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Author: Jose Luis Alonso de de Santos
Publisher: Hispanic Classics
ISBN: 1908343273
Category : Drama
Languages : en
Pages : 239
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Book Description
Going Down to Morocco (Bajarse al moro), is one of the most emblematic and best known theatrical work of recent times in Spain. It both contributed to and documented La Movida, a drug-fuelled youth movement that placed Madrid firmly on the global cultural map in the early 1980s. Alonso de Santos' play, a commercial and critical success when first staged in 1985, was made into a film starring Antonio Banderas in 1989. Chusa, a free-spirited and spontaneously generous young drug smuggler introduces Elena, a middle-class runaway, to the apartment she shares with her cousin Pepito and her boyfriend Alberto, a rookie policeman. The result is chaos in their previously disorderly but happy life. The comedy explores opposing lifestyles of young people in 1980s Spain, during a period of radical social change. It is characterised by humour, creative use of contemporary slang, and intertextual film references. Duncan Wheeler's translation of the original play marks with footnotes the changes made in the new version done in 2008 for a high-profile revival to celebrate its twenty-fifth anniversary. This edition also includes an unpublished interview conducted by Duncan Wheeler with Alonso de Santos in 2010.
Author: Jose Luis Alonso de de Santos
Publisher: Hispanic Classics
ISBN: 1908343273
Category : Drama
Languages : en
Pages : 239
Get Book Here
Book Description
Going Down to Morocco (Bajarse al moro), is one of the most emblematic and best known theatrical work of recent times in Spain. It both contributed to and documented La Movida, a drug-fuelled youth movement that placed Madrid firmly on the global cultural map in the early 1980s. Alonso de Santos' play, a commercial and critical success when first staged in 1985, was made into a film starring Antonio Banderas in 1989. Chusa, a free-spirited and spontaneously generous young drug smuggler introduces Elena, a middle-class runaway, to the apartment she shares with her cousin Pepito and her boyfriend Alberto, a rookie policeman. The result is chaos in their previously disorderly but happy life. The comedy explores opposing lifestyles of young people in 1980s Spain, during a period of radical social change. It is characterised by humour, creative use of contemporary slang, and intertextual film references. Duncan Wheeler's translation of the original play marks with footnotes the changes made in the new version done in 2008 for a high-profile revival to celebrate its twenty-fifth anniversary. This edition also includes an unpublished interview conducted by Duncan Wheeler with Alonso de Santos in 2010.
Author: José Luis Alonso de Santos
Publisher:
ISBN:
Category :
Languages : es
Pages : 193
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Book Description
Author:
Publisher:
ISBN: 9788469891285
Category : Juvenile Nonfiction
Languages : es
Pages : 0
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Book Description
Author: Phyllis Zatlin
Publisher: Multilingual Matters
ISBN: 9781853598326
Category : Language Arts & Disciplines
Languages : en
Pages : 248
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Book Description
Translation and film adaptation of theatre have received little study. This text draws on experiences of theatrical translators and on movie versions of plays from various countries. It looks into such concerns as the translation of bilingual plays and the choice between subtitling and dubbing of film.
Author: José Luis Alonso de Santos
Publisher: Aris and Phillips Hispanic Cla
ISBN: 1786941058
Category : Literary Collections
Languages : en
Pages : 199
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Book Description
Premiered in 1981, The Granny and the Heist (La estanquera de Vallecas) interweaves tense excitement, comic banter and moments of great tenderness in its examination of an area of Madrid equally ignored by Spain's nascent democracy as it had been under the Franco dictatorship. Contains a new critical introduction and language-teaching resources.
Author: Duncan Wheeler
Publisher: University of Wales Press
ISBN: 0708324754
Category : Drama
Languages : en
Pages : 318
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Book Description
This is the first monograph on the performance and reception of sixteenth- and seventeenth- century national drama in contemporary Spain, which attempts to remedy the traditional absence of performance-based approaches in Golden Age studies. The book contextualises the socio-historical background to the modern-day performance of the country’s three major Spanish baroque playwrights (Calderón de la Barca, Lope de Vega and Tirso de Molina), whilst also providing detailed aesthetic analyses of individual stage and screen adaptations.
