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Author: Malcolm Boyd
Publisher: Cambridge University Press
ISBN: 9780521387132
Category : Music
Languages : en
Pages : 122
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Book Description
The Brandenburg Concertos represent a pinnacle in the history of the Baroque concerto. This analysis places the concertos in their historical context, investigates their sources, traces their origins and discusses the changing traditions of performance.
Author: Malcolm Boyd
Publisher: Cambridge University Press
ISBN: 9780521387132
Category : Music
Languages : en
Pages : 122
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Book Description
The Brandenburg Concertos represent a pinnacle in the history of the Baroque concerto. This analysis places the concertos in their historical context, investigates their sources, traces their origins and discusses the changing traditions of performance.
Author: Johann Sebastian Bach
Publisher: Courier Corporation
ISBN: 9780486297958
Category : Music
Languages : en
Pages : 196
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Book Description
Great masterpieces of intense, appealing originality, complex textures and development, and unprecedented instrumentation. Scores include No. 1 in F Major, No. 2 in F Major, No. 3 in G Major, No. 4 in G Major, No. 5 in D Major, and No. 6 in B-flat Major. Reprinted from definitive Bach-Gesellschaft edition.
Author: Michael Marissen
Publisher: Princeton University Press
ISBN: 0691006865
Category : Music
Languages : en
Pages : 163
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Book Description
This new investigation of the Brandenburg Concertos explores musical, social, and religious implications of Bach's treatment of eighteenth-century musical hierarchies. By reference to contemporary music theory, to alternate notions of the meaning of "concerto," and to various eighteenth-century conventions of form and instrumentation, the book argues that the Brandenburg Concertos are better understood not as an arbitrary collection of unrelated examples of "pure" instrumental music, but rather as a carefully compiled and meaningfully organized set. It shows how Bach's concertos challenge (as opposed to reflect) existing musical and social hierarchies. Careful consideration of Lutheran theology and Bach's documented understanding of it reveals, however, that his music should not be understood to call for progressive political action. One important message of Lutheranism, and, in this interpretation, of Bach's concertos, is that in the next world, the heavenly one, the hierarchies of the present world will no longer be necessary. Bach's music more likely instructs its listeners how to think about and spiritually cope with contemporary hierarchies than how to act upon them. In this sense, contrary to currently accepted views, Bach's concertos share with his extensive output of vocal music for the Lutheran liturgy an essentially religious character.
Author: Michael Marissen
Publisher: Princeton University Press
ISBN: 1400821657
Category : Music
Languages : en
Pages : 168
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Book Description
This new investigation of the Brandenburg Concertos explores musical, social, and religious implications of Bach's treatment of eighteenth-century musical hierarchies. By reference to contemporary music theory, to alternate notions of the meaning of "concerto," and to various eighteenth-century conventions of form and instrumentation, the book argues that the Brandenburg Concertos are better understood not as an arbitrary collection of unrelated examples of "pure" instrumental music, but rather as a carefully compiled and meaningfully organized set. It shows how Bach's concertos challenge (as opposed to reflect) existing musical and social hierarchies. Careful consideration of Lutheran theology and Bach's documented understanding of it reveals, however, that his music should not be understood to call for progressive political action. One important message of Lutheranism, and, in this interpretation, of Bach's concertos, is that in the next world, the heavenly one, the hierarchies of the present world will no longer be necessary. Bach's music more likely instructs its listeners how to think about and spiritually cope with contemporary hierarchies than how to act upon them. In this sense, contrary to currently accepted views, Bach's concertos share with his extensive output of vocal music for the Lutheran liturgy an essentially religious character.
Author: Johann Sebastian Bach
Publisher: Courier Corporation
ISBN: 9780486408637
Category : Music
Languages : en
Pages : 114
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Book Description
Suite No. 1 in C Major, Suite No. 2 in B Minor, Suite No. 3 in D Major, and Suite No. 4 in D Major. Bach-Gesellschaft edition. Instrumentation. Notes.
Author: Christoph Wolff
Publisher: W. W. Norton & Company
ISBN: 0393651797
Category : Music
Languages : en
Pages : 400
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Book Description
A concentrated study of Johann Sebastian Bach’s creative output and greatest pieces, capturing the essence of his art. Throughout his life, renowned and prolific composer Johann Sebastian Bach articulated his views as a composer in purely musical terms; he was notoriously reluctant to write about his life and work. Instead, he methodically organized certain pieces into carefully designed collections. These benchmark works, all of them without parallel or equivalent, produced a steady stream of transformative ideas that stand as paradigms of Bach’s musical art. In this companion volume to his Pulitzer Prize–finalist biography, Johann Sebastian Bach: The Learned Musician, leading Bach scholar Christoph Wolff takes his cue from his famous subject. Wolff delves deeply into the composer’s own rich selection of collected music, cutting across conventional boundaries of era, genre, and instrument. Emerging from a complex and massive oeuvre, Bach’s Musical Universe is a focused discussion of a meaningful selection of compositions—from the famous Well-Tempered Clavier, violin and cello solos, and Brandenburg Concertos to the St. Matthew Passion, Art of Fugue, and B-minor Mass. Unlike any study undertaken before, this book details Bach’s creative process across the various instrumental and vocal genres. This array of compositions illustrates the depth and variety at the essence of the composer’s musical art, as well as his unique approach to composition as a process of imaginative research into the innate potential of his chosen material. Tracing Bach’s evolution as a composer, Wolff compellingly illuminates the ideals and legacy of this giant of classical music in a new, refreshing light for everyone, from the amateur to the virtuoso.
Author: John Amis
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
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Book Description
Author: Dorottya Fabian
Publisher: Routledge
ISBN: 1351574868
Category : Music
Languages : en
Pages : 379
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Book Description
Analysing over 100 recordings from 1945-1975, this book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S. Bach's Passions, Brandenburg Concertos and Goldberg Variations. Dorottya Fabian presents a qualitative, style-orientated history of the early music movement in its formative years through a comparison of the performance style heard in these recordings with the scholarly literature on Bach performance practice. Issues explored in the book include the availability of resources, balance, tempo, dynamics, ornamentation, rhythm and articulation. During the decades following the Second World War, the early music movement was more concerned with the revival of repertoire than with the revival of performance style which meant that its characteristics and achievements differed essentially from those of the later 1970s and 1980s. Period practice techniques were not practised even by ensembles using eighteenth-century instruments. Yet, as this survey reveals, several recordings of the period provide unexpectedly stylish interpretations using metre and pulse to punctuate the music. Such metric performance and appropriate articulation helped to clarify structure and texture and assisted in the creation of a musical discourse - the pre-eminent goal of baroque compositions.
Author: Norman Carrell
Publisher:
ISBN:
Category :
Languages : en
Pages : 130
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Book Description
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 1457471582
Category : Music
Languages : en
Pages : 68
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Book Description
J. S. Bach's Brandenburg Concertos arranged for piano duet (one piano, four hands) by Max Reger. Titles: * Concerto No. 1 in F Major * Concerto No. 2 in F Major * Concerto No. 3 in G Major
