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Author: Deborah J. Haynes
Publisher: Cambridge University Press
ISBN: 9780521066044
Category : Art
Languages : en
Pages : 0
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Book Description
Bakhtin and the Visual Arts is the first book to assess the relevance of Mikhail Bakhtin's ideas as they relate to painting and sculpture. Deborah Haynes' in-depth study of Bakhtin's aesthetics, especially his theory of creativity, analyzes its applicability to contemporary art theory and criticism. With such categories as answerability, outsideness and unfinalizability, Bakhtin, the author posits, offers a conceptual basis for interpreting the moral dimensions of creative activity.
Author: Deborah J. Haynes
Publisher: Cambridge University Press
ISBN: 9780521066044
Category : Art
Languages : en
Pages : 0
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Book Description
Bakhtin and the Visual Arts is the first book to assess the relevance of Mikhail Bakhtin's ideas as they relate to painting and sculpture. Deborah Haynes' in-depth study of Bakhtin's aesthetics, especially his theory of creativity, analyzes its applicability to contemporary art theory and criticism. With such categories as answerability, outsideness and unfinalizability, Bakhtin, the author posits, offers a conceptual basis for interpreting the moral dimensions of creative activity.
Author: Slav N. Gratchev
Publisher: Rowman & Littlefield
ISBN: 1498582702
Category : Literary Criticism
Languages : en
Pages : 385
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Book Description
Art and Answerability, the work that would become Mikhail Bakhtin’s literary manifesto, was first published in Den Iskusstva (The Day of the Art) on September 13, 1919. Mikhail Bakhtin’s Heritage in Literature, Arts, and Psychology: Art and Answerability celebrates one hundred years of Bakhtin’s heritage. This unique book examines the heritage of Mikhail Bakhtinin a variety of disciplines.To articulate the enduring relevance and heritage of the varied works of Bakhtin, sixteen scholars from eight countries have come together, and each has brought his/her unique perspective to the subject. Bakhtin’s work in aesthetics, moral philosophy, linguistics, psychology, carnival, cognition, contextualism, and the history and theory of the novel are present here, as understood by a wide variety of distinguished scholars.
Author: F. Bostad
Publisher: Springer
ISBN: 0230005675
Category : Philosophy
Languages : en
Pages : 243
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Book Description
In this multi-disciplinary volume, comprising the work of several established scholars from different countries, central concepts associated with the work of the Bakhtin Circle are interrogated in relation to intellectual history, language theory and an understanding of new media. The book will prove an important resource for those interested in the ideas of the Bakhtin Circle, but also for those attempting to develop a coherent theoretical approach to language in use and problems of meaning production in new media.
Author: James Luther Adams
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802842671
Category : Art
Languages : en
Pages : 308
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Book Description
The authors focus on the religious and theological significance of grotesque imagery in art and literature, exploring the religious meaning of the grotesque and its importance as a subject for theological inquiry.
Author: Deborah Haynes
Publisher: Westview Press
ISBN:
Category : Art
Languages : en
Pages : 228
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Book Description
Through her personal reflections on art and what it means to be an artist, the author provides a spiritual compass for today's emerging artists
Author: Alexandar Mihailovic
Publisher: Northwestern University Press
ISBN: 9780810114593
Category : Criticism
Languages : en
Pages : 312
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Book Description
This text explores Mikhail Bakhtin's reliance on the terms and concepts of theology. It begins with an identification of the theological categories and terms recalling Christology in general and Trinitarianism in particular that emerge throughout Bakhtin's long and varied career. Alexander Mihailovic discusses the elaborately wrought subtextual imagery, wordplay, and palpable orality of Bakhtin's theology of discourse, and explores the role that theology plays in supporting Bakhtin's ideas about the anti-hierarchical drift of language and culture.
