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Author: Mona Inglesby
Publisher: Groundnut
ISBN: 9780952714170
Category : Ballet
Languages : en
Pages : 150
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Book Description
Author: Mona Inglesby
Publisher: Groundnut
ISBN: 9780952714170
Category : Ballet
Languages : en
Pages : 150
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Book Description
Author: Gillian Lynne
Publisher: Random House
ISBN: 1448162181
Category : Biography & Autobiography
Languages : en
Pages : 306
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Book Description
London during the Blitz was a time of hardship, heroism and hope. For Gillian Lynne – a budding ballerina – it was also a time of great change as she was evacuated from war-torn London to a crumbling mansion, where dance classes took place in the faded ballroom. Life was hard, but her talent and dedication shone through and an astonishing journey ensued, which saw Gillian dancing a triumphant debut in Swan Lake, performing in the West End with doodlebugs falling and touring a devastated Europe entertaining the troops. A Dancer in Wartime paints a vivid and moving picture of what life was really like during the hard years of the Blitz and brings to life a lost world.
Author: Brian Seibert
Publisher: Macmillan + ORM
ISBN: 1429947616
Category : Performing Arts
Languages : en
Pages : 670
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Book Description
The first authoritative history of tap dancing, one of the great art forms—along with jazz and musical comedy—created in America. Finalist for the National Book Critics Circle Award in Nonfiction Winner of Anisfield-Wolf Book Award An Economist Best Book of 2015 What the Eye Hears offers an authoritative account of the great American art of tap dancing. Brian Seibert, a dance critic for The New York Times, begins by exploring tap’s origins as a hybrid of the jig and clog dancing and dances brought from Africa by slaves. He tracks tap’s transfer to the stage through blackface minstrelsy and charts its growth as a cousin to jazz in the vaudeville circuits. Seibert chronicles tap’s spread to ubiquity on Broadway and in Hollywood, analyzes its decline after World War II, and celebrates its rediscovery and reinvention by new generations of American and international performers. In the process, we discover how the history of tap dancing is central to any meaningful account of American popular culture. This is a story with a huge cast of characters, from Master Juba through Bill Robinson and Shirley Temple, Fred Astaire and Ginger Rogers, and Gene Kelly and Paul Draper to Gregory Hines and Savion Glover. Seibert traces the stylistic development of tap through individual practitioners and illuminates the cultural exchange between blacks and whites, the interplay of imitation and theft, as well as the moving story of African Americans in show business, wielding enormous influence as they grapple with the pain and pride of a complicated legacy. What the Eye Hears teaches us to see and hear the entire history of tap in its every step. “Tap is America’s great contribution to dance, and Brian Seibert’s book gives us—at last!—a full-scale (and lively) history of its roots, its development, and its glorious achievements. An essential book!” —Robert Gottlieb, dance critic for The New York Observer and editor of Reading Dance “What the Eye Hears not only tells you all you wanted to know about tap dancing; it tells you what you never realized you needed to know. . . . And he recounts all this in an easygoing style, providing vibrant descriptions of the dancing itself and illuminating commentary by those masters who could make a floor sing.” —Deborah Jowitt, author of Jerome Robbins: His Life, His Theater, His Dance and Time and the Dancing Image
Author: Katharine Holabird
Publisher:
ISBN: 9781584859536
Category : Juvenile Fiction
Languages : en
Pages : 32
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Book Description
Angelina is too sick to dance well during the tryouts for the lead in the "Princess of Mouseland" ballet, but when the leading ballerina sprains her foot, Angelina is ready to prove she is still the best dancer of all.
Author: Zoë Anderson
Publisher: Faber & Faber
ISBN: 057126090X
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
This book is a perceptive and critical account of the first 75 years of The Royal Ballet, tracing the company's growth, and its great cultural importance - an indispensable book for all lovers of ballet. In 1931, Ninette de Valois started a ballet company with just six dancers. Within twenty years, The Royal Ballet - as it became - was established as one of the world's great companies. It has produced celebrated dancers, from Margot Fonteyn to Darcey Bussell, and one of the richest repertoires in ballet. The company danced through the Blitz, won an international reputation in a single New York performance and added to the glamour of London's Swinging Sixties. It has established a distinctive English school of ballet, a pure classical style that could do justice to the 19th-century repertory and to new British classics. Leading dance critic, Zoë Anderson, vividly portrays the extraordinary personalities who created the company and the dancers who made such an impact on their audiences. She looks at the bad times as well as the good, examining the controversial directorships of Norman Morrice and Ross Stretton and the criticism fired at the company as the Royal Opera House closed for redevelopment.
