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Author: Jacquelyn Ardam
Publisher: NYU Press
ISBN: 1479813583
Category : Literary Criticism
Languages : en
Pages : 171
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Book Description
"More Americans are reading poetry in the 21st century than ever before. This books asks: how do poems come to us? How do they make us feel and think and act when they do? Who and what is poetry for? Who does poetry include and exclude, and what can we learn from it? Each chapter links a reason why we might read poetry (to want, to learn, to resist, to soothe) with a type of poem (the sonnet, the alphabet poem, the documentary poem, the internet poem). Through readings of poems written in English from Shakespeare through today, and through reading the American cultures in which we read them, the book thinks about how poems are embedded in our lives: in our loves, our educations, our politics, and our social media, sometimes in spite of, and sometimes very much because of the nation we live in"--
Author: Jacquelyn Ardam
Publisher: NYU Press
ISBN: 1479813583
Category : Literary Criticism
Languages : en
Pages : 171
Get Book Here
Book Description
"More Americans are reading poetry in the 21st century than ever before. This books asks: how do poems come to us? How do they make us feel and think and act when they do? Who and what is poetry for? Who does poetry include and exclude, and what can we learn from it? Each chapter links a reason why we might read poetry (to want, to learn, to resist, to soothe) with a type of poem (the sonnet, the alphabet poem, the documentary poem, the internet poem). Through readings of poems written in English from Shakespeare through today, and through reading the American cultures in which we read them, the book thinks about how poems are embedded in our lives: in our loves, our educations, our politics, and our social media, sometimes in spite of, and sometimes very much because of the nation we live in"--
Author: Mary Oliver
Publisher: Beacon Press
ISBN: 9780807068922
Category : Poetry
Languages : en
Pages : 102
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Book Description
Red bird came all winter / firing up the landscape / as nothing else could. So begins Mary Oliver's twelfth book of poetry, and the image of that fiery bird stays with the reader, appearing in unexpected forms and guises until, in a postscript, he explains himself: "For truly the body needs / a song, a spirit, a soul. And no less, to make this work, / the soul has need of a body, / and I am both of the earth and I am of the inexplicable / beauty of heaven / where I fly so easily, so welcome, yes, / and this is why I have been sent, to teach this to your heart." This collection of sixty-one new poems, the most ever in a single volume of Oliver's work, includes an entirely new direction in the poet's work: a cycle of eleven linked love poems-a dazzling achievement. As in all of Mary Oliver's work, the pages overflow with her keen observation of the natural world and her gratitude for its gifts, for the many people she has loved in her seventy years, as well as for her disobedient dog, Percy. But here, too, the poet's attention turns with ferocity to the degradation of the Earth and the denigration of the peoples of the world by those who love power. Red Bird is unquestionably Mary Oliver's most wide-ranging volume to date.
Author: Phillip Maciak
Publisher: NYU Press
ISBN: 1479820547
Category : Computers
Languages : en
Pages : 168
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Book Description
"Avidly Reads Screen Time is a heartwarming, harrowing diary of our relationship with screens and the complicated feelings we have about them"--
Author: Talia Schaffer
Publisher: Oxford University Press
ISBN: 0190465093
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
Romance's Rival argues that the central plot of the most important genre of the nineteenth century, the marriage plot novel, means something quite different from what we thought. In Victorian novels, women may marry for erotic desire--but they might, instead, insist on "familiar marriage," marrying trustworthy companions who can offer them socially rich lives and futures of meaningful work. Romance's Rival shows how familiar marriage expresses ideas of female subjectivity dating back through the seventeenth century, while romantic marriage felt like a new, risky idea. Undertaking a major rereading of the rise-of-the-novel tradition, from Richardson through the twentieth century, Talia Schaffer rethinks what the novel meant if one tracks familiar-marriage virtues. This alternative perspective offers new readings of major texts (Austen, the Bront s, Eliot, Trollope) but it also foregrounds women's popular fiction (Yonge, Oliphant, Craik, Broughton). Offering a feminist perspective that reads the marriage plot from the woman's point of view, Schaffer inquires why a female character might legitimately wish to marry for something other than passion. For the past half-century, scholars have valorized desire, individuality, and autonomy in the way we read novels; Romance's Rival asks us to look at the other side, to validate the yearning for work, family, company, or social power as legitimate reasons for women's marital choices in Victorian fiction. Comprehensive in its knowledge of several generations of scholarship on the novel, Romance's Rival convinces us to re-examine assumptions about the nature and function of marriage and the role of the novel in helping us not simply imagine marriage but also process changing ideas about what it might look like and how it might serve people.
Author: Tommy Pico
Publisher: Tin House Books
ISBN: 1941040985
Category : Poetry
Languages : en
Pages : 115
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Book Description
An NPR Best Book of the Year From 2018 Whiting Award winner Tommy Pico, Junk is a book-length break-up poem that explores the experience of loss and erasure, both personal and cultural. The third book in Tommy Pico’s Teebs trilogy, Junk is a breakup poem in couplets: ice floe and hot lava, a tribute to Janet Jackson and nacho cheese. In the static that follows the loss of a job or an apartment or a boyfriend, what can you grab onto for orientation? The narrator wonders what happens to the sense of self when the illusion of security has been stripped away. And for an indigenous person, how do these lost markers of identity echo larger cultural losses and erasures in a changing political landscape? In part taking its cue from A.R. Ammons’s Garbage, Teebs names this liminal space “Junk,” in the sense that a junk shop is full of old things waiting for their next use; different items that collectively become indistinct. But can there be a comfort outside the anxiety of utility? An appreciation of “being” for the sake of being? And will there be Chili Cheese Fritos?