Author: Alla Efimova
Publisher: University of Chicago Press
ISBN: 9780226951232
Category : Art
Languages : en
Pages : 268
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Book Description
Fascinated by the myth of the Russian avant-garde and scornful of official art, the West has been selective in its engagement with Russian visual culture. Yet how do contemporary Russian scholars and critics themselves approach the history of visual culture in the former Soviet Union? Taking its title from a Russian word that can refer to the 'texture" of life, painting, or writing, this anthology assembles thirteen key essays in art history and cultural theory by Russian-language writers. The essays erase boundaries between high and low, official and dissident, avant-garde and socialist realism, art and everyday life. Everything visual is deemed worthy of analysis, whether painting or propaganda banners, architecture or candy wrappers, mass celebrations or urban refuse. Most of the essays appear here in English for the first time. The editors have selected works of the past twenty years by philosophers, literary critics, film scholars, and art historians. Also included are influential earlier essays by Mikhail Bakhtin, V. N. Voloshinov, and Sergei Eisenstein. Compiled for general readers and specialists alike, Tekstura is a valuable resource for anyone interested in Russian and Soviet cultural history or in new theoretical approaches to the visual.
Author: Vanessa Guignery
Publisher: Cambridge Scholars Publishing
ISBN: 1443833967
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
Over the last two decades, the unstable notion of hybridity has been the focus of a number of debates in cultural and literary studies, and has been discussed in connection with such notions as métissage, creolization, syncretism, diaspora, transculturation and in-betweeness. The aim of this volume is to form a critical assessment of the scope, significance and role of the notion in literature and the visual arts from the eighteenth century to the present day. The contributors propose to examine the development and various manifestations of the concept as a principle held in contempt by the partisans of racial purity, a process enthusiastically promoted by adepts of mixing and syncretism, but also a notion viewed with suspicion by those who decry its multifarious and triumphalist dimensions and its lack of political roots. The notion of hybridity is analysed in relation to the concepts of identity, nationhood, language and culture, drawing from the theories of Mikhail Bakhtin, Homi Bhabha, Robert Young, Paul Gilroy and Edouard Glissant, among others. Contributors examine forms of hybridity in the work of such canonical writers as Daniel Defoe, Robert Louis Stevenson, Thomas De Quincey and Victor Hugo, as well as in contemporary American and British fiction, Neo-Victorian and postcolonial literature.
Author: Ian Heywood
Publisher: Routledge
ISBN: 1134729227
Category : Social Science
Languages : en
Pages : 282
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Book Description
Interpreting Visual Culture brings together original writings from leading experts in art history, philosophy, sociology and cultural studies. Ranging from an analysis of the role of vision in current critical discourse to discussion of specific examples taken from the visual arts, ethics and sociology, it presents the latest material on the interpretation of the visual in modern culture. Among topics covered are: * the visual rhetoric of modernity * the drawings of Bonnard * recent feminist art * practices and perception in arts and ethics.
Author: Roger Rothman
Publisher: Cambridge Scholars Publishing
ISBN: 144388328X
Category : Art
Languages : en
Pages : 195
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Book Description
Art of the Real is devoted to registering the materialist turn of contemporary theory in visual studies. For many years, visual studies was dominated by post-structuralist theory and its attendant nominalism. More recently, however, the materialism of Slavoj Žižek, the realism of Gilles Deleuze, especially as imputed by Manuel de Landa, and Alain Badiou has disrupted this status quo. Today, we are more likely to take for granted the relevance of biology and the natural sciences, while the return of Marx has been more serious than countenanced by Derrida or Foucault. This book considers visual studies and the questions that have led to the new materialism, its ontology and its relation to contemporary politics. While a good deal of work has promoted a materialist agenda at the same time that scholars in art history and visual studies have felt liberated by the call to attend to objects, materials and “materiality,” no publication has yet treated this move for its meta-theoretical commitments. This volume does this by addressing the conditions that have brought about the turn to materiality, the ontological commitments that follow on from new materialist metaphysics, and the political implications wrought by these commitments.
