Author: Johann Christoph Friedrich von Schiller
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
Ballads of Schiller. No. 1: The diver: with notes [and a transl., by] F.K. Harford
Author: Johann Christoph Friedrich von Schiller
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
Schiller's Ballads
Author: Friedrich Schiller
Publisher:
ISBN:
Category : Ballads, German
Languages : en
Pages : 202
Book Description
Publisher:
ISBN:
Category : Ballads, German
Languages : en
Pages : 202
Book Description
The poems and ballads of Schiller, tr. by sir E.B. Lytton. With a sketch of Schiller's life [by the translator].
Author: Johann Christoph Friedrich von Schiller
Publisher:
ISBN:
Category :
Languages : en
Pages : 416
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 416
Book Description
Life of Friedrich Schiller
Author: Henry Woodd Nevinson
Publisher:
ISBN:
Category :
Languages : en
Pages : 244
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 244
Book Description
LIFE OF SCHILLER
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 242
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 242
Book Description
Modern Quarterly of Language and Literature
Author:
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 370
Book Description
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 370
Book Description
What the Ballad Knows
Author: Adrian Daub
Publisher: Oxford University Press
ISBN: 0190885491
Category : Music
Languages : en
Pages : 297
Book Description
"The German ballad was an unusual poetic genre: supposedly inspired by a treasure trove of authorless poems that had for centuries circulated among the common people, the ballad attained popularity in the form of deeply ironic poems written by some of Germany's most canonic authors. Supposedly a celebration of the oral culture of the German Volk, the ballad instead circulated through the emerging channels of nineteenth century culture industry: from anthologies and picture books via the exploding market for song settings, from the opera house to the vaudeville stage, the ballad hewed to its medieval pretence while sounding surprisingly modern. This book traces the strange trajectory of this poetic genre from its origins in the late 18th century to its political appropriations in the 20th. Throughout, the ballad and its path across a wide variety of milieus and media told a surprising and contradictory story of the German nation. What The Ballad Knows shows that, even though the ballad arrived in Germany as a literary genre, it very quickly came to make its home in between different genres and even different media - to the point that laypeople were as likely to encounter it in a concert hall, a classroom, an art museum or a choral rehearsal as they were to encounter it in a book. When cultural conservatives in the early 20th century sought to claim the ballad as a straightforward and serious vehicle of German nationalism, they ignored just how complex the ballad's relationship to the nation had been, and what complexities within nationalism the form had managed to highlight through the decades"--
Publisher: Oxford University Press
ISBN: 0190885491
Category : Music
Languages : en
Pages : 297
Book Description
"The German ballad was an unusual poetic genre: supposedly inspired by a treasure trove of authorless poems that had for centuries circulated among the common people, the ballad attained popularity in the form of deeply ironic poems written by some of Germany's most canonic authors. Supposedly a celebration of the oral culture of the German Volk, the ballad instead circulated through the emerging channels of nineteenth century culture industry: from anthologies and picture books via the exploding market for song settings, from the opera house to the vaudeville stage, the ballad hewed to its medieval pretence while sounding surprisingly modern. This book traces the strange trajectory of this poetic genre from its origins in the late 18th century to its political appropriations in the 20th. Throughout, the ballad and its path across a wide variety of milieus and media told a surprising and contradictory story of the German nation. What The Ballad Knows shows that, even though the ballad arrived in Germany as a literary genre, it very quickly came to make its home in between different genres and even different media - to the point that laypeople were as likely to encounter it in a concert hall, a classroom, an art museum or a choral rehearsal as they were to encounter it in a book. When cultural conservatives in the early 20th century sought to claim the ballad as a straightforward and serious vehicle of German nationalism, they ignored just how complex the ballad's relationship to the nation had been, and what complexities within nationalism the form had managed to highlight through the decades"--
The Art of Music
Author: Daniel Gregory Mason
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 348
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 348
Book Description
The Publishers Weekly
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1550
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1550
Book Description
Modern Language Quarterly
Author:
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 422
Book Description
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 422
Book Description