (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzetti explores the connexions between music, politics and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music. The book argues that the 'Bartókian Wave' occurring in Italy after the Second World War was the result of the fusion of the Bartók myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed Bartók into a martyr, just as the Resistenza and the catastrophe of war had redeemed post-war Italy.
Author: Eve Ruotsinoja
Publisher:
ISBN:
Category :
Languages : en
Pages : 204
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Book Description
Bartok’s Sixth String Quartet is known for its return to more conservative tonal, formal, and generic idioms. Setting it apart, however, is the pervasive role of the ritomello that precedes each movement and increases in size with each statement. Likewise, commonly acknowledged is the presence of the grotesque in the Quartet, though little attention has been given to its placement and salience in relation to the Quartet’s existing formal properties, such as the ritomello and the conventional sonata and ternary forms. In this study, I employ the aesthetics of the grotesque as an interpretive window through which to view the interaction of the ritomello with the Quartet as a whole. I argue that the grotesque in Bartok’s Sixth Quartet performs a mediating role between the opposition of exterior and interior musical spaces. The prevailing narrative event involves the transgression of exterior upon interior and the dissolution of formal boundaries.
