Authentic Singing: The history of singing PDF Download
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Author: Edward Foreman
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 476
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Book Description
Author: Edward Foreman
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 476
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Book Description
Author: William James Henderson
Publisher: New York : Longmans, Green
ISBN:
Category : Music
Languages : en
Pages : 220
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Book Description
Author: John Potter
Publisher: Cambridge University Press
ISBN: 9781107630093
Category : Music
Languages : en
Pages : 355
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Book Description
Why do we sing and what first drove early humans to sing? How might they have sung and how might those styles have survived to the present day? This history addresses these questions and many more, examining singing as a historical and cross-cultural phenomenon. It explores the evolution of singing in a global context - from Neanderthal Man to Auto-tune via the infinite varieties of world music from Orient to Occident, classical music from medieval music to the avant-garde and popular music from vaudeville to rock and beyond. Considering singing as a universal human activity, the book provides an in-depth perspective on singing from many cultures and periods: western and non-western, prehistoric to present. Written in a lively and entertaining style, the history contains a comprehensive reference section for those who wish to explore the topic further and will appeal to an international readership of singers, students and scholars.
Author: William James Henderson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 216
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Book Description
Bonded Leather binding
Author: Emm Gryner
Publisher: ECW Press
ISBN: 1773057820
Category : Music
Languages : en
Pages : 259
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Book Description
Vocal health tips, stories from the tour bus, and action items to improve your voice and boost your self-confidence from an award-winning musician and life coach Performing with David Bowie, surviving the murky depths of the music business, enduring a painful divorce, and making the first music video in outer space, award-winning recording artist Emm Gryner has navigated through life’s highs and lows using a secret compass: singing. Her voice, and her desire to express herself in music, has been a constant: from the early days of playing in bands while growing up in a small town, to playing arena rock shows and stadiums. Across these years and on many travels, she’s discovered the human voice to be an unlikely guide, with the power to elevate and move people closer to authentic living. This book is about that discovery: part study in the art of singing, part guide to finding one’s voice, and part memoir. This book is a must-have for anyone who knows they should be singing.
Author: Rosana Eckert
Publisher:
ISBN: 9781495095436
Category :
Languages : en
Pages : 112
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Book Description
(Vocal Instruction). GReat singing can inspire us, surprise us, make us laugh, or make us cry. IT can draw the listener in, creating a shared experience of stories and emotions, communicating the singer's unique point of view. SInging with Expression presents a step-by-step guide to help vocalists of any style or genre find their voice and connect with their audience. THis book has five sections: Timing, Tone, Melodic Alteration, Style and Other Factors, each with several chapters detailing various concepts and exercises. YOu'll find over 145 downloadable listening tracks with the author's demonstrations, as well as backing tracks in three different keys. SPontaneity exercises are featured in several chapters, aimed at helping singers sharpen their real-time-reaction reflexes in a performance situation. INcluded in the back of the book is a listening list of songs that specifically demonstrate a groove or approach discussed in th book.
Author: William J. Henderson
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: William James Henderson
Publisher: Theclassics.Us
ISBN: 9781230311487
Category :
Languages : en
Pages : 38
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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1921 edition. Excerpt: ... CHAPTER X Male Soprani And Other Virtuosi We may now return to the historical survey. In our study of this period we shall be obliged from time to time to overstep its limits. No inclusive review of these fruitful years can be made without occasional .retrospects of the past and flights beyond the border which separates them from the succeeding era. When the seventeenth century began, the glory of the virtuoso singer, as we have noted, was already spread above the horizon of musical art. His sun had risen, and by the end of the century it was blazing in the intolerable splendor of its high noon. Our prospect is crowded with composers who were singers, singers who were composers or decorators of other men's compositions, women who rivalled the most famous diva of modern times in their amazing skill in florid song, and whose musicianship was such that some of them rivalled their masculine contemporaries as composers, cardinals who were the princely patrons and in a measure dictators of the realm of music, male sopranos already challenging the attention of the world and claiming that imperial crown which was ultimately set upon their arrogant brows. The scene is animated, somewhat confused, somewhat difficult of appreciation, because the perspective is so long that this thickly peopled background spreads itself before us in a flat mass of figures which we separate with difficulty. Already, however, we have noted the advent of such artists as Peri and Caccini, composers and singers, who were actively concerned in the birth of the monodic style of the young Florentine school, a style which, as we have seen, was not artificially made, but legitimately descended through an artistic line. In our view of the secular part song we have seen...
Author: Yeonok Jang
Publisher: Scarecrow Press
ISBN: 0810884623
Category : Music
Languages : en
Pages : 307
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Book Description
In 2003, the Korean singing tradition of p’ansori joined the Representative List of the Intangible Cultural Heritage of Humanity, a distinctive honor bestowed by the United Nations Educational, Scientific, and Cultural Organization. P’ansori is a music genre—an oral tradition comprisingi arias and narratives. Often the individual singer acts out the story of young and old, good and bad, and male and female. In Korean P’ansori Singing Tradition: Development, Authenticity, and Performance History, Yeonok Jang studies the periodical developments and changes in the performance context, vocal developments, singing style, audience involvement, contemporary performance, cinematic history, and private and government sponsorship of p’ansori. Covering the period from the early development of p’ansori, including the origins and early formation of the genre, to contemporary performance, Jang surveys this remarkable genre of storytelling, song, theater, and performance. Throughout, she considers not only issues of historical context but also questions of cultural identity, past and present. Researchers in the fields of Korean studies, folk music, oral history, ethnic music, narrative and theatrical music, and cultural studies will find this work of significant value.
Author: Allison McCracken
Publisher: Duke University Press
ISBN: 082237532X
Category : Music
Languages : en
Pages : 477
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Book Description
The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners’ rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture.