Author: Simon Morrison
Publisher: Liveright Publishing
ISBN: 0871408309
Category : Performing Arts
Languages : en
Pages : 512
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Book Description
In this “incredibly rich” (New York Times) definitive history of the Bolshoi Ballet, visionary performances onstage compete with political machinations backstage. A critical triumph, Simon Morrison’s “sweeping and authoritative” (Guardian) work, Bolshoi Confidential, details the Bolshoi Ballet’s magnificent history from its earliest tumults to recent scandals. On January 17, 2013, a hooded assailant hurled acid into the face of the artistic director, making international headlines. A lead soloist, enraged by institutional power struggles, later confessed to masterminding the crime. Morrison gives the shocking violence context, describing the ballet as a crucible of art and politics beginning with the disreputable inception of the theater in 1776, through the era of imperial rule, the chaos of revolution, the oppressive Soviet years, and the Bolshoi’s recent $680 million renovation. With vibrant detail including “sex scandals, double-suicide pacts, bribery, arson, executions, prostitution rings, embezzlement, starving orphans, [and] dead cats in lieu of flowers” (New Republic), Morrison makes clear that the history of the Bolshoi Ballet mirrors that of Russia itself.
Author: Emily Coates
Publisher: Yale University Press
ISBN: 0300195834
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
"A fascinating exploration of our reality through the eyes of a physicist and a dancer--and an engaging introduction to both disciplines. From stepping out of our beds each morning to admiring the stars at night, we live in a world of motion, energy, space, and time. How do we understand the phenomena that shape our experience? How do we make sense of our physical realities? Two guides--a former member of New York City Ballet, Emily Coates, and a CERN particle physicist, Sarah Demers--show us how their respective disciplines can help us to understand both the quotidian and the deepest questions about the universe. Requiring no previous knowledge of dance or physics, this introduction covers the fundamentals while revealing how a dialogue between art and science can enrich our appreciation of both. Readers will come away with a broad cultural knowledge of Newtonian to quantum mechanics and classical to contemporary dance. Including problem sets and choreographic exercises to solidify understanding, this book will be of interest to anyone curious about physics or dance."--Jacket.
Author: Karen Eliot
Publisher: Oxford University Press
ISBN: 0190622423
Category : Music
Languages : en
Pages : 241
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Book Description
When the Second World War broke out, ballet in Britain was only a few decades old. Few had imagined that it would establish roots in a nation long thought to be unresponsive to dance. Nevertheless, the war proved to be a boon for ballet dancers, choreographers and audiences, for the nation's dancers were forced to look inward to their own identity and sources of creativity. As author Karen Eliot demonstrates in this fascinating book, instead of withering during the enforced isolation of war, ballet in Britain flourished, exhibiting a surprising heterogeneity and vibrant populism that moved ballet outside its typical elitist surroundings to be seen by uninitiated, often enthusiastic audiences. Ballet was thought to help boost audience morale, to render solace to the soul-weary and to afford entertainment and diversion to those who simply craved a few hours of distraction. Government authorities came to see that ballet could serve as a tool of propaganda; the ways it functioned within the larger public discourse of propaganda and sacrifice, and how it answered a public mood of pragmatism and idealism, are also topics in this story of the development of a national ballet identity. This narrative has several key players-- dance critics, male and female dancers, producers, audiences, and choreographers. Exploring the so-called "ballet boom" during WWII, the larger story of this book is one of how art and artists thrive during conflict, and how they respond pragmatically and creatively to privation and duress.
Author: Michael Nunn
Publisher: Oberon Books
ISBN: 9781849430500
Category : Performing Arts
Languages : en
Pages : 158
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Book Description
Michael Nunn and William Trevitt, aka the Ballet Boyz, are pioneers in making modern dance accessible and entertaining through their celebrated stage and television work. They met at the Royal Ballet School and went on to become leading dancers with The Royal Ballet. In 2001 they set up their own company, Ballet Boyz, and established themselves as one of the most original and dynamic partnerships in modern dance: revolutionising programming formats; commissioning new choreography; collaborating with a wide range of cutting-edge talents and building a following through their regular television appearances on the BBC, Channel 4 and Sky Arts. To celebrate 10 years as the Ballet Boyz, Nunn and Trevitt have hand-picked images from their company and personal archives to provide a unique and intimate insight into one of dance's most prolific, enduring and exciting partnerships.
Author: Cyril W. Beaumont
Publisher: Dance Books Limited
ISBN: 9781852731533
Category : Music
Languages : en
Pages : 176
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Book Description
This classic book, first published in 1952, is the definitive work on one of ballet's greatest and most popular works, Swan Lake. The book is in two parts. The first describes the evolution of Swan Lake from its initial conception to its first realisation by the Austrian choreographer Julius Wenzel Reisinger, which was a comparative failure, followed by the story of the ballet's resuscitation and eventual triumph by Marius Petipa and Lev Ivanov. Included are the original synopses of both the original Reisinger production and the Petipa-Ivanov version. There is an account of Tchaikovsky and his score, together with details of the original settings and costumes, and many of those designed for later productions. The second part of the book is concerned with the actual presentation of the ballet. The choreography of all four acts of the Petipa-Ivanov version is set out in full, with explanations of not only the stage action, but also of how the dancers move, the kind of steps they do, the gestures they make and what they are intended to express. The various roles are also analysed from the dancers' points of view, and some of the problems that may confront both dancer and producer are considered and resolved. Finally, there is a survey of some of the great dancers who over the years have achieved distinction in the roles of Odette-Odile and Prince Siegfried.
