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Author: Jane Marie Todd
Publisher: Routledge
ISBN: 1317379551
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Originally published in 1990. This uniquely fascinating study approaches the problem of autobiography from two directions: first assessing theories of the self, consciousness and language developed by both Freud and Derrida; second through the reading of the autobiographical aspects of their writings. The book begins with looking at the issue of making sense of a life by means of representation, through autobiography, within the field of psychological phenomena – screen memories, mourning, obsession, hysteria, transference. Part 1 focuses on Freud’s case histories and psychoanalysis being used to make a narrative of behaviour in language. Part two considers Freud’s own Interpretation of Dreams and its autobiographical nature. Part 3 examines intellectual movements such as phenomenology, speed act theory and structuralism while Parts 4 and 5 turn to Derrida’s use of autobiography as self-criticism and his debt to Freud.
Author: Jane Marie Todd
Publisher: Routledge
ISBN: 1317379551
Category : Literary Criticism
Languages : en
Pages : 234
Get Book Here
Book Description
Originally published in 1990. This uniquely fascinating study approaches the problem of autobiography from two directions: first assessing theories of the self, consciousness and language developed by both Freud and Derrida; second through the reading of the autobiographical aspects of their writings. The book begins with looking at the issue of making sense of a life by means of representation, through autobiography, within the field of psychological phenomena – screen memories, mourning, obsession, hysteria, transference. Part 1 focuses on Freud’s case histories and psychoanalysis being used to make a narrative of behaviour in language. Part two considers Freud’s own Interpretation of Dreams and its autobiographical nature. Part 3 examines intellectual movements such as phenomenology, speed act theory and structuralism while Parts 4 and 5 turn to Derrida’s use of autobiography as self-criticism and his debt to Freud.
Author: Jane Marie Todd
Publisher: Routledge
ISBN: 1317379543
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
Originally published in 1990. This uniquely fascinating study approaches the problem of autobiography from two directions: first assessing theories of the self, consciousness and language developed by both Freud and Derrida; second through the reading of the autobiographical aspects of their writings. The book begins with looking at the issue of making sense of a life by means of representation, through autobiography, within the field of psychological phenomena – screen memories, mourning, obsession, hysteria, transference. Part 1 focuses on Freud’s case histories and psychoanalysis being used to make a narrative of behaviour in language. Part two considers Freud’s own Interpretation of Dreams and its autobiographical nature. Part 3 examines intellectual movements such as phenomenology, speed act theory and structuralism while Parts 4 and 5 turn to Derrida’s use of autobiography as self-criticism and his debt to Freud.
Author: Robert Smith
Publisher: Cambridge University Press
ISBN: 9780521465816
Category : Language Arts & Disciplines
Languages : en
Pages : 214
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Book Description
The work of Jacques Derrida can be seen to reinvent most theories. In this book Robert Smith offers both a reading of the philosophy of Derrida and an investigation of current theories of autobiography. Smith argues that for Derrida autobiography is not so much subjective self-revelation as relation to the other, not so much a general condition of thought as a general condition of writing - what Derrida calls the 'autobiography of the writing' - which mocks any self-centred finitude of living and dying. In this context, and using literary-critical, philosophical, and psychoanalytical sources, Smith thinks through Derrida's texts in a new, but distinctly Derridean, way, and finds new perspectives to analyse the work of classical writers including Hegel, Nietzsche, Kierkegaard, Freud, and de Man.
Author: Jacques Derrida
Publisher: U of Nebraska Press
ISBN: 9780803265752
Category : Philosophy
Languages : en
Pages : 208
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Book Description
"Originally published in French in 1982, this collection is a good representation of the range of Derrida's working styles."--South Atlantic Review
Author: Ian Maclachlan
Publisher: Routledge
ISBN: 1351155180
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
This collection of essays on Jacques Derrida spans nearly thirty years of critical thinking about Derrida's work. The articles selected here have never previously been collected, yet they are significant contributions that illuminate difficult and important aspects of Derrida's writings. While not seeking to be comprehensive, the volume ranges over the entirety of Derrida's published output and addresses a number of crucial topics, including literature, iterability, the signature, time, alterity, Judaism, metaphor and death. Reprinted here in chronological order of first publication, the essays are complemented by an introduction by Ian Maclachlan which discusses the significance of Derrida's work for our critical thinking.