Author: Kathryn Bond Stockton
Publisher: NYU Press
ISBN: 147984327X
Category : Biography & Autobiography
Languages : en
Pages : 179
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Book Description
“Here’s the thing with kissing: it matters intensely or not at all.” Mid-kiss, do you ever wonder who you are, who you’re kissing, where it’s leading? It can feel luscious, libidinal, friendly, but are we trying to make out something through our kissing? For Kathryn Bond Stockton, making out is a prism through which to look at the cultural and political forces of our world: race, economics, childhood, books, and movies. Making Out is Stockton’s memoir about a non-binary childhood before that idea existed in her world. We think about kissing as we accompany Stockton to the bedroom, to the closet, to the playground, to the movies, and to solitary moments with a book, the ultimate source of pleasure. Avidly Reads is a series of short books about how culture makes us feel. Founded in 2012 by Sarah Blackwood and Sarah Mesle, Avidly—an online magazine supported by the Los Angeles Review of Books—specializes in short-form critical essays devoted to thinking and feeling. Avidly Reads is an exciting new series featuring books that are part memoir, part cultural criticism, each bringing to life the author’s emotional relationship to a cultural artifact or experience. Avidly Reads invites us to explore the surprising pleasures and obstacles of everyday life.
Author: Beth Ann Fennelly
Publisher: W. W. Norton & Company
ISBN: 9780393058628
Category : Poetry
Languages : en
Pages : 128
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Book Description
Beth Ann Fennelly is fearless in delineating the joys, absorptions, and—yes—jealousies of new motherhood. Having studied motherhood "as if for an exam," reality proved "wilder and deeper and funnier" than anything she'd anticipated.Tender Hooks is Fennelly's spirited exploration of parenting, with all its contradictions and complexities.
Author: Marilyn Singer
Publisher: Penguin
ISBN: 0399186891
Category : Juvenile Fiction
Languages : en
Pages : 36
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Book Description
A new book of unique reversible poems based on Greek myths from the creator of Mirror Mirror What happens when you hold up a mirror to poems about Greek myths? You get a brand-new perspective on the classics! And that is just what happens in Echo Echo, the newest collection of reverso poems from Marilyn Singer. Read one way, each poem tells the story of a familiar myth; but when read in reverse, the poems reveal a new point of view! Readers will delight in uncovering the dual points of view in well-known legends, including the stories of Pandora’s box, King Midas and his golden touch, Perseus and Medusa, Pygmalion, Icarus and Daedalus, Demeter and Persephone, and Echo and Narcissus. These cunning verses combine with beautiful illustrations to create a collection of fourteen reverso poems to treasure.
Author: Rachel Feder
Publisher: SUNY Press
ISBN: 1438479360
Category : Poetry
Languages : en
Pages : 122
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Book Description
A collection of poems weaving together astrology, motherhood, music, and literary history. In Birth Chart, a collection of heartfelt, ruthless poetry, Rachel Feder rethinks the relationship between astrology and motherhood. She asks, if astrology constellates the universe around the moment of one’s birth, then how might it serve as shorthand for a vast number of personal experiences and cultural phenomena? How might it speak to and of friendship, motherhood, authorship, the mysteries of literary history, and the wonders of watching a child come into language? Across four sections, including a serial poem in sustained conversation with the modernist poet H.D., Feder’s references range from group texts to the Talmud to ʼ90s song lyrics. In her hands—and her inimitable yet familiar, often straight-up funny voice—astrology is less a means of explaining the world than of communicating, of capturing a feeling, of sealing a bond. The result is an equally sentimental and sardonic collection in which “the language of explanation is a heart emoji. It means you know what I mean.” And we do.
Author: Claudia Rankine
Publisher: Graywolf Press
ISBN: 1644451190
Category : Literary Collections
Languages : en
Pages : 295
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Book Description
FINALIST FOR THE 2021 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTION Claudia Rankine’s Citizen changed the conversation—Just Us urges all of us into it As everyday white supremacy becomes increasingly vocalized with no clear answers at hand, how best might we approach one another? Claudia Rankine, without telling us what to do, urges us to begin the discussions that might open pathways through this divisive and stuck moment in American history. Just Us is an invitation to discover what it takes to stay in the room together, even and especially in breaching the silence, guilt, and violence that follow direct addresses of whiteness. Rankine’s questions disrupt the false comfort of our culture’s liminal and private spaces—the airport, the theater, the dinner party, the voting booth—where neutrality and politeness live on the surface of differing commitments, beliefs, and prejudices as our public and private lives intersect. This brilliant arrangement of essays, poems, and images includes the voices and rebuttals of others: white men in first class responding to, and with, their white male privilege; a friend’s explanation of her infuriating behavior at a play; and women confronting the political currency of dying their hair blond, all running alongside fact-checked notes and commentary that complements Rankine’s own text, complicating notions of authority and who gets the last word. Sometimes wry, often vulnerable, and always prescient, Just Us is Rankine’s most intimate work, less interested in being right than in being true, being together.
