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Author: United States. Congress. House
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2080
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Book Description
Author: United States. Congress. House
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2080
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Book Description
Author: Gaertner and Co
Publisher:
ISBN:
Category : Electric apparatus and appliances
Languages : en
Pages : 60
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Book Description
Author:
Publisher:
ISBN:
Category : British Columbia
Languages : en
Pages : 1328
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Book Description
Author: Walter Galenson
Publisher: Harvard University Press
ISBN: 9780674921962
Category : Business & Economics
Languages : en
Pages : 466
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Book Description
Historical account of the United Brotherhood of Carpenters (trade union) in the USA, 1881 to 1981 - covers trade unionization, trade union structure and collective bargaining, demarcation disputes and other labour disputes, political ideology and management attitudes; notes successes in wage increases, reduced hours of work and the abolition of racial segregation.
Author: Joanna Baillie
Publisher:
ISBN:
Category :
Languages : en
Pages : 434
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Book Description
Author: John Cotton Dana
Publisher:
ISBN:
Category : Business libraries
Languages : en
Pages : 86
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Book Description
Author: United States. Department of the Army
Publisher:
ISBN:
Category : Automobiles
Languages : en
Pages : 34
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Book Description
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Author: Alan Ball
Publisher: Dramatists Play Service Inc
ISBN: 9780822222309
Category : Drama
Languages : en
Pages : 68
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Book Description
THE STORY: Creator of HBO's Emmy Award-winning Six Feet Under and the Academy Award-winning screenwriter of American Beauty , Alan Ball's ALL THAT I WILL EVER BE is a darkly funny tale of cultural provocation and our eternal search for
Author: Shanice Nicole
Publisher:
ISBN: 9781999058838
Category :
Languages : en
Pages : 32
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Book Description
Dear Black Girls is a letter to all Black girls. Every day poet and educator Shanice Nicole is reminded of how special Black girls are and of how lucky she is to be one. Illustrations by Kezna Dalz support the book's message that no two Black girls are the same but they are all special--that to be a Black girl is a true gift. In this celebratory poem, Kezna and Shanice remind young readers that despite differences, they all deserve to be loved just the way they are.