Author:
Publisher: Anthem Press
ISBN: 1785272314
Category : Art
Languages : en
Pages : 207
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Book Description
This volume of essays focuses on films of the so-called quinqui genre, films created during the 1970s–1980s depicting the lives of young criminals from the outskirts of Spanish cities, that arose/spread during the uncertain transitional period in a Spain moving from a dictatorship to a democracy. The quinqui films, produced and released on a shoestring budget, were nonetheless immensely popular, although never fully considered as part of the national film production in academic circles due to their “B” nature and low quality. These films encapsulate many of the concerns that Spaniards were facing (unemployment, class conflict and disparity, wild economic growth, increasing violence and crime activity, illegal drugs ravaging the youth, etc.) and consequently they had an impact on social, cultural, and emotional levels in the reborn country. In addition to recent interest in these films as cultural products, this book presents a thorough and multi-perspective analysis of the implications for film and society that these films reveal, clarifying both: the Spanish filmic panorama as well as the canon, and the socio-political situation in a country that was going through one of the most controversial and tumultuous times of its contemporary history.
Author: Chris Perriam
Publisher: Oxford University Press, USA
ISBN: 9780198715177
Category : Literature and society
Languages : en
Pages : 260
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Book Description
A New History of Spanish Writing, 1939 to the 1990s explores the diversity of some sixty years of imaginative writing by Spaniards, its interactions with Spain's peculiarly dramatic history since the end of its Civil War, and its wider thematic significance. It covers the famous and canonical texts of the most recent in Modern Spanish literature but also explores areas less well-known outside Spain (essays and editorials, queer narrative, new poetry, comics, and texts of the militant and reactionary Right). More space than is usual in literary histories is allowed for commentary on famous texts, but the book also makes room for the marginalized and for socially contextualized explorations of the interconnectedness of various forms of writing. The overall structure is not chronological but thematic, dealing with abstract and topical issues such as silence, the family, or realism.
Author: Patrice Brasseur
Publisher: Cambridge Scholars Publishing
ISBN: 1443821845
Category : Performing Arts
Languages : en
Pages : 380
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Book Description
Contemporary theatre is one of the best ways for ethno-cultural minorities to express themselves, whether they be of indigenous origin or immigrants. It is often used to denounce social injustice and discrimination and, more generally, it helps to air questions debated in the wider community. It may also express itself thanks to the staging of collective memory, for it constitutes a privileged space for the exploration of the trauma of the past (colonial, for example), as well as providing a means of effecting the reconfiguration of a new identity, or of articulating an uneasiness about that identity. Should minority theatre increase its visibility in relation to the mainstream, or, on the contrary, remain on the margins and assert its specificity? This question is at the centre of French-Canadian experience, for example, but also applies to other postcolonial societies, in Europe and elsewhere. In order to maintain its cultural authenticity, should this type of theatre distinguish itself from a multiculturalism that runs the risk of political and social recuperation? If it is unable to resist the model proposed by globalization and widespread cultural dissemination, will it lose its legitimacy? Can, and should there be, a form of popular art at the service of the community? The term “minority” raises questions that will be examined by the articles collected in this volume. What is the definition of a minority? Does this term refer to experimental and avant-garde art forms as well as to ethno-cultural drama? Contemporary theatre is characterized by an aesthetics of hybridity—in what measure is this the case for theatre outside the mainstream? The exploration of this kind of theatre necessitates an examination of the very concept of theatre per se. Since the development of the electronic media as the privileged vector of culture, has not the theatrical genre itself become a minority art form? These are some of the pressing questions that this volume will try to address, thanks to a cross-cultural, multidisciplinary approach that aims to reveal the rich diversity of the field under study.
Author: Jorge Pérez
Publisher: University of Toronto Press
ISBN: 1487509111
Category : Design
Languages : en
Pages : 281
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Book Description
Fashioning Spanish Cinema provides a critical examination of the intersections between fashion, costume design, and Spanish cinema.