Author: Jacques Derrida
Publisher: University of Chicago Press
ISBN: 022680786X
Category : Philosophy
Languages : en
Pages : 555
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Book Description
17 November 1979 You were reading a somewhat retro loveletter, the last in history. But you have not yet received it. Yes, its lack or excess of address prepares it to fall into all hands: a post card, an open letter in which the secret appears, but indecipherably. What does a post card want to say to you? On what conditions is it possible? Its destination traverses you, you no longer know who you are. At the very instant when from its address it interpellates, you, uniquely you, instead of reaching you it divides you or sets you aside, occasionally overlooks you. And you love and you do not love, it makes of you what you wish, it takes you, it leaves you, it gives you. On the other side of the card, look, a proposition is made to you, S and p, Socrates and plato. For once the former seems to write, and with his other hand he is even scratching. But what is Plato doing with his outstretched finger in his back? While you occupy yourself with turning it around in every direction, it is the picture that turns you around like a letter, in advance it deciphers you, it preoccupies space, it procures your words and gestures, all the bodies that you believe you invent in order to determine its outline. You find yourself, you, yourself, on its path. The thick support of the card, a book heavy and light, is also the specter of this scene, the analysis between Socrates and Plato, on the program of several others. Like the soothsayer, a "fortune-telling book" watches over and speculates on that-which-must-happen, on what it indeed might mean to happen, to arrive, to have to happen or arrive, to let or to make happen or arrive, to destine, to address, to send, to legate, to inherit, etc., if it all still signifies, between here and there, the near and the far, da und fort, the one or the other. You situate the subject of the book: between the posts and the analytic movement, the pleasure principle and the history of telecommunications, the post card and the purloined letter, in a word the transference from Socrates to Freud, and beyond. This satire of epistolary literature had to be farci, stuffed with addresses, postal codes, crypted missives, anonymous letters, all of it confided to so many modes, genres, and tones. In it I also abuse dates, signatures, titles or references, language itself. J. D. "With The Post Card, as with Glas, Derrida appears more as writer than as philosopher. Or we could say that here, in what is in part a mock epistolary novel (the long section is called "Envois," roughly, "dispatches" ), he stages his writing more overtly than in the scholarly works. . . . The Post Card also contains a series of self-reflective essays, largely focused on Freud, in which Derrida is beautifully lucid and direct."—Alexander Gelley, Library Journal
Author: Jacques Derrida
Publisher: Fordham Univ Press
ISBN: 0823227928
Category : Philosophy
Languages : en
Pages : 321
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Book Description
The translated, complete text of Derrida’s 1997 ten-hour address, “The Autobiographical Animal,” focusing on the industrialized treatment of animals. The Animal That Therefore I Am is at once an affectionate look back over the multiple roles played by animals in Derrida’s work and a profound philosophical investigation and critique of the relegation of animal life that takes place as a result of the distinction?dating from Descartes?between man as thinking animal and every other living species. That starts with the very fact of the line of separation drawn between the human and the millions of other species that are reduced to a single “the animal.” Derrida finds that distinction, or versions of it, surfacing in thinkers as far apart as Descartes, Kant, Heidegger, Lacan, and Levinas, and he dedicates extended analyses to the question in the work of each of them. The book’s autobiographical theme intersects with its philosophical analysis through the figures of looking and nakedness, staged in terms of Derrida’s experience when his cat follows him into the bathroom in the morning. In a classic deconstructive reversal, Derrida asks what this animal sees and thinks when it sees this naked man. Yet the experiences of nakedness and shame also lead all the way back into the mythologies of “man’s dominion over the beasts” and trace a history of how man has systematically displaced onto the animal his own failings or bêtises. The Animal That Therefore I Am is at times a militant plea and indictment regarding, especially, the modern industrialized treatment of animals. However, Derrida cannot subscribe to a simplistic version of animal rights that fails to follow through, in all its implications, the questions and definitions of “life” to which he returned in much of his later work.
Author: Dawne McCance
Publisher: Fordham Univ Press
ISBN: 0823283933
Category : Philosophy
Languages : en
Pages : 224
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Book Description
During the 1975–76 academic year, Jacques Derrida delivered a seminar, La vie la mort (Life Death), at the École normale supérieure, in Paris. Based on archival translations of this untapped but soon-to-be-published seminar, The Reproduction of Life Death offers an unprecedented study of Derrida’s engagement with molecular biology and genetics, particularly the work of the biologist François Jacob. Structured as an itinerary of “three rings,” each departing from and coming back to Nietzsche, Derrida’s seminar ties Jacob’s logocentric account of reproduction to the reproductive program of teaching that characterizes the academic institution, challenging this mode of teaching as auto-reproduction along with the concept of “academic freedom” on which it is based. McCance also brings Derrida’s critique of Jacob’s theory of auto-reproduction together with his reading of reproductivity, the tendency to repeat-reproduce, that is theorized and enacted in Freud’s Beyond the Pleasure Principle. The book further shows how Derrida’s account of life death relates to his writings on autobiography and the signature and to such later concerns as the question of the animal. McCance brings extensive archival research together with a deep knowledge of Derrida’s work a background in genetics to offer a fascinating new account of an encounter between philosophy and the hard sciences that will be of interest to theorists in a wide range of disciplines concerned with the question of life.
Author: Jacques Derrida
Publisher: University of Chicago Press
ISBN: 9780226143675
Category : Philosophy
Languages : en
Pages : 132
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Book Description
Originally presented as a lecture June 5, 1994, at an international colloquium entitled: Memory: the Question of Archives in London, England.
Author: Hélène Cixous
Publisher: Stanford University Press
ISBN: 9780804759076
Category : Philosophy
Languages : en
Pages : 210
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Book Description
In Insister, Hlne Cixous brings a unique mixture of theoretical speculation, breath-taking textual explication and scholarly erudition to an extremely close reading of Derrida's work, always attentive to the details of his thinking. At the same time, Insister is an extraordinarily poetic meditation, a work of literature and of mourning for Jacques Derrida the person, who was a close friend and accomplice of Cixous's from the beginning of their careers.
